When Ellen turns nineteen Holland makes an announcement: she may marry only the man who can correctly name the species of each of the hundreds of gum trees on his property. Ellen is uninterested in the many suitors who arrive from around the world, until one afternoon she chances on a strange, handsome young man resting under a Coolibah tree. In the days that follow, he spins dozens of tales set in cities, deserts, and faraway countries. As the contest draws to a close, Ellen and the stranger's meetings become more erotic, the stories more urgent. Murray Bail's rich narrative is filled with unexpected wisdom about art, feminine beauty, landscape, and language. Eucalyptus is a shimmering love story that affirms the beguiling power of storytelling itself.

    Desperate for news of him, she makes the perilous journey, but once there, she finds herself alone and isolated in the sinister house of Gethsemane. At last there comes news: her beloved brother is riding to be reunited with her soon - but the Queen of the Fae and her insane court are hard on his heels.

    The first nonfiction work by one of the most distinctive prose stylists of our era, Joan Didion's Slouching Towards Bethlehem remains, decades after its first publication, the essential portrait of America—particularly California—in the sixties.It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

    Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.

    Diaz's work is unflinching and strong, and these stories crackle with an electric sense of discovery. Diaz evokes a world in which fathers are gone, mothers fight with grim determination for their families and themselves, and the next generation inherits the casual cruelty, devastating ambivalence, and knowing humor of lives circumscribed by poverty and uncertainty. In Drown, Diaz has harnessed the rhythms of anger and release, frustration and joy, to indelible effect.

    Hundreds of years later Lilith awakes, deep in the hold of a massive alien spacecraft piloted by the Oankali—who arrived just in time to save humanity from extinction. They have kept Lilith and other survivors asleep for centuries, as they learned whatever they could about Earth. Now it is time for Lilith to lead them back to her home world, but life among the Oankali on the newly resettled planet will be nothing like it was before.The Oankali survive by genetically merging with primitive civilizations—whether their new hosts like it or not. For the first time since the nuclear holocaust, Earth will be inhabited. Grass will grow, animals will run, and people will learn to survive the planet’s untamed wilderness. But their children will not be human. Not exactly.

    But his peaceful life is shattered when his sister, Nessa, mysteriously disappears. He sets off to find her and soon realizes that he and his traveling companions, including the feisty young archer Breo-Saight, have become involved in something much larger and more sinister than he had imagined.

    The poems in One Times One have as their theme "oneness and the means (one times one) whereby that oneness is achieved—love," in the words of Cummings's biographer Richard S. Kennedy. Besides new expressions of universal concerns, Cummings writes here in a lyric and optimistic mode, drawing portraits of people dear to him in New Hampshire and New York City's Greenwich Village. This new edition joins other individual uniform Liveright paperback volumes drawn from the Complete Poems, most recently Etcetera and 22 and 50 Poems.

    The titular poem is the longest, and it has cross-references to 14 of the following poems. These are the "Notes" in the book title. The "Grace Notes" are the 30 final poems. Contained in this collection are some of Frost's best known works, such as "Fire and Ice", "Nothing Gold Can Stay", and "Stopping by Woods on a Snowy Evening".

    Recommended reading lists and selected poetry complete the volume.Contents: * Summation 1988: Fantasy by Terri Windling * Summation 1988: Horror by Ellen Datlow * Horror and Fantasy on the Screen by Edward Bryant * Obituaries * Death is Different by Lisa Goldstein * The Tale of the Rose and the Nightingale (And What Came of It) by Gene Wolfe * It Was the Heat by Pat Cadigan * The Cutter by Edward Bryant * The Freezer Jesus by John DuFresne * Voices of the Kill by Thomas M. Disch * Secretly by Ruth Roston * The Devil's Rose by Tanith Lee * Wempires by Daniel Pinkwater * Scatter My Ashes by Greg Egan * Unfinished Portrait of the King of Pain by Van Gogh by Ian McDonald * Shoo Fly by Richard Matheson * The Thing Itself by Michael Blumlein * The Soft Whisper of Midnight Snow by Charles de Lint * Roman Games by Ann Gay * The Princess, the Cat, and the Unicorn by Patricia C. Wrede * The Book and Its Contents by Robert Kelly * The Great God Pan by M. John Harrison * Lost Bodies by Ian Watson * Two Minutes Forty-Five Seconds by Dan Simmons * Preflash by John M. Ford * Life of Buddha by Lucius Shepard * Appointment With Eddie by Charles Beaumont * Fragments of Papyrus from the Temple of the Older Gods by William Kotzwinkle * Spillage by Nancy Kress * Snowman by Charles L. Grant * The Scar by Dennis Etchison * Laiken Langstrand by Gwyneth Jones * The Last Poem About the Snow Queen and Pinocchio by Sandra M. Gilbert * Game in the Pope's Head by Gene Wolfe * Playing the Game by Ramsey Campbell * Faces by F. Paul Wilson * Snowfall by Jessie Thompson * Seal-Self by Sara Maitland * No Hearts, No Flowers by Barry N. Malzberg * The Boy Who Drew Unicorns by Jane Yolen * The Darling by Scott Bradfield * Night They Missed the Horror Show by Joe R. Lansdale * Your Story by Rick DeMarinis * Winter Solstice - Camelot Station by John M. Ford * The Boy Who Hooked the Sun by Gene Wolfe * Clem's Dream by Joan Aiken * Love In Vain by Lewis Shiner * In the Darkened Hours by Bruce Boston * A Golden Net for Silver Fishes by Ru Emerson * Dancing Among Ghosts by Jim Aikin * Honorable Mentions: 1988

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

    by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.Swan song --The bear --The proposal --Ivanov --The seagull --A reluctant tragic hero --The wedding reception --The festivities --Uncle Vanya --Three sisters --The dangers of tobacco --The cherry orchard.

    In fresh and irreverent prose, Romm captures the mo-ments before and after loss, mining the depths of grief with wit and grace.The stories in "The Mother Garden" are at once vividly realistic and infused with the bizarre -- a man uses a chicken egg to test whether he is ready for fatherhood; a daughter plants a garden of mothers to replace her own; a family's ghosts literally fall through the ceiling, disrupting daily life; a woman finds her father sleeping in the desert after twenty-six years of living without him. People stumble in relationships, start families, struggle with illness, learn to mourn -- and as in life, these acts are consuming, magical, and disorienting.Sharply funny and deeply moving, this extraordinary collection introduces a young writer of fierce originality and prodigious talent.

    Ideal for individuals and spiritual friends to use alone or with one another, "Inviting Silence" is a thoughtful primer on finding silence and a practical manual on meditation for seekers of every persuasion.

    The Dapple has its origin beyond the Debatable Hills to the west of Lud-in-the-Mist, in Fairyland. In the days of Duke Aubrey, some centuries earlier, fairy things had been looked upon with reverence, and fairy fruit was brought down the Dapple and enjoyed by the people of Dorimare. But after Duke Aubrey had been expelled from Dorimare by the burghers, the eating of fairy fruit came to be regarded as a crime, and anything related to Fairyland was unspeakable. Now, when his son Ranulph is believed to have eaten fairy fruit, Nathaniel Chanticleer, the mayor of Lud-in-the-Mist, finds himself looking into old mysteries in order to save his son and the people of his city.