From the fish-shaped Japanese felted bag to the Persian carpet–inspired handbag, each bag is a product of its cultural history. Each pattern begins with a brief history describing the source behind these contemporary interpretations of folk designs. Folk stories also accompany many projects. Included are designs for bags for work or play, and bags of all shapes, colors, textures, and sizes. Using this collection, knitters can create bags for children, for market, for everyday, or for a special evening event.

    The kaleidoscope effects occur spontaneously, thanks to the ingeniously simple 'Stack-n-Whack'(R) cutting technique. By stacking identical repeats of fabric, quilters can efficiently cut the pieces needed for all the blocks. Each block will be unique and unexpected, keeping the quilting experience fresh and exciting! With over 200 how-to illustrations and dozens of color plates. Designs include the classic LeMoyne Star, Hybrid Lilies, Kaleidoscope Pinwheel, Hexagon Star, Diamond Ring, Morning Star, and others, all pieced with construction methods that eliminate set-in seams and ensure quick, successful results.

    

    Sections include Pattern Construction and Cutting, Fashion Movements, Textiles, Creative Thinking, and Selling Clothes. With exciting visuals and clear text, The Fundamentals of Fashion Design uses detailed diagrams, historical references, and innovative layout to challenge readers to consider the underlying principles of design.

    Start by learning the basics of piecing and how to use a rotary cutter, then making a quilt sandwich, quilting, and finally, binding your new project! A fantastic guide for anyone looking to start a new hobby, Quilting Techniques for Beginners will have you quilting in no time!

    Although regarded as an essential element of fashionable dress from the Renaissance into the twentieth century, the corset was also frequently condemned as an instrument of torture and the cause of ill health. Why did women continue to don steel and whalebone corsets for four hundred years? And why did they finally stop? This lavishly illustrated book offers fascinating and often surprising answers to these questions. Valerie Steele, one of the world’s most respected fashion historians, explores the cultural history of the corset, demolishing myths about this notorious garment and revealing new information and perspectives on its changing significance over the centuries. Whereas most historians have framed the history of the corset in terms of oppression vs. liberation and fashion vs. health and comfort, Steele contends that women’s experiences of corsetry varied considerably and cannot be fully understood within these narrow frames.Drawing on extensive research in textual, visual, and materials sources, the author disproves the beliefs that the corset was dangerously unhealthy and was designed primarily for the oppression of women. Women persisted in wearing corsets—despite powerful male authorities trying to dissuade them—because corsetry had positive connotations of social status, self-discipline, youth, and beauty. In the twentieth century the garment itself fell out of fashion but, Steele points out, it has become internalized as women replace the boned corset with diet, exercise, and plastic surgery. The book concludes with insightful analyses of such recent developments as the reconception of the corset as a symbol of rebellion and female sexual empowerment, the revival of the corset in contemporary high fashion, and its transformation from an item of underwear to outerwear.

    But Connie harbors a deep secret she has never told anyone. Ben and Julie are hardly settled when people begin dying, and they find themselves swept into the midst of another mystery. The twists and turns in this complex plot will keep readers guessing to the very end! Praise for Susan Slater and the Ben Pecos series: “Solid, suspenseful narrative and colorful glimpses of Native American life ... strongly recommend.” —Library Journal “A series to watch.” —Booklist “… Ben Pecos—raised far from New Mexico’s Tewa Pueblo—could become as lasting a fictional presence as Joe Leaphorn and Jim Chee.” – Chicago Tribune “… a gripping, interesting tale.” –5 stars, online review

     Full of drama, sadness, grief, joy and gritty story lines, this series takes a close look at what life was like in the post-war, East End of London. Poverty, squalid living conditions and hard times all jostle for space, but the overriding feeling is one of strong women, facing their hardships head on. Find out more about this intriguing time, in our look behind the scenes, and also discover how the East End had been shaped over the centuries.

