The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See’atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast? The last name seemed the most appropriate to me. The One who runs and hides.

    But never more engagingly told than in HUNDRED MILES TO NOWHERE" --Will Weaver, author of Sweet Land and The Last HunterA singer-songwriter moves from New York City to rural Minnesota for love, and finds somewhere, and someone, in the middle of nowhere. When Elisa Korenne took a month's break from New York City to be the resident singer-songwriter in middle-of-nowhere Minnesota, she didn't intend to stay. Then she fell in love with the local outdoorsman/insurance guy. One cross-country romance later, Elisa gave up subways, theater, City Bakery cookies, and her Brooklyn apartment to become the 1,153rd resident of New York Mills, a rural town ninety miles from the nearest metropolitan area, Fargo. She had to resort to moonshine to stay sane.The barista knew her weekend plans before she did. The postmaster set up gigs for her behind her back. Chris expected her to eat roadkill for dinner. And you wouldn't believe the uproar when the Finnish Lutherans in town learned she was Jewish. Despite a gun-toting Millenialist neighbor and the furnace dying at twenty-six below, Elisa moved to Minnesota and married Chris anyway. Then a tornado threatens to destroy the home she had finally made for herself.Hundred Miles to Nowhere is A Year in Provence for the Prairie Home Companion crowd, or Coop for fans of indie music.

    and much, much more!BACK ON TOP is fast-paced and occasionally outrageous, told with the flair readers loved in HOOKED. Samantha X does not hold back when it comes men, love, sex - and getting herself back on top.

    Board of Education struck down America's "separate but equal" doctrine, one Chinese family and an eccentric Mississippi lawyer fought for desegregation in one of the greatest legal battles never toldOn September 15, 1924, Martha Lum and her older sister Berda were barred from attending middle school in Rosedale, Mississippi. The girls were Chinese American and considered by the school to be "colored"; the school was for whites. This event would lead to the first US Supreme Court case to challenge the constitutionality of racial segregation in Southern public schools, an astonishing thirty years before the landmark Brown v. Board of Education decision.Unearthing one of the greatest stories never told, journalist Adrienne Berard recounts how three unlikely heroes sought to shape a new South. A poor immigrant from southern China, Jeu Gong Lum came to America with the hope of a better future for his family. Unassuming yet boldly determined, his daughter Martha would inhabit that future and become the face of the fight to integrate schools. Earl Brewer, their lawyer and staunch ally, was once a millionaire and governor of Mississippi. When he took the family's case, Brewer was both bankrupt and a political pariah--a man with nothing left to lose.By confronting the "separate but equal" doctrine, the Lum family fought for the right to educate Chinese Americans in the white schools of the Jim Crow South. Using their groundbreaking lawsuit as a compass, Berard depicts the complicated condition of racial otherness in rural Southern society.In a sweeping narrative that is both epic and intimate, Water Tossing Boulders evokes a time and place previously defined by black and white, a time and place that, until now, has never been viewed through the eyes of a forgotten third race. In vivid prose, the Mississippi Delta, an empire of cotton and a bastion of slavery, is reimagined to reveal the experiences of a lost immigrant community. Through extensive research in historical documents and family correspondence, Berard illuminates a vital, forgotten chapter of America's past and uncovers the powerful journey of an oppressed people in their struggle for equality.

    Board of Education that America’s schools could no longer be segregated by race. Novelist Jim Grimsley was eleven years old in 1966 when federally mandated integration of schools went into effect in the state and the school in his small eastern North Carolina town was first integrated. What Jim did not realize until he began to meet these new students was just how deeply ingrained his own prejudices were and how those prejudices had developed in him despite the fact that prior to starting sixth grade, he had actually never known any black people. Now, more than forty years later, Grimsley looks back at that school and those times--remembering his own first real encounters with black children and their culture. Jim takes readers into those classrooms and onto the playing fields as, ever so tentatively, alliances were forged and friendships established. And looking back from today’s perspective, he examines how far we have really come.

    Rosen offers a firsthand witnessing of Foley’s transformation from a reticent hippie musician to the enigmatic singer/songwriter who would live and die outside society's rules. While Foley's own performances are only recently being released, his songs have been covered by Merle Haggard, Lyle Lovett, and John Prine. When he first encountered “If I Could Only Fly,” Merle Haggard called it “the best country song I've heard in fifteen years.”In a work that is part-memoir, part-biography, Rosen struggles to finally come to terms with Foley's myth and her role in its creation. Her tracing of his impact on her life navigates a lovers' roadmap along the permeable boundary between life and death. A must-read for all Blaze Foley and Texas music fans, as well as romantics of all ages, Living in the Woods in a Tree is an honest and compassionate portrait of the troubled artist and his reluctant muse.

