Bored with the stultifying etiquette of the Hapsburg Court and her dutiful but unexciting husband, Franz Joseph, Sisi comes to England to hunt. She comes looking for excitement and she finds it in the dashing form of Captain Bay Middleton, the only man in Europe who can outride her. Ten years younger than her and engaged to the rich and devoted Charlotte, Bay has everything to lose by falling for a woman who can never be his. But Bay and the Empress are as reckless as each other, and their mutual attraction is a force that cannot be denied.Full of passion and drama, THE FORTUNE HUNTER tells the true story of a nineteenth century Queen of Hearts and a cavalry captain, and the struggle between love and duty.

    He and a handful of boys and girls risk their lives by scuttling around the ghetto to smuggle and trade contraband through the quarantine walls in hopes of keeping their fathers, mothers, brothers, and sisters alive, hunted all the while by blackmailers and by Jewish, Polish, and German police, not to mention the Gestapo.When his family is finally stripped away from him, Aron is rescued by Janusz Korczak, a doctor renowned throughout prewar Europe as an advocate of children’s rights who, once the Nazis swept in, was put in charge of the Warsaw orphanage. Treblinka awaits them all, but does Aron manage to escape — as his mentor suspected he could — to spread word about the atrocities? Jim Shepard has masterfully made this child's-eye view of the darkest history mesmerizing, sometimes comic despite all odds, truly heartbreaking, and even inspiring. Anyone who hears Aron's voice will remember it forever.

    It is 1904. When Frederick and Jette must flee her disapproving mother, where better to go than America, the land of the new? Originally set to board a boat to New York, at the last minute, they take one destined for New Orleans instead ("What's the difference? They're both new"), and later find themselves, more by chance than by design, in the small town of Beatrice, Missouri. Not speaking a word of English, they embark on their new life together. Beatrice is populated with unforgettable characters: a jazz trumpeter from the Big Easy who cooks a mean gumbo, a teenage boy trapped in the body of a giant, a pretty schoolteacher who helps the young men in town learn about a lot more than just music, a minister who believes he has witnessed the Second Coming of Christ, and a malevolent, bicycle-riding dwarf. A Good American is narrated by Frederick and Jette's grandson, James, who, in telling his ancestors' story, comes to realize he doesn't know his own story at all. From bare-knuckle prizefighting and Prohibition to sweet barbershop harmonies, the Kennedy assassination, and beyond, James's family is caught up in the sweep of history. Each new generation discovers afresh what it means to be an American. And, in the process, Frederick and Jette's progeny sometimes discover more about themselves than they had bargained for. Poignant, funny, and heartbreaking, A Good American is a novel about being an outsider - in your country, in your hometown, and sometimes even in your own family. It is a universal story about our search for home.

    Obsessed with Sam’s fate, Janey has tracked down Irene Lindquist, the owner of a local island-hopping airline, whom she believes might actually be the legendary Irene Foster, Mallory’s onetime student and flying partner. Foster’s disappearance during a round-the-world flight in 1937 remains one of the world’s greatest unsolved mysteries. At first, the flinty Mrs. Lindquist denies any connection to Foster. But Janey informs her that the wreck of Sam Mallory’s airplane has recently been discovered in a Spanish desert, and piece by piece, the details of Foster’s extraordinary life emerge: from the beginnings of her flying career in Southern California, to her complicated, passionate relationship with Mallory, to the collapse of her marriage to her aggressive career manager, the publishing scion George Morrow.As Irene spins her tale to its searing conclusion, Janey’s past gathers its own power. The duel between the two women takes a heartstopping turn. To whom does Mallory rightfully belong? Can we ever come to terms with the loss of those we love, and the lives we might have lived?

    Inside is a gigantic taxidermied aardvark. This outrageous, edge-of-your-seat novel hurtles between contemporary Washington, DC, where Wilson tries to get rid of the unsightly beast before it destroys his career, and Victorian England--where we meet Titus Downing, the taxidermist who stuffed the aardvark, and Richard Ostlet, the naturalist who hunted her. Our present world, we begin to see, has been shaped in profound and disturbing ways by the secret that binds these men.

