There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton

    First, her impromptu reply to the bosses has gone viral, published everywhere from Facebook to the Financial Times. Second, she has a non-refundable, same-day ticket to Melbourne thanks to a dangerous cocktail of Victorian pinot noir, broadband internet and a dash of melancholy.Landing in Australia, Ruby plans a quiet stay with her aunt in the Yarra Valley—but a party at the local winery results in an unexpected job offer: financial policy adviser to the Federal Leader of the Opposition.Intrigued, Ruby heads to Melbourne for morning coffee with the Chief of Staff—and finds herself in the middle of the Treasurer’s overthrow of the Prime Minister and the announcement of an early election.Rookie Ruby, dubbed ‘Roo’ by her Aussie colleagues, is thrown into the campaign and spends four weeks circumnavigating Australia while trying to stay afloat in the deep end of politics. Through trial and plenty of error (including wardrobe malfunctions, media mishaps and a palate for unsavoury men) she finds passion, not just a flair, for her new career.With its light touch and deft comic instincts, Campaign Ruby is a delightful combination of fashion, faux pas and the unexpected fun of federal politics.

    Now imagine that’s the best thing to happen to you all week …When Charlie sees a man who is the spitting image of her husband Oliver on a dating app, her heart stops. Her first desperate instinct is to tell herself she must be mistaken – after all, she only caught a glimpse from a distance as her friends were laughingly swiping through the men on offer. But no matter how much she tries to push her fears aside, she can’t because she took that photo. On their honeymoon. She just can’t let it go.Suddenly other signs of betrayal begin to add up and so Charlie does the only thing she can think of to defend her position – she signs up to the app to catch Oliver in the act.But Charlie soon discovers that infidelity is the least of her problems. Nothing is as it seems and nobody is who she thinks they are ...

    After the end of a decade-long relationship, Noni decides it's time for that to change. She's finally going to prioritize her wants and desires and only do things (and people) that feel good in the moment.As she embarks on a pleasure-seeking quest that takes her halfway around the world, she discovers that maybe she can have everything, and everyone, she's ever wanted.Effortlessly hilarious and relatable, Claire Christian spins a fresh, feel-good tale about starting over as a thirtysomething woman who's been living life for everyone else. A story of self-discovery for the ages, Noni's journey serves as a sparkling reminder that life is what we make of it—so why not enjoy it?

    Sadly, Nina’s uterus refuses to cooperate. One drunken evening, Nina asks Georgie for the ultimate favour: would she carry a baby for her? Georgie says yes – and spends the next nine months wondering why!With intense bacon-and-egg roll cravings and distant memories of what her feet look like, Georgie tries to keep it all together in her dream job as the editor of Jolie magazine. Her love life’s a mess – and sauvignon blanc’s off the menu – leaving Georgie to deal with twists in her life she never expected.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    She believes in feelings, not algorithms. So after a recent breakup and dating app debacle, she decides to put love on hold and escapes to a remote writers' retreat in coastal Italy. She's determined to finish writing the novel she's been fantasizing about, even though it means leaving her close-knit group of friends and her precious dog, Harold, behind.At the retreat, she's not allowed to use her real name or reveal any personal information. When the neighboring martial arts retreat is canceled and a few of its attendees join their small writing community, Ava, now going by "Aria," meets "Dutch," a man who seems too good to be true. The two embark on a baggage-free, whirlwind love affair, cliff-jumping into gem-colored Mediterranean waters and exploring the splendor of the Italian coast. Things seem to be perfect for Aria and Dutch.But then their real identities--Ava and Matt--must return to London. As their fantasy starts to fade, they discover just how different their personal worlds are. From food choices to annoying habits to sauna etiquette . . . are they compatible in anything? And then there's the prickly situation with Matt's ex-girlfriend, who isn't too eager to let him go. As one mishap follows another, it seems while they love each other, they just can't love each other's lives. Can they reconcile their differences to find one life together?

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    Any distraction is welcome, and the woman who has chained herself to the escalator, shouting about the perils of consumerism, is certainly that. She recognises Dot immediately - from their time campaigning for women's rights, and further back still, to the heyday of the Sydney Push when Margot married Laurence. Dot is in despair at the abandonment of the sisterhood, at the idea of pole dancing as empowerment and the sight of five year-olds with false eyelashes and padded bras. She's still a fierce campaigner, but these days she isn't sure where to direct her rage. Margot's despair is quieter; a haunting resentment that her youthful ambitions have always been shelved to attend to the needs of others. And as the two women turn to the past for solutions for the future, Margot's family is in crisis. Laurence sets off on a journey in a bid to repress his grief, daughter Lexie loses the job that has been her life for twenty years, and her younger sister Emma hides her pain with shopping binges that plunge her into debt. Liz Byrski assembles a fallible cast of characters who are asking the questions we ask ourselves. What does it mean to grow older? Are we brave enough to free ourselves from the pressure to stay young? And is there ever a stage in life when we can just be ourselves?