    In Souls in the Hands of a Tender God, he tells the evocative stories of persons who desperately need psychiatric, psychological, and spiritual support-like Mary, who surrounds herself with huge trash bags for protection from a threatening world; Jerry, whose fits of rage get him barred from every shelter and meal program in Seattle; and others, abandoned and marginalized by their community, who need care and treatment to find their way back to a life of stability and meaning. As Rennebohm reaches out to each one, their stories become parables that explore mental illness and the spiritual heart of care and recovery, helping us understand what it means to be human, on a pilgrimage together toward wholeness.As these stories unfold, we encounter Rennebohm's powerful experiences with a God of kindness and compassion, drawn from his own life and the lives of those he has aided in their struggles with homelessness and with mental illness. Souls in the Hands of a Tender God offers a clear understanding of Spirit, faith, soul, and religion that will prove invaluable to individual conversations and to dialogue among congregations about how we can best serve "the least among us."Souls in the Hands of a Tender God follows the path of healing and the way of companionship to build communities of caring that welcome and include our most fragile and troubled neighbors. With gentleness and grace, solid knowledge and wisdom, Rennebohm lays down the foundations of healing communities in which all may have a home, safely rest, and be well.

    A stressed-out New York men's magazine editor gets posted to the UK and realises happiness is more easily achieved by adopting the British attitude to life - expecting the worst and going to the pub.

    She struck a chord with bluesy jazz ballads like "Put a Little Sugar in My Bowl" and powerful protest songs such as "Mississippi Goddam" and "To Be Young, Gifted, and Black," the anthem of the American Civil Rights movement.Here are the many lives and loves of Nina Simone, recounted in her unshakable voice.

    More than a successful book, A People’s History triggered a revolution in the way history is told, displacing the official versions with their emphasis on great men in high places to chronicle events as they were lived, from the bottom up.Now Howard Zinn, historian Paul Buhle, and cartoonist Mike Konopacki have collaborated to retell, in vibrant comics form, a most immediate and relevant chapter of A People’s History: the centuries-long story of America’s actions in the world. Narrated by Zinn, this version opens with the events of 9/11 and then jumps back to explore the cycles of U.S. expansionism from Wounded Knee to Iraq, stopping along the way at World War I, Central America, Vietnam, and the Iranian revolution. The book also follows the story of Zinn, the son of poor Jewish immigrants, from his childhood in the Brooklyn slums to his role as one of America’s leading historians.Shifting from world-shattering events to one family’s small revolutions, A People’s History of American Empire presents the classic ground-level history of America in a dazzling new form.

    It showcases the expansive breadth of McKee's voice by bringing together unpublished material alongside both her celebrated and lesser-known articles.Released in time for the anniversary of her death, it reveals the sheer scope of McKee's intellectual, political, and radically humane engagement with the world - and lets her spirit live on in her own words.

    Told with Baldwin's characteristically unflinching honesty, this collection of illuminating, deeply felt essays examines topics ranging from race relations in the United States to the role of the writer in society, and offers personal accounts of Richard Wright, Norman Mailer and other writers.

    At the time, San Leandro was 99.4 percent white, known nationwide as a racist enclave. This reputation was confirmed almost immediately: Brian got his first look at the inside of a cop car, for being a black kid walking to the park with a baseball bat. Brian grew up to be a successful comedian and radio talk show host, but racism reemerged as an issue -- only in reverse -- when he received an anonymous letter: "As an African American, I am disgusted every time I hear your voice because YOU are not a genuine Black man!" That letter inspired Copeland to revisit his difficult childhood, resulting in a hit one-man show that has been running for nearly two years -- which has now inspired a book. In this funny, surprising, and ultimately moving memoir, Copeland shows exactly how our surroundings make us who we are.

    You’re unlikely to forget the experiences or regret the sharing.

    In January, 1967, at the age of twenty, I left my home in Tennessee, and was on my way to Officer Candidate School at Fort Benning, Georgia. I knew I was destined to join the party in Vietnam. I had been married for five days before I jumped on the bus and became US government property. I was about to embark on a walking tour through the jungles and muck of southern Asia. This book is about those jungles, that muck and the realities of what had been pitched as a brave and glamorous life of a soldier in combat. There is nothing glamorous in humping the brush, a backpack containing your whole life on your back, an M-16 to keep you warm at night. Red ants, trip wires, flooded rice paddies, leeches and being soaked for a year in either sweat or monsoons aren’t what they show on the movies, and the John Waynes were to be avoided; those guys were part of the ten-percent factor. Among the casualties of war are the truth and common sense. A glamorous life? No, not at all. It was a grunt's life... and this grunt had only one goal in mind – to do his tour and get home to his bride. There were times where it seemed even that was an unachievable goal.This is the story of November Platoon, Delta Company, 1st Battalion, 18th Infantry, 1st Division – The Big Red One – in Vietnam. This is my story… completely unvarnished.