But they’re real, they’re honest, and hopefully they’ll make you feel a little less alone." -Ashley Dun

    They have become one of the most influential British rock bands of their generation, sharing with their fans a belief that music can inspire change. Dear Future Historians features front-man Rou Reynolds own song interpretations and social commentary alongside all of their lyrics to date.

    A young woman named Pagan, just graduated from a writing program at a very prestigious university, is left with one burning question--Now what? She then takes an unusual step by deciding to invent her new self--the one the public will know--by creating her own magazine, written, created by, and starring none other than herself.

    This captivating book, masterfully illustrated by Lulu Delacre, is dedicated with tenderness to the young readers for whom José Martí wrote this beautiful poem.

    In a country where “money has won everywhere,” but the essential promise of democracy still beckons, these poems uncover our troubled psyches and show us what it might mean to be “Free Again.”

    They ask us to think about our relationship to desire and exploitation. They are both nostalgic for, and exhausted by, the pursuit of an endless summer.‘The intricate politics woven into Tibble’s poetry give her writing strength and purpose.’ —Winnie Siulolovao Dunn, Cordite Poetry Review‘Tibble speaks about beauty, activism, power and popular culture with compelling guile, a darkness, a deep understanding and sensuality.’ —Hinemoana Baker‘The poetry is utterly agile on the beam of its making. There is brightness, daring and sure-footedness.’ —Paula Green, NZ Poetry Shelf‘It demonstrates the power of all paradigm-shifting books – which is to fold up previously knotty stumbling blocks like they are furniture left out in the rain, and then replace it with an enlarged space.’ —John Freeman, LitHubTayi Tibble (Te Whānau ā Apanui/Ngāti Porou) was born in 1995 and lives in Wellington. Her first book, Poūkahangatus, won the Jessie Mackay Best First Book of Poetry Award in 2019.

    They illuminate the gritty idiosyncrasies of immigrant life in urban barrios spanning Los Angeles to Chicago to Harlem. Rodríguez lends powerful voices to those struggling to keep the gas on, to find work, and to keep love.  Populated by a vibrant cast of characters, ranging from the drugged, to the eccentric, to the heartbroken, Rodríguez’s poems protest capitalism, violence, and exploitation while reveling in the potential of compassion.

    (It was John Findura in Verse Magazine.) She's also been compared to comedian Sarah Silverman, artist Jeff Koons, a 10-year-old who can't keep her mouth shut, and cartoonist R. Crumb. None of these equations is quite right, however. Jennifer L. Knox's work is unmistakably her own: darkly hilarious, surprisingly empathetic, utterly original. DRUNK BY NOON is the eagerly awaited sequel to Knox's first book, A GRINGO LIKE ME, which is also available from Bloof in a new edition. Jennifer L. Knox is a three-time contributor to the Best American Poetry Series and her poems have also appeared in Great American Prose Poems and Great American Erotic Poems. For more information, see www.jenniferlknox.com.

    Featuring brand new stories and some old favorites, many of these tell-all, gritty tales were originally published on the blog Make It MAD between 2010 and 2012, and have been rereleased in their originality for this special print and digital anthology.

    Willow Creek may be a sleepy little frontier town but the characters who live there are as untamed as the land itself! Book 1: The Lawman On the run from her ex-lover… Jilted by a no-show husband… And now mistaken for a whore in the Diamond Back Saloon… Abigail Thornton doesn’t think things can get any worse. That is until a single slap to a man’s face starts a barroom brawl that lands her in the last place she expected to be. Book 2: The Outlaw Sarah Hartford always dreamed of a grand adventure. She just never expected to find it in the arms of an outlaw. Book 3: The Gambler Emmaline Hunt only had one thing she could call her own. A piece of land that held a secret not even her drunken stepfather knew about. When he gambles it away in a high stakes poker game, Emmaline hatches a plan to get it back. She wants her land, and Tristan Averys money, and she’ll do whatever it takes to get them. All she has to do is convince him she’s there to stay, outwit him, find a way back home and not let a single soul know she has a gold mine bursting at the seems with untapped wealth. Book 4: The Rancher Laurel Montgomery wanted a new life, one that didn’t include a man. She’d had enough of their pretty lies and broken promises but one night of reckless abandon weeks before taking a job as the new schoolteacher in Willow Creek would come back to haunt her. The man she thought to never see again turns out to be the father of one of her new students. A man so handsome and rugged he takes her breath away. Too bad she’s sworn off men forever. If only the stubborn man would take no for an answer.

     From #1 bestselling author R.R. King I have no name, but my enemies call me Shadow. I have killed the mightiest of warriors. Read books that have not been written yet. Drowned my enemies in their own blood and looked madness in the eyes. I've danced with Death herself and coerced her into letting me live. I've lied and uttered truths. Sinned and never forgave myself. Raised by a blind woman in the seclusion of a deep well, and then thrust out to an unforgiving world of the Seven Seasons, I seek an understanding of things not understood, salvation of from puzzles never solved, and most of all, a quest to find out who I am and what I was made for. I'm warrior of words, slayer of souls, tamer of tides, and I answer to no one but my blade.This is my story. It's up to you to decide, if I am a liar or a legend, man or myth. That's if you can handle the truth... that the quest for light is a journey into darkness.

    

    

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.