But Geoffrey's family, the vast Akinya business empire, has other plans. After the death of Eunice, Geoffrey's grandmother, erstwhile space explorer and entrepreneur, something awkward has come to light on the Moon, and Geoffrey is tasked - well, blackmailed, really - to go up there and make sure the family's name stays suitably unblemished. But little does Geoffrey realise - or anyone else in the family, for that matter - what he's about to unravel.Eunice's ashes have already have been scattered in sight of Kilimanjaro. But the secrets she died with are about to come back out into the open, and they could change everything.Or shatter this near-utopia into shards...

    In a society revolutionised by a device that lets you walk through a door and be anywhere in the world - instantly...At a time when unauthorised travel has caused millions to die violent deaths...In a world where invasion of privacy is the ultimate crime...He is 'The Visitor'

    and expert at seeing the cosmos on 30 Altairian dollars a day. Ford lives by the Guide's seminal bit of advice: Don't Panic. Which comes in handy when their first ride--on the very same vessel that demolished Earth to make way for a hyperspacial freeway--ends disastrously (they are booted out of an airlock). with 30 seconds of air in their lungs and the odd of being picked up by another ship 2^276,709 to 1 against, the pair are scooped up by the only ship in the universe powered by the Infinite Improbability Drive.But this (and the idea that Bogart movies and McDonald's hamburgers now exist only in his mind) is just the beginning of the weird things Arthur will have to get used to. For, on his travels, he'll encounter Zaphod Beeblebrox, the two-headed, three-armed ex-President of the Galaxy; Trillian, a sexy spacecadet he once tried to pick up at a cocktail party, now Zaphod's girlfriend; Marvin, a chronically depressed robot; and Slartibartfast, the award-winning engineer who built the Earth and travels in a spaceship disguised as a bistro.Arthur's crazed wanderings will take him from the restaurant at the end of the Universe (where the main dish of the day introduces itself and the floor show is doomsday), to the planet Krikkit (locked in Slo-Time to punish its inhabitants for trying to end the Universe), to Earth (huh? wait! wasn't it destroyed?!) to the very offices of The Hitchhiker's Guide itself as he and his friends quest for the answer to the Question of Life, the Universe and Everything ... and search for a really good cup of tea.Ready or not, Arthur Dent is in for one hell of a ride!

    But now Cobb is just an aging alcoholic waiting to die, and the big boppers are threatening to absorb all of the little boppers--and eventually every human--into a giant, melded consciousness. Some of the little boppers aren't too keen on the idea, and a full-scale robot revolt is underway on the moon (where the boppers live). Meanwhile, bopper Ralph Numbers wants to give Cobb immortality by letting a big bopper slice up his brain and tape his "software." It seems like a good idea to Cobb.

