As Juniper suffers from scorching drought and medieval famine, the townsfolk are forced to rely on the ‘new cattle’ for food: monstrous interbred cats kept by the oppressed Janet Lehey. But there’s a problem: Janet’s prized ginger tom, Bucky, has gone missing, flown the coop. As Janet and her deranged ex-con husband Klein intensify their search for the hulking mongrel, Betty Davis, an old woman clinging to survival on the outskirts of Juniper, discovers something large and ginger and lying half-dead by the side of the road. She decides to take it home… Juniper is surreal, dark, funny, and at times: excruciatingly grotesque. Buckle up for a wild ride through the dust-ridden roads of a tiny, half-forgotten American town…

    Recently, a similar party had also attempted to explore the town and was never heard from again. Now the area is believed to be haunted. This crew is about to discover, twenty miles from civilization with a blizzard bearing down, that they are not alone, and the past is very much alive.Revised edition: This edition of Abandon includes editorial revisions.

    We're supposed to be able to read each other's thoughts. Although Eli is a few minutes younger, he always seemed older, always one step ahead.It turns out that Eli kept many secrets. And he told many lies. So although he was once seen as the golden child-while I stood by as the silent sister-his web of deception led to a guilty verdict for the arson that killed our parents.Now his thirteen-year sentence has been served, and Eli is free. But we are still bound by a secret. Which is dangerous because he has nothing left to lose, and I have everything.

    Everyone around him is dead. He has no idea where he is, or who shot him and his squad down.He soon discovers he’s on one of the moons orbiting Mars, not far from the main colony and his transport back to Earth. Two members of a mining team stationed on the moon come out to investigate. They take Miller back to their base where he manages to send out a call for help.He has ninety minutes to wait for rescue.But those ninety minutes are going to feel like a lifetime.Miller quickly realises that something in the station is wrong.There seems to be more to this place than meets the eye.Strange and unsettling events suggest things are not quite as they appear.As the minutes until his rescue tick by and he begins to finally figure out what is going on, Miller is forced to confront echoes from his past as well as his deepest fears in a situation that is becoming more terrifying by the second.And he soon learns that some nightmares don’t stop when you wake up.

    When one of their friends is brutally raped by a drunk townie, they decide to take matters into their own hands. Deep in the woods of Milbury, Connecticut, there lives the legend of the Melon Heads, a race of creatures that shun human interaction and prey on those who dare to wander down Dracula Drive. Maybe this night, one band of misfits can help the other. Or maybe some legends are meant to be feared for a reason.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster