Friendship blooms quickly, but could there be something more...?Charlie Spring is in Year 10 at Truham Grammar School for Boys. The past year hasn't been too great, but at least he's not being bullied anymore. Nick Nelson is in Year 11 and on the school rugby team. He's heard a little about Charlie - the kid who was outed last year and bullied for a few months - but he's never had the opportunity to talk to him.They quickly become friends, and soon Charlie is falling hard for Nick, even though he doesn't think he has a chance. But love works in surprising ways, and sometimes good things are waiting just around the corner...

    Out of her rich imagination she drew forth tales of bold princesses and cowardly kings, spurned suitors and ardent lovers, fearless young men and heartless queens. Every conceivable place of enchantment was Lola Basyang’s domain.The First “Kuwento ni Lola Basyang “ appeared in the Tagalog magazine Liwayway in 1925. Its author, Severino Reyes, was the founder and editor of Liwayway as well as a pioneering figure in Tagalog theater. Mr. Reyes wrote more that 400 stories under the pen name Lola Basyang.Tahanan Books has gathered together a literary dream team to produce this landmark collection of twelve tales. Poet and literary critic Bienvenido Lumbera sifted through hundreds of manuscripts to select the best of Reyes’ tales. Acclaimed author and publisher Gilda Cordero-Fernando delivered the original English translation and renowned children’s book illustrator Albert Gamos rendered over 30 unforgettable illustrations.Tahanan’s anthology introduces Lola Basyang to a new generation of readers in English. Open this book, sit at her feet, and let the magic begin.

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    They agree to get together one last time, but, twisted by personal histories and fueled by pharmaceuticals, old jealousies surface. The party's soon over, and the group splinters off into the night. Into the noise and heat and chaos of the carnival. Days later, a girl goes missing. The prime suspect in her disappearance? One of their own, one of the old gang. Pete doesn't know what to believe: Could one of his childhood friends really be a cold-blooded killer?

    Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. The Rules of Attraction is a poignant, hilarious take on the death of romance.

    Edited by literary critic Isagani R. Cruz, this collection spans from 1925 to 1998. In this book readers will meet both famous and unfamiliar writers in both conventional and unexpected renditions of the genre. Although many of the stories are acknowledged masterpieces, the editor also chose stories on the basis of their ability to represent a particular author or decade. The stories of the 25 men and women writers represented here depict a vast gamut of human experience and emotions that, collectively, produce a stunning portrait of Philippine life and society. Dr. Cruz is a professor of literature at De Lasalle University, where he is also publisher of DLSU Press. He is himself a multi-awarded author and columnist, and the founding chair of the Manila Critics Circle. In a country where English has been the medium of instruction since the turn of the century, it is but fitting for the Philippines to share with the rest of the world its own vibrant treasury of short fiction. This richly satisfying collection represents the very best to emerge out of the Philippines in our century.

    Relationships will change, he’ll change, but maybe, just maybe, he’ll find freedom in the release.Time is running out though, because way across town a ghost as risen from the lake. Searching, yearning, she leaves a trail of destruction in her wake…

    Like any family, the residents of Diamond Street sometimes fight and often act up but when the chips are down, they’re there for each other in an instant – usually brandishing a cheap bottle of booze, and the offer of an impromptu kitchen disco.Presided over by the wise-cracking but warm-hearted patriarch of the family, Danny Hall, a professional dancer turned choreographer, the novel follows a year in the life of the inhabitants of Diamond Street, rough diamonds one and all, as they try to achieve their dreams – with unexpected, heart-warming and sometimes hilarious results.

    With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger look-alike brother, Ethan (known in thefamily as Mizzy, “the mistake”), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed.Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham’s masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.<

    Billy gains Darryl's respect with his earnest nature and willingness to work hard, but Billy's admiring looks resurrect pain and shame from Darryl’s past.Until Darryl stumbles across Billy's secret, Billy is suffering in silence: his father died a few months earlier, leaving him struggling to raise his twin five-year-old brothers. Darryl takes Billy and the boys to the restaurant, where they’ll stand together to face the smorgasbord of troubles in their future… while Davey, Donnie, and Billy all worm their way into Darryl’s heart.

    As Noone's friendship with the dying boy grows, he feels he can unlock his innermost feelings. But troubling questions arise, and he is forced to confront all his relationships - familial, romantic and erotic.

    See, Henrique didn't disclose his positive HIV status to Victor until after they had sex, and even though Henrique insisted on using every possible precaution, Victor is livid.That's when Victor meets Ian, a guy who's also getting tested for HIV. But Ian's test comes back positive, and his world is about to change forever. Though Victor is loath to think about Henrique, he offers to put the two of them in touch, hoping that perhaps Henrique can help Ian navigate his new life. In the process, the lives of Ian, Victor, and Henrique will become intertwined in a story of friendship, love, and stigma-a story about hitting what you think is rock bottom, but finding the courage and support to keep moving forward.Set in Rio de Janeiro, Brazil, this utterly engrossing debut by Brazilian author Lucas Rocha calls back to Alex Sanchez's Rainbow Boys series, bringing attention to how far we've come with HIV, while shining a harsh light on just how far we have yet to go.

    Among Florrie’s possessions are several unproduced screenplays, personal journals, and—inexplicably—old photographs of Louise’s mother, Ethel. On an impulse, Louise leaves a film shoot in Las Vegas and sets off for her father’s house on the East Coast, hoping for answers about the curious inheritance and, perhaps, about her own troubled marriage.Nearly thirty years earlier, Florrie takes off on an adventure of her own, driving her Model T westward from New Jersey in pursuit of broader horizons. She has the promise of a Hollywood job and, in the passenger seat, Ethel, her best friend since childhood. Florrie will do anything for Ethel, who is desperate to reach Nevada in time to reconcile with her husband and reunite with her daughter. Ethel fears the loss of her marriage; Florrie, with long-held secrets confided only in her journal, fears its survival.In parallel tales, the three women—Louise, Florrie, Ethel—discover that not all journeys follow a map. As they rediscover their carefree selves on the road, they learn that sometimes the paths we follow are shaped more by our traveling companions than by our destinations.

    Find yourself a kindred spirit. Then you can start fighting back.They say Connor, the one with the crazy eyes and creepy scar, tried to kill his old man. Lately he’s been seen hanging out with David, the gay guy who always eats lunch alone. They make an odd pair, the loser and the psychopath, and bad things happen to people who mess with them. Not that Connor and David are looking for trouble. Even when taking on the world, they seem more interested in each other than fighting.Kamikaze Boys is a story about breaking the chains that bind you and using them to beat down anyone that gets in your way. Better yet, it’s about holding hands with the guy you love while doing so.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.