But what went unreported in the media was the nuclear fallout that had lasting impact on the inhabitants of Pokhran, especially Chaitanya.It quickly becomes clear that the conspiracy surrounding this radioactive fallout runs pretty deep in the establishment. Those who have had a hand in covering it up are willing to go to great lengths to ensure that the secrets stay buried.Chaitanya sets on a journey to expose the truth. With Zara by his side, he is sure to bring justice to his people. But when fate snatches Zara away from him, he is consumed by revenge. Undeterred by threats, he embarks on a mission that takes him from the deserts of Pokhran to those of Syria, and into the halls of MIT.A heady page turner, at its very core, Pokhran is an exceptional journey of revenge, courage, love and the unbeatable human spirit.

    At first, the murder seems an open-and-shut case to Dechen, the tough, foul- mouthed, prickly lady cop in charge of the investigation. But as she begins to delve into the lives of Kamala and Puran, she discovers a world of lies, deceit and love gone wrong, where nothing is as it seems, and the guilt of murderers is difficult to establish.On a day of endless rain, a man emerges from thirty-two years of isolation to meet his king, whom he owes a share of the harvest from his fields. Journeying across leech-infested forests and forbidding valleys, he tells his children the story of his life one that has been full of drama and magic. But the biggest miracle of all awaits him in Gangtok...These two novellas, united by their strong sense of place, showcase Chetan Raj Shresthas enormous gifts as a storyteller. Magical, gritty, nerve-wracking and stylish in equal measure, this is an exceptional debut.

    What seems like a good deed however has a cruel payback andin a single moment, Kamran loses everything dear to him. This is whenMirza, in gratitude, takes Kamran under his wing and the young man getsdrawn into the mafia boss’s dangerous world of cops and rival gangsters,eventually taking over from him.Kamran also inherits Mirza’s philosophy that all of life’s problems can besolved through Ghalib¹s poetry.Soon, the innocent taxi driver has cops, criminals and even cabinetministers at his beck and call.And he has a new name—Ghalib Danger.

    Three years later, a British National claims to know her whereabouts minutes before departing for London Heathrow. The Police of two states is pressed into a joint manhunt. ‘They Go to Sleep’ is a racy thriller on police procedure and criminal psychology. In the year 2043, when nobody sends a letter anymore, an unlikely candidate decides to write about his springtime memories that are soon going to be erased. When his identity gets revealed, the impact on several individuals and the society at large assumes epic proportions. ‘A Man of Letters’ is a science fiction with humane emotions at its core. A promising poet meets his muse on board a train. They share a captivating conversation but forget to ask each other’s name. Will they be able to meet again in an Indian metro? ‘What’s In a Name?’ is a humorous look at everything Bengali: gossip, fish, cutlets and the Kolkata Book Fair. These three stories are joined by nine equally exhilarating tales of ordinary people and the choices that they make under extraordinary circumstances. The compilation will surely compel the readers to keep their midnight lamps burning.

    

    So when he proposes that they drop out of college and live-in, she readily agrees. But life with Michael soon turns into an emotional rollercoaster. Temperamental, opinionated and incredibly selfish, he expects Naina to run the household so that he is free to paint. Naina tries her hand at several odd jobs, but when an accident leaves Michael blind, their life together begins to come undone as she can only helplessly watch. And in trying to pull it together, Naina is driven to being what she has never been—a liar and a cheat. Will Michael forgive her when he learns the truth? Will she forgive him for what he has done to her?

    This book is an integration of 21 stories by Munshi Premchand, some of them are Ansuon ki holi, Namak ka Daroga, Shatranj ke Khiladi and many more.

    Accustomed to tracking down missing pets and cheating lovers, he is about to have his world change completely when a new case requires him to tail actress Shailaja Kapoor. What seems like a simple request turns into a dramatic dive into her murky past, wading through which is not going to be easy. Or safe. Soon Prachand and his wife, and partner against crime, Vidya, fall under the glare of the police as Shailaja Kapoor is abducted right before their eyes. Now he must put his skills to the test before they become victims at the end of a dark and dangerous game.

    But one glance over the fence at his lovely but reticent neighbour. Maya is enough to launch him on a path of no return. He finds himself playing friend, partner, co-conspirator, and finally the entirely unexpected role of saviour as Maya, suffocating under the weight of a loveless marriage and a suspicious husband, turns to him for help. With characteristic case and insight, Jaishree Misra writes in her new novel of the transforming power of love and of the joy and heartbreak of giving yourself to another, for better or for worse.

    Ships That Pass tells the story of Tara and Shaan, near strangers to each other after fourteen years of being married, and Tara's sister, Radhika, recently engaged, almost on a whim, to someone she barely knows. Even as Radhika tries to understand how a once ideal marriage has come undone, and struggles with her own feelings for an older man, tragedy strikes: Tara dies in mysterious circumstances and Shaan is arrested for murder. In the aftermath, Radhika realizes that while life may seldom turn out as expected, the only hope lies in finding the courage to take one's chances. A meditation on the nature of love and marriage, this subtle novella is vintage Shashi Deshpande. '[A] mesmerizing writer. . .you can never walk away from her stories.' About the AuthorShashi Deshpande, daughter of the renowned Kannada dramatist and Sanskrit scholar Shriranga, was born in Dharwad. She studied economics in Mumbai, then moved to Bangalore, where she gained a degree in law. Her writing career began in 1970, initially with short stories, of which several volumes have been published. She is also the author of eight novels, the best known of which are That Long Silence, which won the Sahitya Akademi award and is considered a landmark in Indian writing in English; The Dark Holds No Terror; Small Remedies; Moving On; and The Country of Deceit.

    Together, the 4 boys set about irreverent, sometimes hilarious rebellions against their regimented fishbowl existence at a brown-sahib institution in a turbulent, changing India.

    The mighty black river, after which the town is named, is now no more than a trickle. People have begun to listen to weather forecasts on the radio rather than looking out of the window to see if it’s going to rain. The jackfruit tree in the middle of town has suddenly started fruiting. And, most seismic of all, Paachu Yemaan, the Inspector of Police, who has terrorized the town for decades has retired. Desperate to find him something to do, his wife, Sharada, and the good-hearted Barber Sureshan decide that ex-Inspector Paachu’s post retirement project will be the reforming of the town drunk, Joby. What the two good Samaritans haven’t counted on is the chain of extraordinary events that their project is about to set in motion.

    

    NINE NUANCED STORIES THAT EXPLORE THE THEMES OF DESIRE, INTIMACY AND LOVE...A contractor at a dam site develops so obsessive a desire for a tribal woman that he brings home and holds captive another man's wife; a kathak dancer trapped in a marriage of convenience redefines notions of fidelity; an accidental step into an occupied bathroom changes a Delhi servant boy's life forever; a young married couple beleaguered by infertility desperately tries to reignite the romance and passion of their honeymoon on a houseboat in Kashmir...Set across India, each of the stories in this collection unerringly locates the defiant undercurrent of individual expression in people shackled by societal norms.