    She recalls her childhood in a sod house on a frontier that required everyone to pull together in the face of hostile weather, serious illness, and economic depression but that also held its full share of good times. "As a child of seven and up," writes Grace Snyder, ". . . I wished that I might grow up to make the most beautiful quilts in the world, to marry a cowboy, and to look down on the top of a cloud. At the time I dreamed those dreams and wished those wishes, it seemed impossible that any of them could every come true." But she saw all of them realized.No Time on My Hands is a remarkable chronicle of the sod house era and of Grace Snyder’s married life on a ranch in Nebraska’s sandhills. From there she finally flies above the clouds to exhibits where her quilts contribute to a worldwide revival of quiltmaking. Mrs. Snyder lived twenty years after the publication of these memoirs in 1963, to the age of one hundred. Her daughter, Nellie Snyder Yost, who helped to write No Time on My Hands, has added an epilogue to this Bison edition.

    Among topics covered are gauge, wool selection (including techniques for washing and felting wool), casting on, plait edging, ribbed and unribbed cuffs, and a long section on the ever-elusive thumb. Also detailed are techniques for hand-knit mitten cords, finishing, and sizing.

    Simple and easy step-by-step instructions with clear understandable line drawings.

    The Communists were in power, but the Harvard of China was a hotbed of intellectual and cultural activity, with political debates and "English Corners" where students eagerly practiced the language among themselves. Nineteen-year-old Wei had known the oppressive days of the Cultural Revolution, having grown up with her parents in a work camp in a remote region of China. Now, as a student, she was allowed to immerse herself in study and spend her free hours writing poetry -- that bastion of bourgeois intellectualism -- beside the Lake with No Name at the center of campus. It was there that Wei met Dong Yi. Although Wei's love was first subsumed by the deep friendship that developed between them, it smoldered into a passionate longing. Ties to other lovers from their pasts stood always between them as the years passed and Wei moved through her studies, from undergraduate to graduate. Yet her relationship with Dong Yi continued to deepen as each season gave way to the next. Amid the would-be lovers' private drama, the winds in China were changing, and the specter of government repression loomed once again. By the spring of 1989, everything had changed: student demands for freedom and transparency met with ominous official warnings of the repercussions they would face. The tide of student action for democracy -- led by young men and women around the university, including Dong Yi -- inexorably pushed the rigid wall of opposition, culminating in the international trauma at Tiananmen Square. On June 4, 1989, tanks rolled into the square and blood flowed on the ancient city streets. It was a day that would see the end of lives, dreams -- and a tortuous romance between two idealistic spirits. Lake with No Name is Diane Wei Liang's remembrance of this time, of her own role in the democratic movement and of the friends and lovers who stood beside her and made history on that terrible day.

    Since moving to the Liverpudlian seaside after her husband's career change, her life consists of the following: long walks on the beach (with the dog), early nights (with the kids) and Netflix (no chill). Bored and lonely, when Emma is cordially invited to the exclusive cool school-mums' book club, she thinks her luck may finally be about to change. But she soon finds the women of the club aren't quite what they seem - and after an unfortunate incident involving red wine and a white carpet, she finds herself unceremoniously kicked out. The answer? Start her own book club - for bad mothers who just want to drink wine and share stories. But will this town let two book clubs exist? Or is there only room for one queen of the school gates...? Perfect for fans of Big Little Lies and Why Mummy Drinks.

    This title offers beginner-friendly quilt projects that work well with any decor, in any room, and for everyone in the family. It is useful for adding a touch of colour and style to your home.

    It is divided into three parts, each section crammed with essential information and valuable hints. Part One covers basic techniques such as reading a chart, the different threads and fabrics available, and how to get stitching with them. Part Two explores creative options including three-dimensional cross stitch, using metallic threads and space-dyed threads, and how best to use the different fabrics available. Part three explores the use of bead, button and charm embellishments, as well as combining other techniques such as Blackwork and Hardanger with cross stitch designs to create textural interest. It introduces designing a sampler by hand or computer, and adapting commercial kits and charts to create unique and personal designs. At the end of the book there is a comprehensive stitch library, an essential reference for those keen to develop their counted thread embroidery skills. This is followed by a design library comprising over 50 pages of original charts, allowing stitchers to explore all the effects described. Finally, finis