There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?The Red Notebook has already been sold in twelve different languages. French TV is making a film of The President's Hat and the movie rights of The Red Notebook have been sold to UGC.Antoine Laurain was born in Paris. He is the author of five novels, including The President's Hat.

    At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

    The world is dancing on the edge of revolution, and nowhere more so than on the Greek island of Hydra, where a circle of poets, painters and musicians live tangled lives, ruled by the writers Charmian Clift and George Johnston, troubled king and queen of bohemia. Forming within this circle is a triangle: its points the magnetic, destructive writer Axel Jensen, his dazzling wife Marianne Ihlen, and a young Canadian poet named Leonard Cohen. Into their midst arrives teenage Erica, with little more than a bundle of blank notebooks and her grief for her mother. Settling on the periphery of this circle, she watches, entranced and disquieted, as a paradise unravels. Burning with the heat and light of Greece, A Theatre for Dreamers is a spellbinding novel about utopian dreams and innocence lost – and the wars waged between men and women on the battlegrounds of genius.

     What if you could be someone else? Just for the summer...Birdy has made a mistake. Everyone imagines running away from their life at some point. But Birdy has actually done it. And the life she's run into is her best friend Heather's. The only problem is, she hasn't told Heather.The summer job at the highland Scottish hotel that her world class wine-expert friend ditched turns out to be a lot more than Birdy bargained for. Can she survive a summer pretending to be her best friend? And can Birdy stop herself from falling for the first man she's ever actually liked, but who thinks she's someone else?One good friend's very bad decision is at the heart of this laugh-out-loud love story and unexpected tale of a woman finally finding herself in the strangest of places.

    Kate Riordan’s novel is a beautifully dark and beguiling tale which will sweep you away. It will appeal to fans of Kate Morton and Daphne Du Maurier's Rebecca.In the summer of 1933, Alice Eveleigh has arrived at Fiercombe Manor in disgrace. The beautiful house becomes her sanctuary, a place to hide her shame from society in the care of the housekeeper, Mrs Jelphs. But the manor also becomes a place of suspicion, one of secrecy.Something isn't right.Someone is watching.There are secrets that the manor house seems determined to keep. Tragedy haunts the empty rooms and foreboding hangs heavy in the stifling heat. Traces of the previous occupant, Elizabeth Stanton, are everywhere and soon Alice discovers Elizabeth's life eerily mirrors the path she herself is on.(

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    The death of Eleanor's twin sister tears her family apart. Her father blames her mother for the accident. When Eleanor's mother looks at her, she sees only the daughter she lost. Their wounded family crumbles under the weight of their shared grief. 1993. Eleanor is fourteen years old when it happens for the first time... when she walks through an ordinary door at school and finds herself in another world. It happens again and again, but it's only a curiosity until that day at the cliffs. The day when Eleanor dives... and something rips her out of time itself. And on the other side, someone is waiting for her.

    As an expert in her field, she must trace the history of each painting and discover who has concealed them for so long.Thrown in amongst the glamorous Vermeil family as they move between Paris and Antibes, Flora begins to discover that things aren't all that they seem, while back at home her own family is recoiling from a seismic shock. The terse and brooding Xavier Vermeil seems intent on forcing Flora out of his family's affairs - but just what is he hiding?

    But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice.When Theseus, the Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur. But will Ariadne's decision ensure her happy ending? And what of Phaedra, the beloved younger sister she leaves behind?Hypnotic, propulsive, and utterly transporting, Jennifer Saint's Ariadne forges a new epic, one that puts the forgotten women of Greek mythology back at the heart of the story, as they strive for a better world.

    Smart and precocious, endearing but uncompromising, she fights against ingrained chauvinism to find her place in a world run by lesser men.When Olga falls in love with her neighbor, Herbert, the son of a local aristocrat, her life is irremediably changed. While Herbert indulges his thirst for exploration and adventure, Olga is limited by her gender and circumstance. Her love for Herbert goes against all odds and encounters many obstacles, but even when they are separated, it endures.Unfolding across decades—from the late nineteenth to the early twenty-first century—and across continents—from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west—Olga is an epic romance, and a wrenching tale of a woman’s devotion to a restless man in an age of constant change. Though Olga exists in the shadows of others, she pursues life to the fullest and her magnetic presence shines—revealing a woman complex, fascinating, and unforgettable. Told in three distinct parts, brilliantly shifting from different points of view and narrative formats, Bernhard Schlink’s magnificent novel is a rich, full portrait of a singular woman and her world.Translated from the German by Charlotte Collins

    The most famous and perhaps the most popular of his works, it compresses an event of immense complexity to the scale of a family history, with a cast of characters that includes a bloodthirsty ogress and an antihero as believably flawed as any in modern fiction. Though the least typical of the author’s novels, A Tale of Two Cities still underscores many of his enduring themes—imprisonment, injustice, social anarchy, resurrection, and the renunciation that fosters renewal.

