Written with Sanjeev's trademark flair, the stories crackle with irreverence and wit. In 'The Troll', a presumptuous blogger faces his undoing when he sets out to expose an Internet phenomenon. In the title story, a young man loses his job in the financial crisis and tries to reset his life over two beers. In 'The Intellectuals', a foreign researcher spends some memorable hours with Kolkata's ageing intellectuals. From the vicious politics of a Mumbai housing society to the snobberies of Delhi's cocktail circuit, the stories in Life over Two Beers get under the skin of a rapidly changing India-and leave you chuckling.

    Initially he thinks he can cope with the loss, but finally seeks the help of Cynthia, an experienced therapist, to regain his equipoise. What he does not know is that Cynthia herself is trying to cope with a debilitating divorce and the sinister shadow of her ex-husband over her daughter...What happens when doctor and patient find themselves in the same sinking boat? Moreover, when they are rowing in opposite directions--one clinging to the past, and the other unable to get rid of it! In the midst of it all is Lily, Cynthia's daughter, who harbours a secret that has the power to explode the lives around her.

    Damayanthi, along with the bunch of unsuitable prospective husbands her Amma throws at her, a dead-end job as an accountant in a decrepit firm, the oppressiveness of Chennai. When she finally jettisons her job and some of her inhibitions to join a bank in Mumbai, Amma's parting words are: 'Be good. Don't do anything silly.' Translation: 'Stay away from sex and alcohol! ' Soon Damayanthi is negotiating competitive corporate corridors and big-city life. Aided by dubious words of wisdom from the cherub-faced Jimmy, she must impress the intellectual C.G., who has a low opinion of her; battle Sonya Sood, flatmate and size-zero sophisticate, for the TV remote; choose between resisting or giving in to temptation in the form of the seductive Rahul; deal with the moral dilemma of 'stealing' a million-dollar idea for her project. Can a good girl have a really good time? Can the conservative, curd-rice-eating Damayanthi become a cool, corporate babe? Keep the Change is a rollicking, wickedly witty story of every girl's journey to fulfill her dreams and find her own place in the world.

    Even in this nondescript settlement, people receive money via mobile transfer from family members working in distant cities. There are computer training centres offering diploma courses in Bhojpuri, Hindi and English. Here is an example of India's numerous remote towns that have skipped the stage of basic learning and landed straight into digital literacy as they strive to keep up with the times.In his last book, A.P.J. Abdul Kalam, writing with Srijan Pal Singh, draws upon examples ranging from entrepreneurship in places like Badshahpur to a sophisticated missile programme like Agni to show how it can be 'Advantage India' in the final lap of the journey to 2020--the landmark year by which he had envisioned the country could transform into an economic power. How can the new initiatives--such as Make in India, Swachh Bharat, smart cities and skill development for the youth--be used to unleash the country's vast potential?Advantage India offers the answer--a movement driven by every home and school to educate the new generation and give a fresh meaning to citizenship.

    One of whom, Faisal, stands accused of murder. When the body of Mirza Murad Begh is found stabbed in the chest, lying in a water channel in the Qila, poor Faisal is the only one around. But what of the fact that, minutes before his demise, the victim had stepped out of the haveli of Shahjahanabad’s most ravishing courtesan? Could not the sultry Mehtab Banu and her pale, delicate sister, Gulnar have something to do with the murder? Determined to save his friend, Muzaffar decides to investigate, with only a cup now and then of that new-fangled brew – ‘Allah, so bitter’ – called coffee to help him. A trail of clues leads him from Mehtab’s haveli out into the streets of seventeenth-century Dilli – rife with rumours of Dara Shukoh’s strange leanings and Prince Aurangzeb’s rebelliousness – into a conspiracy far more sinister than he had imagined...

    Circling themes of intimacy and time, they return to the urgency of conversation: that fragile bridge across the frozen attitudes that divide our world. But at the heart of the collection is a deeper preoccupation, with those blurry places where humans might walk with gods, where the body might touch the beyond, where the enchanted might intersect effortlessly with the everyday. Where one stumbles upon what the poet simply calls ‘love without a story’.

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.

    Ships That Pass tells the story of Tara and Shaan, near strangers to each other after fourteen years of being married, and Tara's sister, Radhika, recently engaged, almost on a whim, to someone she barely knows. Even as Radhika tries to understand how a once ideal marriage has come undone, and struggles with her own feelings for an older man, tragedy strikes: Tara dies in mysterious circumstances and Shaan is arrested for murder. In the aftermath, Radhika realizes that while life may seldom turn out as expected, the only hope lies in finding the courage to take one's chances. A meditation on the nature of love and marriage, this subtle novella is vintage Shashi Deshpande. '[A] mesmerizing writer. . .you can never walk away from her stories.' About the AuthorShashi Deshpande, daughter of the renowned Kannada dramatist and Sanskrit scholar Shriranga, was born in Dharwad. She studied economics in Mumbai, then moved to Bangalore, where she gained a degree in law. Her writing career began in 1970, initially with short stories, of which several volumes have been published. She is also the author of eight novels, the best known of which are That Long Silence, which won the Sahitya Akademi award and is considered a landmark in Indian writing in English; The Dark Holds No Terror; Small Remedies; Moving On; and The Country of Deceit.

    The novel follows Hugo Baumgartner as he flees Nazi Germany -- and his Jewish heritage -- for India, only to be imprisoned as a hostile alien and then released to Bombay at war's end. In this tale of a man who, "like a figure in a Greek tragedy . . . seems to elude his destiny" (NEW LEADER), Desai's "capacious intelligence, her unsentimental compassion" (NEW REPUBLIC) reach their full height.

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    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    His handicraft imports business has unexpectedly collapsed and cash is drying out quickly, his wife thinks he is a loser and society considers him irrelevant. Meanwhile, his closest friends and family all seem to be running flourishing businesses and living luxurious lives in Surat, the diamond capital of India. A trip to China to scout for a new consumer goods business offers a glimmer of hope. But Raghu instead gets sucked into the black-market trade in the back alleys of Beijing. Everything about this new opportunity goes against his god-fearing, vegetarian, middle-class mindset - can he quash his natural instincts to make a success of it? Darkly comical, 'Made in China' is a soul-stirring and thrilling entrepreneurial journey of a man willing to do anything he can to make it big.

    They are likely to make one exclaim, ‘This couldn’t have happened!’ even as the narrators swear they are nothing but pure fact. The bizarre chronicle of a lazy daughter-in-law, the court clerk who loved eating chaat, two cousins inseparable even in death, a blind teacher who fell in love with a woman with beautiful eyes and other wild tales from Bareilly, Lucknow, Hapur, Badaun, Sapnawat and Pilibhit, places big and small, in that fascinating part of India called Uttar Pradesh.

    Inside the Haveli This Indian novel takes the reader behind the scenes of an ongoing deeply rooted tradition and into a way of life that for outsiders has long been veiled with mystery.