    For as long as Rae can remember, it’s been her and Mum, and their dog, Splinter; a small, deliberately unremarkable, family. They have their walks, their cooking routines, their home. Sometimes Mum disappears for a while to clear her head but Rae is okay with this, because Mum always comes back.So, when Rae wakes to Splinter’s nose in her face, the back door open, and no Mum, she does as she’s always done and carries on. She takes care of the house, goes to school, walks Splinter, and minds her own business—all the while pushing down the truth she isn’t ready to face.That is, until her grumpy, lonely neighbor Lettie—with her own secrets and sadness—falls one night and needs Rae’s help. As the two begin to rely on each other, Rae’s anxiety intensifies as she wonders what will happen to her when her mother’s absence is finally noticed and her fragile world bursts open.A Million Things transforms a gut-wrenching story of abandonment and what it’s like to grow up in a house that doesn’t feel safe into an astonishing portrait of resilience, mental health, and the families we make and how they make us in return.

    With her confidence shattered and her future uncertain, on impulse she rents a cabin for a year on Australia's Great Barrier Reef. However Turtle Island, alive with sea birds and nesting Green turtles, is not the retreat she expected. Here she finds love—for the eccentric islanders who become her family; for Tom, the laid-back turtle whisperer; and for the turtles whose ancient mothering instincts move her to tears. But Anna finds that even on her idyllic drop in the ocean there is pain, and as the months fly past her dream for a new life is threatened by a darkness that challenges everything she has come to believe about the power of love.

    To confront those fears, Valencia’s therapist suggests that she fly somewhere—anywhere—before her upcoming birthday. And as Valencia begins a telephone romance with a man from New York, she suddenly has a destination in mind. There’s only one problem—he might not actually exist.Mrs. Valentine is an eccentric old woman desperate for company, be it from neighbors, telemarketers, or even the funeral director (when you’re her age, you go to a lot of funerals). So she’s thrilled when the new cleaning girl provides a listening ear for her life’s story—a tale of storybook love and incredible adventures around the world with her husband before his mysterious and sudden disappearance.The stories of Valencia and Mrs. Valentine may at first appear to have nothing in common…but then again, nothing in life is as straightforward as it seems.

    Building a fence is not going to keep the world out and won't keep your children in. Life's not that simple."Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into the quiet life of this cosy community.Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. More than just a new home, it's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together.To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden.To Gwen, this as an act of war.Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.PRAISE FOR THE FENCE"There's nothing polite about this white picket fence drama. In this green-thumbed social satire of suburban neighbourly conflict, Meredith Jaffe's wicked sense of humor blooms in the fertile compost of domestic discord. To be enjoyed in all seasons, in full sun or part shade, requiring no watering or weeding. A mischievous treat for anyone who has ever had tricky neighbours. Jaffe is a welcome new talent." Caroline Baum, Booktopia

    Twenty-six years earlier, Sammy Went, a two-year old girl vanished from her home in Manson, Kentucky. An American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her, a loving social worker who died of cancer four years ago, crossed international lines to steal a toddler.On April 3rd, 1990, Jack and Molly Went’s daughter Sammy disappeared from the inside their Kentucky home. Already estranged since the girl’s birth, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith. Without Sammy, the Wents eventually fell apart.Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had. And to solve the mystery of her abduction—a mystery that will take her deep into the dark heart of religious fanaticism where she must fight for her life against those determined to save her soul…

    A prickling sensation crawls up her arms, her heart rate speeds up. ‘Found who?’ she asks, slowly, carefully, deliberately. ‘They found Daniel.’ Six years ago Megan waits at the school gates for her six-year-old son, Daniel. As children come and go, the playground emptying, panic bubbles inside her. Daniel is nowhere to be found. According to his teacher, Daniel’s father, Greg, has picked up his son. Except Greg and Megan are no longer together. After years of being controlled by her cruel husband, Megan has finally found the courage to divorce him. Hands trembling, she dials his number, but the line is dead. Six years later Megan is feeding baby daughter, Evie, when she gets the call she has dreamt about for years. Daniel has walked into a police station in a remote town just a few miles away. Her son is alive – and he’s coming home. But their joyful family reunion does not go to plan. His room may have been frozen in time, with his Cookie Monster poster and stack of Lego under the bed, but Daniel is no longer the sweet little boy Megan remembers. Cold and distant, Daniel is grieving the death of his father, blaming Megan for his loss and rejecting his family. And as Megan struggles to connect with the son she no longer recognises as her own, she begins to realise that Daniel has a secret. A secret that could destroy their family and put them in terrible danger. A heartbreaking, emotional drama about a family in turmoil, with a jaw-dropping twist that will blow you away. Fans of Jodi Picoult, Liane Moriarty and Lisa Wingate – this moving and poignant novel is for you.