    Selected by a vote of the membership of the Science Fiction Writers of America (SFWA), these 26 reprints represent the best, most important, and most influential stories and authors in the field. The contributors are a Who's Who of classic SF, with every Golden Age giant included: Isaac Asimov, Ray Bradbury, Arthur C. Clarke, John W. Campbell, Robert A. Heinlein, Fritz Leiber, Cordwainer Smith, Theodore Sturgeon, and Roger Zelazny. Other contributors are less well known outside the core SF readership. Three of the contributors are famous for one story--but what stories!--Tom Godwin's pivotal hard-SF tale, "The Cold Equations"; Jerome Bixby's "It's a Good Life" (made only more infamous by the chilling Twilight Zone adaptation); and Daniel Keyes's "Flowers for Algernon" (brought to mainstream fame by the movie adaptation, Charly). The collection has some minor but frustrating flaws. There are no contributor biographies, which is bad enough when the author is a giant; but it's especially sad for contributors who have become unjustly obscure. Each story's original publication date is in small print at the bottom of the first page. And neither this fine print nor the copyright page identifies the magazines in which the stories first appeared. Prefaced by editor Robert Silverberg's introduction, which describes SFWA and details the selection process, The Science Fiction Hall of Fame: Volume One, 1929-1964 is a wonderful book for the budding SF fan. Experienced SF readers should compare the table of contents to their library before making a purchase decision. Fans who contemplate giving this book to non-SF readers should bear in mind that, while several of the collected stories can measure up to classic mainstream literary stories, the less literarily-acceptable stories are weighted toward the front of the collection; adult mainstream-literature fans may not get very far into The Science Fiction Hall of Fame: Volume One, 1929-1964. --Cynthia Ward· Introduction · Robert Silverberg · in · A Martian Odyssey [Tweel] · Stanley G. Weinbaum · nv Wonder Stories Jul ’34 · Twilight [as by Don A. Stuart; Dying Earth] · John W. Campbell, Jr. · ss Astounding Nov ’34 · Helen O’Loy · Lester del Rey · ss Astounding Dec ’38 · The Roads Must Roll · Robert A. Heinlein · nv Astounding Jun ’40 · Microcosmic God · Theodore Sturgeon · nv Astounding Apr ’41 · Nightfall · Isaac Asimov · nv Astounding Sep ’41 · The Weapon Shop [Isher] · A. E. van Vogt · nv Astounding Dec ’42 · Mimsy Were the Borogoves · Lewis Padgett · nv Astounding Feb ’43 · Huddling Place [City (Websters)] · Clifford D. Simak · ss Astounding Jul ’44 · Arena · Fredric Brown · nv Astounding Jun ’44 · First Contact · Murray Leinster · nv Astounding May ’45 · That Only a Mother · Judith Merril · ss Astounding Jun ’48 · Scanners Live in Vain · Cordwainer Smith · nv Fantasy Book #6 ’50 · Mars Is Heaven! · Ray Bradbury · ss Planet Stories Fll ’48 · The Little Black Bag · C. M. Kornbluth · nv Astounding Jul ’50 · Born of Man and Woman · Richard Matheson · vi F&SF Sum ’50 · Coming Attraction · Fritz Leiber · ss Galaxy Nov ’50 · The Quest for Saint Aquin · Anthony Boucher · ss New Tales of Space and Time, ed. Raymond J. Healy, Holt, 1951; F&SF Jan ’59 · Surface Tension [Lavon] · James Blish · nv Galaxy Aug ’52 · The Nine Billion Names of God · Arthur C. Clarke · ss Star Science Fiction Stories #1, ed. Frederik Pohl, Ballantine, 1953 · It’s a Good Life · Jerome Bixby · ss Star Science Fiction Stories #2, ed. Frederik Pohl, Ballantine, 1953 · The Cold Equations · Tom Godwin · nv Astounding Aug ’54 · Fondly Fahrenheit · Alfred Bester · nv F&SF Aug ’54 · The Country of the Kind · Damon Knight · ss F&SF Feb ’56 · Flowers for Algernon · Daniel Keyes · nv F&SF Apr ’59 · A Rose for Ecclesiastes · Roger Zelazny · nv F&SF Nov ’63

    But, because the ship will accelerate to close to the speed of light, for those on board subjective time will slow and the journey will be of only a few years' duration.Then a buffeting by an interstellar dustcloud changes everything. The ship's deceleration system is damaged irreperably and soon she is gaining velocity. When she attains light-speed, tau zero itself, the disparity between ship-time and external time becomes almost impossibly great. Eons and galaxies hurtle by, and the crew of the Leonora Christine speeds into the unknown.

    The excavation showed that the fossilized plesiosaur had been holding a placard which read, 'End Nuclear Testing Now'.That was nothing unusual.But then came a discovery of something which did intrigue Kin Arad.A flat earth was something new ...