    I saw the first glimmers of daylight over the roofs from the window before I heard it. We were used to air raids by then and I recognised German engines, but something felt different this time. They were closer than I’d ever heard them before…Devon, 1940: When fifteen-year-old Daisy is evacuated from her home in London, she knows she must look after her younger sister Peggy. She is the only one who can reassure Peggy that life will go back to normal, reading to her from their one battered children’s book, ensuring she takes the cough medicine their mother tucked in the pocket of her gas mask bag.But when the sisters’ new home is suddenly bombed, they are taken into the countryside, and Daisy quickly realises that not everyone at home is on the right side of the war. Forced to work in fields alongside orphan children, she finds herself drawn to a young boy called John, who has tried and failed to escape many times before.Then Peggy gets sick and Daisy knows that, to save her life, they must run away. But now Peggy is not the only one Daisy is desperate to protect. As war rages all around, Daisy learns that sometimes you have to sacrifice everything if you want to save the people you love. And that the choices you make in your darkest days will affect your family for generations to come…Perfect for fans of Lisa Wingate, Diney Costeloe and Shirley Dickson, The Runaway Sisters is a tale of heartwrenching loss and uplifting courage. It’s a story about family, and the light that can be found in the dark clouds of war.

    ‘Nobody talked about what they did during the war. We all knew we weren’t allowed to.’Joan Stanley has a secret.  For fifty years she has been a loving mother, a doting grandmother and an occasional visitor to ballroom dancing and watercolour classes. Then one sunlit spring morning there is a knock on the door.

    Stella’s childhood is full of strange, life-threatening incidents—moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted.In her rugged Italian village, Stella is considered an oddity—beautiful and smart, insolent and cold. Stella uses her peculiar toughness to protect her slower, plainer baby sister Tina from life’s harshest realities. But she also provokes the ire of her father Antonio: a man who demands subservience from women and whose greatest gift to his family is his absence.When the Fortunas emigrate to America on the cusp of World War II, Stella and Tina must come of age side-by-side in a hostile new world with strict expectations for each of them. Soon Stella learns that her survival is worthless without the one thing her family will deny her at any cost: her independence.In present-day Connecticut, one family member tells this heartrending story, determined to understand the persisting rift between the now-elderly Stella and Tina. A richly told debut, The Seven or Eight Deaths of Stella Fortuna is a tale of family transgressions as ancient and twisted as the olive branch that could heal them.

    It’s not easy being gay in Washington, DC, in the age of McCarthyism, but when she discovers a series of books about women falling in love with other women, it awakens something in Janet. As she juggles a romance she must keep hidden and a newfound ambition to write and publish her own story, she risks exposing herself—and Marie—to a danger all too real.Sixty-two years later, Abby Zimet can’t stop thinking about her senior project and its subject—classic 1950s lesbian pulp fiction. Between the pages of her favorite book, the stresses of Abby’s own life are lost to the fictional hopes, desires and tragedies of the characters she’s reading about. She feels especially connected to one author, a woman who wrote under the pseudonym “Marian Love,” and becomes determined to track her down and discover her true identity.In this novel told in dual narratives, New York Times bestselling author Robin Talley weaves together the lives of two young women connected across generations through the power of words. A stunning story of bravery, love, how far we’ve come and how much farther we have to go.

    A fascinating reading experience.' Catherine Cho, Lead judge. 'It is very shameful that children, especially defenceless young girls, are pushed into the nunneries. Shame on the unmerciful parents who treat their own so cruelly.’ Martin Luther Germany 1505 Following the death of her mother and her father’s remarriage, five-year-old Katharina is placed in the convent at Brehna. She will never see her father again. Sixty-five miles away, at Erfurt in Thuringia, Martin Luder, a promising young law student, turns his back on a lucrative career in order to become a monk. The consequences of their meeting in Wittenberg, on Easter Sunday 1523, will reverberate down the centuries and throughout the Christian world. A compelling portrayal of Katharina von Bora, set against the turmoil of the Peasant’s War and the German Reformation ... and the controversial priest at its heart. ˃˃˃ From award-winning historical fiction author, Margaret Skea (Beryl Bainbridge Best first Time Novelist 2014; Long list Historical Novel Society New Novel Award 2016), a new novel that breathes life into the 'woman at Luther's side.' If you like your historical fiction well-researched and beautifully written, this book is for you. Reviews: ‘Margaret Skea has a brilliant eye for historical detail. She creates characters who take us by the hand so that we never stumble or wonder where we are. An engrossing read.’ A. Bacon: Between the Lines ‘A dramatic and most moving story, which transported me back to the 16th century and into Katharina’s mind. I felt what she was feeling and was both fascinated by and anxious for her right from the start. I loved it.’ Books Please 'A wonderfully vivid portrait of how a headstrong girl grows into a wry, steely and impassioned woman, carves a path for herself through tumultuous times, and changes the course of history in the process. Skea knows her history, but more importantly, she writes with imagination and humanity.' Professor Alec Ryrie, Durham University, author of Protestants. Get your copy today.

