He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    The Undead. A Town Called Discovery and The Worldship Humility.A virtual reality.A fleet of spaceships.A shimmering blue door.A virus unleased upon the planet.Four worlds that do not co-habit the same time and space.But things are never quite as they seem…*This book is intended for existing fans of the series, The Undead, Extracted, A Town Called Discovery and The Worldship Humility, and as such, it may not appeal to new readers who have not read those series.

    drunk, Effie is the kind of girl you'd avoid eye contact with, silently passing judgement. We think we know her, but we don't know the half of it. Playwright Gary Owen uses the Greek myth of Iphigenia to tell a modern story: exploring social deprivation, poverty and class in contemporary Wales.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    We attach no manacles to the word truth to bind it to our visions. Instead we free it to find its own way through the minds of the two dozen writers who have shared their vision of the future in either sensitively written allegorical tales such as Relics by Louise Marley, a woman who grew up bucking hay in Montana and moved on to a talented musical performer and successful novelist; or the raw humor of Adam Troy-Castro in his Q & A, which takes on the verbal veracity of Donald J. Trump. Jim Wright (of Stonekettle Station) imagines Trump giving the Gettysburg Address. Blaze Ward, Daniel Kimmel, Janka Hobbs and I explore dystopias. Marleen Barr and Adam Troy-Castro envision humorous, kinky, and scatological endings. What can I say? It rocks.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    Due to the scientific manipulation of the world’s crops, a destructive system for which Ben is partly responsible, there is very little nourishment left to be had, except for those most privileged and connected. Despite the dying off of most of the world, these characters manage to survive, at times tasting the good life, admiring the beauties of nature, feasting on animalistic sex, and finding love. The play raises issues of redemption, forgiveness, and responsibility as it recounts a somewhat passionate, erotic adventure story.Wallace Shawn is the author of Our Late Night (winner of the OBIE Award for Best Play), Marie and Bruce, Aunt Dan and Lemon, The Designated Mourner, The Fever, and the screenplay for My Dinner with Andre, in which he starred. Grasses of a Thousand Colors, Shawn’s first full-length play in ten years, will be produced in the United Kingdom and the United States in 2009. Shawn is a well-known film and television actor. He resides in New York City.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Their plan? Drive across the infected United States to a cabin in the Colorado Rockies without a scratch, but their trip takes a complicated detour in the middle of Nebraska when they find Kaylynn, a girl who can handle a baseball bat better than Jeremy can hold a .45 Beretta. And when they stumble into a sanctuary, Jeremy soon learns that Kaylynn is stronger than she looks—a deadly secret lies inside her. After the radio picks up a distress call from Kansas City about a possible cure, Jeremy’s parents go with a team to investigate. They never return. The only way to find their parents is for Jeremy and his sister Jewel to rely on a dangerous girl who might just turn on them at any moment.

    Seconds later it's gone, and no one knows what happened. Normal life resumes. BBQs continue, and kids play in backyards. No one notices the screams coming from one backyard.Everyone believes it to be a fluke. But it doesn't just happen in Carthage, it happens all over.While delayed, the after effects of the event are brutal to all those who were exposed to the flash, and horrifying to behold.Those not exposed, like Alana Cross, are helpless to do anything. All they can do is witness humanity self-destructing right in front of their eyes.

    Generation after generation, survivors fight on enduring the world caused by their ancestors.In 2153, fledgling nations clash over land and resources. London is a veteran of the wasteland, struggling to protect his adopted daughter Rose as the world decays around them. Little does he know that both he and Rose will soon find themselves drawn into a warJust how far is London willing to go to protect Rose from a world full of violence, hate, and apathy?Fans of The Gunslinger and Mad Max will love E.T. Gunnarsson’s multi-award-winning book Forgive Us, a story readers call “thrilling, brutal, awesome, and completely unique.”

    Gathered here are three of his latest works: Faster, in which two young grifters try to strike a deal with the devil during the hottest summer on record; Finer Noble Gases, a lament for a band of arrested thirty-year-olds slouching toward adulthood amid East Village decay; and the Off-Broadway hit Stone Cold Dead Serious. An honest, strange, and humorous look at a blue-collar family struggling to survive in the face of disability and addiction, and the seemingly surreal lengths their teenage son will go to save them from themselves, the play prompted Bruce Weber to rave in The New York Times: "Rapp is very gifted, and, even rarer, he has something to say . . . Stone Cold Dead Serious [is] brave, compassionate, and . . . breathtakingly moving. It is the work of a playwright who is forging a real voice . . . Its rendering of the shared language of loved ones illustrates how families can remain intimate even when they are in shards. Its depiction of a working-class America that is unable to dream of anything beyond enduring is as sincerely sad a commentary on our culture as I've seen in recent memory. And its fear for young people is, unfortunately, deeply convincing."

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.