Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

    George's, befriends her. But even as their relationship develops, so too does another: Sheba has begun an illicit affair with an underage male student. When the scandal turns into a media circus, Barbara decides to write an account in her friend's defense—and ends up revealing not only Sheba's secrets, but also her own.

    But one treacherous winter night, in a house isolated by icy roads and failed telephone lines, Sibyl takes desperate measures to save a baby's life. She performs an emergency Caesarean section on its mother, who appears to have died in labor. But what if—as Sibyl's assistant later charges—the patient wasn't already dead, and it was Sibyl who inadvertently killed her?As recounted by Sibyl's precocious fourteen-year-old daughter, Connie, the ensuing trial bears the earmarks of a witch hunt except for the fact that all its participants are acting from the highest motives—and the defendant increasingly appears to be guilty. As Sibyl Danforth faces the antagonism of the law, the hostility of traditional doctors, and the accusations of her own conscience, Midwives engages, moves, and transfixes us as only the very best novels ever do.

    The next, she learns that her fiancé, Wyatt Hammond, has been in a fatal car accident. Then comes a startling discovery: Wyatt’s car wasn’t heading toward the church. He was fifty miles away…with a baby gift in the backseat.Her faith shaken, Olivia pores over the clues left behind, desperate to know where Wyatt was going that day and why. As she begins uncovering secrets, she also navigates a tense relationship with her judgmental mother and tries to ignore the attentions of a former boyfriend who’s moved back home. But when she starts receiving letters written by Wyatt before his death, she must confront a disturbing question: Can we ever know anyone fully, even someone we love?When an unexpected path forward—though nothing like the life she once envisioned—offers the promise of a new beginning, will she be strong enough to let go of the past and move toward it?

    . . . What could go wrong at a lavish Indian wedding with your best friend and your entire family? Tina Das wants to belong, but she just isn't sure where. India or America? Brooklyn or Bombay? Manhattan or Delhi? Or start from scratch in London--she still has fond memories of her one-night stand with Rocco Gallagher, the handsome Australian, as they traipsed through Covent Garden and Seven Dials, but he never called back so maybe it's time to let that dream go, and focus on finding the next big story for her streaming network instead.She's hoping she'll find it at her cousin's lavish, weeklong Delhi wedding, and has taken her best friend Marianne Laing along for the ride to Delhi's poshest country club, Colebrookes. Marianne has always had international tastes, in life and in love, yet can't help but think of sweet, steady, khaki-clad Tom back home in New York.Also in attendance are Tina's divorced parents: her mother, Radha, who's bringing her American "boyfriend," David, to the wedding, and her father, Neel, who's using the visit to India to explore the idea of dating again, only to discover it and he have both changed completely in the decades he's been away.Infused with warmth, charm, and wicked humor, Destination Wedding grapples with the challenges of work, love, and finding the people who make a place feel like home.

    In seventeenth-century China, three women become emotionally involved with The Peony Pavilion, a famed opera rumored to cause lovesickness and even death, including Peony, the cloistered daughter of a wealthy scholar, who succumbs to its spell only to return after her death as a "hungry ghost" to haunt her former fiancé, who has married another.

    Tobias is obsessed with two things: God and girls. Mostly girls, of course. But being a Baptist preacher's son, he can't escape God. When his father is blinded in a bizarre accident (involving hard cider and bird droppings), Tobias must ride the rails to Texas to recover a long-hidden stash of money. Along the way, he's initiated into the hobo brotherhood by Craw, a ribald vagabond-philosopher. Obstacles arise in the form of a saucy prostitute, a flaming boxcar, and a man-eating catfish. But when he meets Sarah, a tough farm girl under a dark curse, he finds out that the greatest challenge of all is love.

