From now on it would just be me and Sammy–the two of us, and no one else."A tragic accident has turned eleven-year-old Aubrey’s world upside down. Starting a new life all alone, Aubrey has everything she thinks she needs: SpaghettiOs and Sammy, her new pet fish. She cannot talk about what happened to her. Writing letters is the only thing that feels right to Aubrey, even if no one ever reads them.With the aid of her loving grandmother and new friends, Aubrey learns that she is not alone, and gradually, she finds the words to express feelings that once seemed impossible to describe. The healing powers of friendship, love, and memory help Aubrey take her first steps toward the future.Readers will care for Aubrey from page one and will watch her grow until the very end, when she has to make one of the biggest decisions of her life.Love, Aubrey is devastating, brave, honest, funny, and hopeful, and it introduces a remarkable new writer, Suzanne LaFleur. No matter how old you are, this book is not to be missed.

    Between the black stallion and young boy, a strange understanding grew that you lead them through untold dangers as they journeyed to America. Nor could Alec understand that his adventures with the black stallion would capture the interest of an entire nation.

    And she's about to become your new best friend. Annemarie Wilcox, or Shug as her family calls her, is beginning to think there's nothing worse than being twelve. She's too tall, too freckled, and way too flat-chested. Shug is sure that there's not one good or amazing thing about her. And now she has to start junior high, where the friends she counts most dear aren't acting so dear anymore -- especially Mark, the boy she's known her whole life through. Life is growing up all around her, and all Shug wants is for things to be like they used to be. How is a person supposed to prepare for what happens tomorrow when there's just no figuring out today?

    But when circumstances change, he learns that not all humans are so kind. Passed from hand to hand, Black Beauty witnesses love and cruelty, wealth and poverty, friendship and hardship . . . Will the handsome horse ever find a happy and lasting home? Carefully retold in clear contemporary language, and presented with delightful illustrations, these favorite classic stories capture the heart and imagination of young readers. By retelling the story in a shorter, simpler form, these books become highly engaging for children, and the color illustrations help with both comprehension and interest level. Black Beauty is part of a collectible series that has strong gift appeal.

    But now, someone has learned the truth and is determined to get even.The horror is starting again. There is an unknown avenger out there who is stalking them in a deadly game. Will he stop at terror-or is he out for revenge?

    This is about real witches. Real witches don't ride around on broomsticks. They don't even wear black cloaks and hats. They are vile, cunning, detestable creatures who disguise themselves as nice, ordinary ladies. So how can you tell when you're face to face with one? Well, if you don't know yet you'd better find out quickly-because there's nothing a witch loathes quite as much as children and she'll wield all kinds of terrifying powers to get rid of them.

    and waitingAt twelve, Maggie had been thrown out of more boarding schools than she cared to remember. "Impossible to handle," they said—nasty, mean, disobedient, rebellious, thieving—anything they could say to explain why she must be removed from the school.Maggie was thin and pale, with shabby clothes and stringy hair, when she arrived at her new home. "It was a mistake to bring her here," said Maggie's great-aunts, whose huge stone house looked like another boarding school—or a prison. But they took her in anyway. After all, aside from Uncle Morris, they were Maggie's only living relatives.But from behind the closet door in the great and gloomy house, Maggie hears the faint whisperings, the beckoning voices. And in the forbidding house of her ancestors, Maggie finds magic ... the kind that lets her, for the first time, love and be loved.

    It's been there for an age. I keep on saying that I'll write a journal. So I'll start right here, right now. I open the book and write the very first words: My name is Mina and I love the night. Then what shall I write? I can't just write that this happened then this happened then this happened to boring infinitum. I'll let my journal grow just like the mind does, just like a tree or a beast does, just like life does. Why should a book tell a tale in a dull straight line?And so Mina writes and writes in her journal, and through her stories and poems there grows an opus of her life - her lessons, her loves, her beliefs, her mum, her dad, her thoughts and her dreams.In this stunningly designed book, David Almond revisits Mina before she has met Michael, before she has met Skellig, in what is a thought-provoking and extraordinary prequel to his best-selling debut novel, Skellig. From the winner of the Whitbread Children's Book Award the Carnegie Medal and the 2010 Hans Christian Andersen Award comes the extraordinary prequel to the award-winning Skellig.

    A curse that began with his no-good-dirty-rotten-pig-stealing-great-great-grandfather and has since followed generations of Yelnats. Now Stanley has been unjustly sent to a boys’ detention center, Camp Green Lake, where the boys build character by spending all day, every day digging holes exactly five feet wide and five feet deep. There is no lake at Camp Green Lake. But there are an awful lot of holes.It doesn’t take long for Stanley to realize there’s more than character improvement going on at Camp Green Lake. The boys are digging holes because the warden is looking for something. But what could be buried under a dried-up lake? Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment—and redemption.

    There in the depths is a mysterious and beautiful creature with a sharp tongue and a broken heart: a mermaid named Aquamarine who has left her six sisters to search for love on land. Now, as this mythological yet very real being starts to fade in the burning August sun, a rescue is begun.On the edge of growing up, during a summer that is the hottest on record, Hailey and Claire are discovering that life can take an unpredictable course, friendship is forever, and magic can be found in the most unexpected places.

    Timid, scrawny Willie Beech -- the abused child of a single mother -- is evacuated to the English countryside. At first, he is terrified of everything, of the country sounds and sights, even of Mr. Tom, the gruff, kindly old man who has taken him in. But gradually Willie forgets the hate and despair of his past. He learns to love a world he never knew existed, a world of friendship and affection in which harsh words and daily beatings have no place. Then a telegram comes. Willie must return to his mother in London. When weeks pass by with no word from Willie, Mr. Tom sets out for London to look for the young boy he has come to love as a son.

    Never shut the box when the music is playing. Never move the box before the music stops.Leo wouldn't dream of breaking these rules, but does his stubborn cousin Mimi listen? She winds the box four times -- and suddenly the paintings on its side come to life and a powerful witch is released. Now its up to Leo and Mimi to stop the witch, if only they can find the key to the music box -- and the magical world it controls.

    Molly's band, The Hormones, was just supposed to be about mucking around with her best mates, Jane and Tara, and having fun. But when the deliciously dangerous Dean and his friend T join the band, things start happening fast. Soon The Hormones are front-page news, and their debut album is rocketing up the charts. Molly is the force behind the band, but the hazards of fame, first love, screaming fans, and sleazy managers are forcing the newly crowned teen queen of grrl angst close to the edge. Fame never comes for free, and Molly's about to find out what it costs.

    Then, once the wedding planning goes into high gear, it becomes almost impossible for her not to imagine a wedding -- for herself! But as the big day approaches, family arguments abound and Barbara's fun-loving sister turns into a very practical, grown-up person. Barbara begins to wonder if this is what weddings are really about. If so, she may put off a romance of her own for just a little bit longer ...

    Her feelings don't make it any easier for her to cope with Molly's strange illness and eventual death.