The old man was brought up expecting to marry the heiress to Kuran Station—a grand estate in the Australian Outback—only to be disappointed by his rejection and the selling off of the land. He has devoted his life to putting the estate back together and has moved into the once-elegant mansion.   McIvor tries to imbue William with his obsession, but his hold on the land is threatened by laws entitling the Aborigines to reclaim sacred sites. William’s mother desperately wants her son to become John McIvor’s heir, but no one realizes that William is ill and his condition is worsening.

    She has been estranged from her parents for many years (the reasons for which become quickly clear) and is horrified by what she discovers on her arrival.For years her mother has suffered from an undiagnosed mental illness but carefully hidden her delusions and unpredictable behaviour behind a carefully guarded mask, and has successfully isolated herself and her husband from all their friends. But once in hospital her mask begins to crack and her actions leave everyone baffled and confused ... and eventually scared for their lives.Meanwhile Vicki's father, who has been systematically starved and harruanged for years, and kept virtually a prisoner in his own home, begins to realise what has happened to him and embarks upon plans of his own to combat his wife.The ensuing power play between the two takes a dramatic turn and leaves Vicki stuck in the middle of a bizarre and ludicrously strange family dilemma. All this makes for an intensely gripping, yet black-humoured family drama which will leave you on the edge of your seat.

    The most famous work by the Australian novelist and poet, For the Term of His Natural Life is a powerful tale of an Australian penal settlement, which originally appeared in serial form in a Melbourne paper.

    But it is in her short stories that her extraordinary talents—as a fabulist, feminist, social critic, and weaver of tales—are most penetratingly evident. This volume presents Carter's considerable legacy of short fiction gathered from published books, and includes early and previously unpublished stories. From reflections on jazz and Japan, through vigorous refashionings of classic folklore and fairy tales, to stunning snapshots of modern life in all its tawdry glory, we are able to chart the evolution of Carter's marvelous, magical vision.

    . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).From the eBook edition.

    In this debut collection, she conjures the disturbing and often hilarious experience of adolescence through the eyes of Chinese American girls growing up in New York City. Her stories cut across generations and continents, moving from the fraught halls of a public school in Flushing, Queens, to the tumultuous streets of Shanghai, China, during the Cultural Revolution of the 1960s. In the absence of grown-ups, latchkey kids experiment on each other until one day the experiments turn violent; an overbearing mother abandons her artistic aspirations to come to America but relives her glory days through karaoke; and a shy loner struggles to master English so she can speak to God.Narrated by the daughters of Chinese immigrants who fled imperiled lives as artists back home only to struggle to stay afloat — dumpster diving for food and scamming Atlantic City casino buses to make a buck — these seven stories showcase Zhang's compassion and moral courage, and a perverse sense of humor reminiscent of Portnoy's Complaint. A darkly funny and intimate rendering of girlhood, Sour Heart examines what it means to belong to a family, to find your home, leave it, reject it, and return again.

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    Joe wants to go - Jen begs him to stay. They fight in the corridor, following their usual script, and then he walks out and leaves her. A few hours later she dies.Three years on, after burning up his own dreams for the future, Joe is working in dead-end jobs and mentoring a wayward teenager not dissimilar from his younger self. Driven by the need to make good, he spends all his spare time doing parkour under an inner-city bridge, training his mind and body to conquer the hostile urban environment that took his love and blighted his future.Somewhere else, a middle-aged woman, Elise, is treading water in her life as her marriage breaks up. We watch as she retreats to the only place that holds any meaning for her - the tiger enclosure at Melbourne Zoo, where, for reasons she barely understands, she starts painting the tigers and forms a close connection to them.Joe is broken by grief, but the outside world won't let him hide forever. A cool and bewitching girl turns up on the doorstep of his share house, somehow painfully familiar to him. Then there is the skateboarding chef at the bar where he works, the girl with the Cossack-blue eyes, who wants to be his friend. And someone going by the Facebook tag Emily Dickinson wants to reminisce about his dead girlfriend and won't leave him alone.Can Joe staunch the flooding return of desire - or is it time to let go of the past? And will he make the nine-foot leap from girder to pillar or does he want to fall too?While at its heart is a searing absence, Leap is driven by an unstoppable and exhilarating life force, and the eternally hopeful promise of redemptive love. Funny, moving, quirky and original, Leap is an effortlessly enjoyable novel that quietly creeps up on you until its final jaw-dropping pages and a narrative twist that will take your breath away.

    the occasion is a piano lesson, the first of many...