    For thirteen-year-old Ursula Hildesheim, life in the village of Felddorf remains almost as it was: bullied by her schoolmates, enlisted in endless chores by her mother and sister, thieving, and running wild with her adored older brother, Anton.But then Russian prisoners escape from the local concentration camp, her mother starts an affair with a married man, her only friend goes missing, and her brother’s allegiance to the Hitler Youth emerges in shocking ways—and Ursula finds herself alone, disturbed by dark memories, and surrounded by threat. In this new world of conflict, Ursula discovers a bravery she has never known before and is forced to recognize that danger comes not only from the enemy at the door but from the enemy within.My Own Dear Brother is a remarkable coming-of-age story and an unflinching study of both cruelty and courage. Rich in folklore, it introduces a daring young heroine and a powerful new literary voice.

    A harrowing incident years before left her a virtual prisoner in her own home, forever wary of the heartbreak and limitation of a girl’s life.Eleven years after they began fostering, the Moscatellis are raising three children as their own and Dahlia and Louie consider their family complete, but when the social worker begs them to take a young girl who has been horrifically abused and neglected, they can’t say no.Six-year-old Agnes Juniper arrives with no knowledge of her Native American heritage or herself beyond a box of trinkets given to her by her mother and dreamlike memories of her sister. Before long, this stranger in their midst has strengthened the bond in this unusual family, showing them how to contend with outside forces that want to tear them apart. Heartfelt and enthralling, All the Children Are Home is a moving testament to how love can survive in the face of devastating losses.

    With the country in the grip of the Black Death, brothers John and William fear that they will shortly die and go to Hell. But as the end draws near, they are given an unexpected choice: either to go home and spend their last six days in their familiar world, or to search for salvation across the forthcoming centuries – living each one of their remaining days ninety-nine years after the last.   John and William choose the future and find themselves in 1447, ignorant of almost everything going on around them. The year 1546 brings no more comfort, and 1645 challenges them still further. It is not just that technology is changing: things they have taken for granted all their lives prove to be short-lived.   As they find themselves in stranger and stranger times, the reader travels with them, seeing the world through their eyes as it shifts through disease, progress, enlightenment and war. But their time is running out – can they do something to redeem themselves before the six days are up?

    Drawn to the cold depths of the river by Ruth’s house, the girls pretend to be the drowning Ophelia, with increasingly elaborate tableaus. But by the end of that fateful summer, real tragedy finds them along the banks. Twenty-four years later, Ruth returns to the suffocating, once grand house she grew up in, the mother of young twins and seventeen-year-old Maeve. Joining the family in the country is Stuart, Ruth’s childhood friend, who is quietly insinuating himself into their lives and gives Maeve the attention she longs for. She is recently in remission, unsure of her place in the world now that she is cancer-free. Her parents just want her to be an ordinary teenage girl. But what teenage girl is ordinary? Alternating between the two fateful summers, The Ophelia Girls is a suspense-filled exploration of mothers and daughters, illicit desire, and the perils and power of being a young woman.

    But the beauty and pageantry masks the deadly rivalry that exists among the city's districts. Each ward, represented by an animal symbol, puts forth a rider to claim the winner's banner, but the contest turns citizens into tribes and men into beasts—and beautiful, headstrong, young Pia Tolomei is in love with a rider of an opposing ward, an outsider who threatens the shaky balance of intrigue and influence that rules the land.