    Weinbaum/Studies in Science Fiction ('59) Sam Moskowitz essay Flight on Titan ('35) Weinbaum novelette Graph ('36) Weinbaum storyParasite Planet/Ham Hammond ('35) Weinbaum novelette Proteus Island ('36) Weinbaum novelette Pygmalion's Spectacles ('35) Weinbaum story Redemption Cairn ('36) Weinbaum noveletteRevolution of 1950 ('38) Ralph Milne Farley & Weinbaum novellaShifting Seas ('37) Weinbaum novelette Smothered Seas ('36) Ralph Milne Farley & Weinbaum novelette The Adaptive Ultimate ('35) Weinbaum noveletteThe Brink of Infinity ('36) Weinbaum storyThe Circle of Zero ('36) Weinbaum story The Ideal/Manderpootz ('35) Weinbaum storyThe Last Martian Weinbaum poem The Lotus Eaters/Ham Hammond ('35) Weinbaum novelette The Mad Moon ('35) Weinbaum novelette The Planet of Doubt/Ham Hammond ('35) Weinbaum novelette The Point of View/Manderpootz ('36) Weinbaum storyThe Red Peri ('35) Weinbaum novella The Worlds of If/Manderpootz ('35) Weinbaum story Valley of Dreams/Tweel ('34) Weinbaum story

    Clarke of Last and First Men. This masterpiece of science fiction by British philosopher and writer Olaf Stapledon (1886–1950) is an imaginative, ambitious history of humanity's future that spans billions of years. Together with its follow-up, Star Maker, it is regarded as the standard by which all earlier and later future histories are measured.The protagonist of this compelling novel is humanity itself, stripped down to sheer intelligence. It evolves through the ages: rising to pinnacles of civilization, teetering on the brink of extinction, surviving onslaughts from other planets and a decline in solar energy, and constantly developing new forms, new senses, and new intellectual abilities. From the present to five billion years into the future, this romance of humanity abounds in profound and imaginative thought.

    Leisha Camden was genetically modified at birth to require no sleep, and her normal twin Alice is the control. Problems and envy between the sisters mirror those in the larger world, as society struggles to adjust to a growing pool of people who not only have 30 percent more time to work and study than normal humans, but are also highly intelligent and in perfect health. The Sleepless gradually outgrow their welcome on Earth, and their children escape to an orbiting space station to set up their own society. But Leisha and a few others remain behind, preaching acceptance for all humans, Sleepless and Sleeper alike. With the conspiracy and revenge that unwinds, the world needs a little preaching on tolerance.

    Lando learned them from his dad and granddad, the best in the business.The second rule of smuggling: Go for the small deals. You will make more and live longer.A ladies' man, a con artist, a total professional That was Lando.Forget the rules.Then he was hired by a beautiful woman to do a job on a world called Angel. Now he's involved with her - and a dangerious group of hell-bent revolutionaries...

    Tomost of the inhabitants of post-World Warr III he looks outlandish, even sinister, To their women, he looks attractive. earth looks equally odd to Scully. Hormone treatment has turned Texans into giants and their Mex slaves into unhappy dwarfs.To the Mexes, Scully is a Sign, a Talisman, a Leader. To Scully the Mexes are a Cause, The time is ripe for revolution...

    Play begins in grand and gloriously violent fashion as Swords are gathered and used to control chance, enhance fortune, and change destiny. The holder of a Sword wields power undreamed... power to change the world and the holder.To add to the enjoyment, foolish mortals are invited to join, risking their puny lives. Demons and elementals need no invitation. But something had gone wrong in the forging, and the Game...

    But he was no soldier in the military sense, for the enemies he fought were disease, corruption and the warped psychology that spread in the isolation of mankind's lost planetary colonies. Encountering double-dealing, mutation and the unexpected, Ole Doc and his unique, multi-armed companion Hippocrates share a series of astonishing adventures in their unending journey through the trackless galaxies.Contents:· Ole Doc Methuselah [as by René Lafayette] · nv Astounding Oct ’47 · Her Majesty’s Aberration [as by René Lafayette] · ss Astounding Mar ’48 · The Expensive Slaves [as by René Lafayette] · ss Astounding Nov ’47 · The Great Air Monopoly [as by René Lafayette] · nv Astounding Sep ’48 · Plague [as by René Lafayette] · nv Astounding Apr ’49 · A Sound Investment [as by René Lafayette] · nv Astounding Jun ’49 · Ole Mother Methuselah [as by René Lafayette] · nv Astounding Jan ’50

    With proportions reaching epidemic stages, the government has set up isolated intern camps--with shocking intentions! Ultimately a story of hope and human courage, this is a gripping and powerful novel from a master storyteller.