    From a stunning new literary talent, you won't be able to put down this novel about a mother's love for her children - it will break your heart.'With visceral prose and a tense narrative arc that unfolds over just three days, speeding towards a dramatic conclusion .... Sheerwater is a propulsive read with an acute emotional core ... likely to hold appeal for readers of both literary and crime fiction, and fans of writers such as Emily Maguire, Emma Viskic and Sofie Laguna.' Bookseller + PublisherAva and her two young sons, Max and Teddy, are driving to their new home in Sheerwater, hopeful of making a fresh start in a new town, although Ava can't help but keep looking over her shoulder. They're almost at their destination when they witness a shocking accident - a light plane crashing in the field next to the road. Ava stops to help, but when she gets back to the car, she realises that somehow, among the smoke, fire and confusion, her sons have gone missing ...From a substantial new Australian writing talent, Sheerwater is tense, emotional, unforgettable. Perfect for readers of Mark Brandi's Wimmera and Stephanie Bishop's The Other Side of the World, this is a beautifully written, propulsive, gut-wrenching and unputdownable novel - an aching, powerful story of the heroic acts we are capable of in the name of love.'Sheerwater is that rare gift of a book that balances gorgeous, glittering language with breathless pace. Leah Swann writes with devastating honesty ... This is an extraordinary novel - I tore through it, captivated by the imagery and the setting, desperately hoping for a happy ending.' Rebecca Starford, author of Bad Behavior'Heart-in-mouth story ... Swann's language is sinewy and pointed; the book is trim and every sentence is necessary...a complex and horribly believable story with tremendous flair.' The Age'Sheerwater is a haunting story built on conflict. Freedom and control, tenderness and violence, hope and fear, love and hate. It shows the strength of a mother's love and the yearning for something more ... This novel is full of beautifully gripping prose and deeply powerful emotions told through sublime pacing. I found it triggered a peculiar mix of wanting to dwell in the darkly emotive prose while needing to urgently push through it to find resolution. It will be one of those books that lingers in your mind, the memory of which may even be mistaken for a story read in the news.' Booktopia'Sheerwater is compelling reading ... There is an urgency in the writing that makes you read on because you must know what the conclusion is - no matter which way it goes ... This is an extraordinary literary debut; the writing is beautifully evocative and the intertwining narratives of the main characters seamless. It's tender, it's suspenseful and you'll be wanting to see so much more from Leah Swann - I ignored everything for a day to rip through the pages and loved every minute of it.' Better Reading

    Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime. These protagonists tend to take detours and to narrate unresolved efforts. They are characters living in the margins, often coming to pieces, and sometimes, as in a nightmare, in constant flight from something horrid.In the short story "Silva the Eye," Bolano writes in the opening sentence: "It's strange how things happen, Mauricio Silva, known as The Eye, always tried to escape violence, even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around 20 years old when Salvador Allende died."Set in the Chilean exile diaspora of Latin America and Europe, and peopled by Bolano's beloved "failed generation," the stories of Last Evenings on Earth have appeared in The New Yorker and Grand Street.

    With her mother often away, her aunts took turns to look after her - until, just weeks before Maggie's sixth birthday, a shocking event changed everything.Twenty years on, Maggie is living alone in New York City when a surprise visit from her grandfather brings a revelation and a proposition to reunite the family. As the Faradays gather in Ireland, Maggie begins to realize that the women she thought she knew so intimately all have something to hide .

    In “The Cemetery for Lost Faces,” two orphans translate their grief into taxidermy, artfully arresting the passage of time. The anchoring novella, “The Unfinished World,” unfurls a surprising love story between a free and adventurous young woman and a dashing filmmaker burdened by a mysterious family. Sparks’s stories—populated with sculptors, librarians, astronauts, and warriors—form a veritable cabinet of curiosities. Mythical, bizarre, and deeply moving, The Unfinished World and Other Stories heralds the arrival of a major writer and illuminates the search for a brief encounter with the extraordinary.