    Sara is not convinced being a maid is better than being a whore, but the chance to escape her grasping ‘madam’ is too good to refuse. Inside the Thorels’ tall house in Spitalfields, where the strange cadence of the looms fills the attic, the two women forge an uneasy relationship. The physical intimacies of washing and dressing belie the reality: Sara despises her mistress’s blindness to the hypocrisy of her household, while Esther is too wrapped up in her own secrets to see Sara as anything more than another charitable cause.It is silk that has Esther so distracted. For years she has painted her own designs, dreaming that one day her husband will weave them into reality. When he laughs at her ambition, she strikes up a relationship with one of the journeyman weavers in her attic who teaches her to weave and unwittingly sets in motion events that will change the fate of the whole Thorel household.

    When she was eight years old, Lily Decker somehow survived the auto accident that killed her parents and sister, but neither her emotionally distant aunt nor her all-too-attentive uncle could ease her grief. Dancing proves to be Lily's only solace, and eventually she receives a "scholarship" to a local dance academy--courtesy of a mysterious benefactor.Grown and ready to leave home for good, Lily changes her name to Ruby Wilde and heads to Las Vegas to be a troupe dancer, but her sensual beauty and voluptuous figure land her work instead as a showgirl performing everywhere from Les Folies Bergere at the Tropicana to the Stardust's Lido de Paris. Wearing costumes dripping with feathers and rhinestones, five-inch heels, and sky-high headdresses, Ruby may have all the looks of a Sin City success story, but she still must learn to navigate the world of men--and figure out what real love looks like.With her uncanny knack for understanding the hidden lives of women, Elizabeth J. Church captures both the iconic extravagance of an era and the bravery of a young woman who dances through her sadness to find connection, freedom, and, most important, herself.Advance praise for All the Beautiful Girls"A riveting novel, at once raw and tender, of a woman's struggle to heal the wounds of a devastating childhood . . . Elizabeth J. Church makes us feel Ruby Wilde's pain and root for her to survive. This is a heartbreaking story, passionately told."--Ellen Feldman, author of Next to LovePraise for Elizabeth J. Church's The Atomic Weight of Love"Oh, what an incandescent debut! Church follows one extraordinary woman who is brave to enough to challenge the times, take defiant wing, and chart her own extraordinary flight path. The Atomic Weight of Love is so engrossing I couldn't wait to read another page, and so alive I never wanted the story to end."--Caroline Leavitt, author of Is This Tomorrow"A tightly crafted novel."--The New York Times Book Review"Exquisite . . . the beautifully written story of a woman who must negotiate the tricky terrain of love, responsibility, ambition, and sacrifice. . . . It shows the impossible choices women faced--and still face--between family and self."--Tara Conklin, author of The House Girl"What does love require of us? How does one strike a balance between compromise and self-fulfillment? In her debut novel, Church writes to these issues in a style that is thoughtful and elegant. . . . Church hits the mark in this emotionally driven debut."--Library Journal"A striking story of a woman forced to choose between the future she desires or the path society insists she take." --Harper's Bazaar "An elegant glimpse into the evolution of love and womanhood."--Kirkus Reviews

    When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to "the good."Forty years later, Odran's devotion is caught in revelations that shatter the Irish people's faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and grows nervous of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store looking for the boy's mother.But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church, and to recognize his own complicity in their propagation, within both the institution and his own family.A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms Boyne as one of the most searching storytellers of his generation.

    And like Jane Eyre, they call her wicked - but in her case, she fears the accusation is true. When she flees, she leaves behind the corpses of her tormentors.A fugitive navigating London's underbelly, Jane rights wrongs on behalf of the have-nots whilst avoiding the noose. Until an advertisement catches her eye. Her aunt has died and the new master at Highgate House, Mr Thornfield, seeks a governess. Anxious to know if she is Highgate's true heir, Jane takes the position and is soon caught up in the household's strange spell. When she falls in love with the mysterious Charles Thornfield, she faces a terrible dilemma: can she possess him - body, soul and secrets - and what if he discovers her murderous past?