    She escapes to Cornwall, England--a place she's learned to love through the words of her favorite author--and finds a place to stay with the requirement that she help out in the bookstore underneath the room she's renting. Given her love of all things literary, it seems like the perfect place to find peace.Ginny Rose is an American living in Cornwall, sure that if she saves the bookstore she co-owns with her husband then she can save her marriage as well. Fighting to keep the first place she feels like she belongs, she brainstorms with her brother-in-law, William, and Sophia to try to keep the charming bookstore afloat.Two hundred years before, governess Emily Fairfax knew two things for certain: she wanted to be a published author, and she was in love with her childhood best friend. But he was a wealthy heir and well out of her league. Sophia discovers Emily's journals, and she and William embark on a mission to find out more about this mysterious and determined woman, all the while getting closer to each other as they get closer to the truth.The lives of the three women intertwine as each learns the power she has over the story of her life.

    Knightley is a contemporary epistolary novel with a delightful dash of Jane Austen.Samantha Moore survived years of darkness in the foster care system by hiding behind her favorite characters in literature, even adopting their very words. Her fictional friends give her an identity, albeit a borrowed one. But most importantly, they protect her from revealing her true self and encountering more pain.After college, Samantha receives an extraordinary opportunity. The anonymous “Mr. Knightley” offers her a full scholarship to earn her graduate degree at the prestigious Medill School of Journalism. The sole condition is that Sam write to Mr. Knightley regularly to keep him apprised of her progress.As Sam’s true identity begins to reveal itself through her letters, her heart begins to soften to those around her—a damaged teenager and fellow inhabitant of Grace House, her classmates at Medill, and, most powerfully, successful novelist Alex Powell. But just as Sam finally begins to trust, she learns that Alex has secrets of his own—secrets that, for better or for worse, make it impossible for Sam to hide behind either her characters or her letters.

    Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family. Among them is Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson's wondrous debut. Wry, courtly, opinionated, and completely endearing, Major Pettigrew is one of the most indelible characters in contemporary fiction, and from the very first page of this remarkable novel he will steal your heart.The Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition?

    A baby appears quite suddenly on a pavement, a little after midnight, in a crib of litter. The enigmatic S. Tilottama is as much of a presence as she is an absence in the lives of the three men who love her.

    She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women, mothers, daughters, caregivers, friends, view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't. (jacket flap)Librarian's note: An alternate cover edition can be found here

    Inspired by a brief passage in Moby Dick, it is the story of Una, exiled as a child to live in a lighthouse, removed from the physical and emotional abuse of a religion-mad father. It is the romantic adventure of a young woman setting sail in a cabin boy's disguise to encounter darkness, wonder, and catastrophe; the story of a devoted wife who witnesses her husband's destruction by obsession and madness. Ultimately it is the powerful and moving story of a woman's triumph over tragedy and loss through her courage, creativity, and intelligence.

    Nicknamed the Last Deb, she was also beautiful, spoiled, and out of control. When she agreed to marry the gorgeous young heir Douglas Fairley-Hulme, her parents breathed a sigh of relief. But within two years, rumors had begun to circulate about Athene's affair with a young salesman.Thirty-five years later, Suzanna Peacock is struggling with her notorious mother's legacy. The only place Suzanna finds comfort is in The Peacock Emporium, the beautiful coffee bar and shop she opens that soon enchants her little town. There she makes perhaps the first real friends of her life, including Alejandro, a male midwife, escaping his own ghosts in Argentina.The specter of her mother still haunts Suzanna. But only by confronting both her family and her innermost self will she finally reckon with the past--and discover that the key to her history, and her happiness, may have been in front of her all along.

    To this place of devious merchants, deceitful interpreters, costly courtesans, earthquakes, and typhoons comes Jacob de Zoet, a devout and resourceful young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland.But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured daughter of a samurai doctor and midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken. The consequences will extend beyond Jacob’s worst imaginings. As one cynical colleague asks, “Who ain’t a gambler in the glorious Orient, with his very life?”A magnificent mix of luminous writing, prodigious research, and heedless imagination, The Thousand Autumns of Jacob de Zoet is the most impressive achievement of its eminent author.