He is broken in every way, and wants only to escape from the world. The best place to hide is one where you'll be left alone, or so Lex thinks until the small community of Merrigan starts taking an interest in him. Despite himself, he is soon drawn into the community in ways he could never have anticipated. He meets Callista Bennett, an artist with a hidden history, and enters into a friendship with her that is both volatile and difficult.What Lex does learn to trust is the beauty of the natural world, the strange comfort of the wild seascapes he sees from his windows, and the transfixing majesty of the whales that swim close to his house on the Point. He gives himself up to nature, swimming out among the whales, spending hours studying the ever-changing patterns of the sea and the play of light and shadow, storm and sunshine. This is one way he can connect with Callista, whose paintings reflect the natural world so vividly.Then a whale is stranded on a remote beach near Merrigan, and Lex, Callista and the townsfolk become involved in a tense and uncertain rescue that challenges their attitudes and beliefs. It is through the trials and emotions of this event that Lex and Callista see a way through their grief. But will their pasts let them go?The Stranding is a beautifully told story of loss and recovery, exile and belonging, and the redemptive power of the natural world.

    But William is further weakened by the death of his mother, the arrival of a new step-mother, and his irrepressible crush on his new step-sister, Lulu. As Lulu faces down her own challenges, William watches his life shift into tumult and despair. Once Lulu departs for college, Will goes into the world to find himself — discovering Western philosophy, a cruel dating world, enduring friendship, and, ultimately, his true calling. Emboldened by his turn as a late-night radio personality, Will rescues himself from the self-image of weakness he'd long wished to escape. This debut novel explores the fundamental difference between where we come from — and the endless possibilities of where we may go.

    Botts and her sexy, twentyish daughter, Leila, arrive. Since they're locked out of their house, Edwin invites them in-and then can't get them to leave. He becomes obsessed with Leila and convinces himself that she is a perfect surrogate mother for the childless Cecilia. "Wickedly amusing . . . subversive" (New York Times Book Review), The Sugar Mother undoes the institution of marriage.

    As the summer shimmers endlessly on, ten-year-olds Grace and Tilly decide to take matters into their own hands.And as the cul-de-sac starts giving up its secrets, the amateur detectives will find much more than they imagined…

    Rowan too, otherwise safe in her 'upper crusty' suburb, is drawn more and more strongly 'out west'.  The past is dangerously alive. Clyde Buckley - violent as a boy; enigmatic, subterranean as an old man - returns to his childhood territory. What does he want? What crimes does he hide? And how is Lionel involved? Rowan must abandon safety if she is to find out . . . Maurice Gee is a master storyteller. Access Road is at once a novel of chilling tension and expansive humanity; both a beautifully crafted work of literature and an effortlessly seductive family story.

    Now, twenty-five years later, they have both settled into the uncomfortable compromises of middle age - although they've gone about it in very different ways. About the only thing they have in common is their fifteen-year-old daughter, Sophie.When the perennially restless Rich decides to take Sophie, whom he hardly knows, on a trek into the Tasmanian wilderness, his overconfidence and her growing disillusion with him set off a chain of events that no one could have predicted. Instead of respect, Rich finds antagonism in his relationship with Sophie; and in the vast landscape he once felt an affinity for, he encounters nothing but disorientation and fear. Ultimately all three characters will learn that if they are to survive, each must traverse not only the secret territories that lie between them but also those within themselves.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    Building a fence is not going to keep the world out and won't keep your children in. Life's not that simple."Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into the quiet life of this cosy community.Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. More than just a new home, it's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together.To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden.To Gwen, this as an act of war.Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.PRAISE FOR THE FENCE"There's nothing polite about this white picket fence drama. In this green-thumbed social satire of suburban neighbourly conflict, Meredith Jaffe's wicked sense of humor blooms in the fertile compost of domestic discord. To be enjoyed in all seasons, in full sun or part shade, requiring no watering or weeding. A mischievous treat for anyone who has ever had tricky neighbours. Jaffe is a welcome new talent." Caroline Baum, Booktopia

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    Dan Ireland, a work-weary police crash investigator still hell-bent on punishing himself for his misspent youth, has ample reason for not going home to Calingarry Crossing for the school reunion, but one very good reason why he should . . . Maggie Lindeman.Maggie is back in Calingarry Crossing trying to sell the family pub, while also dealing with a restless seventeen-year-old son, a father with dementia, a fame-obsessed musician husband back in the city, and a dwindling bank account. The last thing she needs is a surprise houseguest for the summer.Fiona Bailey-Blair, daughter of an old friend and spoilt with everything but the truth, whips up a maelstrom of gossip when she blows into town in search of answers. This storm season, as Maggie’s past and present converge with the unexpected, she'll discover…… there's no keeping a lid on some secrets.

    A man apparently happily married, yet, with two divorces behind him and three puzzled children. In death it seems that he is not the person everyone thought.As his extended family gathers to mourn, secrets and lies unfold uncomfortably around them. Those pornographic images on his laptop? An unexpected lover - is he still philandering? But somewhere in the turmoil of mourning each of them has to find an answer to the question - who was this man really? What mysteries has he taken to the grave with him?Goodbye Sweetheart is a powerful novel of love, the desire for understanding, and the inevitable messiness of life.

    But these circumstances have changed their lives irreversibly, and each woman begins to look for something to satiate the cravings that she had never allowed to surface before...Joanna is dying for cake. Clare is longing to paint again. Susan want's to claw back all the time she's lost. Wendy is trying to forget the past. And Evelyn? Well, nobody knows what Evelyn wants. But how can she not want her baby back?

    The only takers are two eccentric Englishmen who want to embark for the other side of the globe. The Reverend Geoffrey Wilson believes the Garden of Eden was on the island of Tasmania. His traveling partner, Dr. Thomas Potter, unbeknownst to Wilson, is developing a sinister thesis about the races of men. Meanwhile, an aboriginal in Tasmania named Peevay recounts his people’s struggles against the invading British, a story that begins in 1824, moves into the present with approach of the English passengers in 1857, and extends into the future in 1870. These characters and many others come together in a storm of voices that vividly bring a past age to life.

    The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing – behaviours inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.

    An 11-year-old boy witnesses a murder as he spies through the window of a strange house. God, whom he no longer counts as a friend, obviously has a pretty screwed-up sense of humour: just one year before, the boy had looked on helplessly as his twin brother, Tom, suffered a violent death. Now, having been seen by the angry murderer, he is a kid on the run. With only a shady grandfather, a professional standover man and an incongruous local couple as adult mentors, he takes refuge in the dark drains and grimy tunnels beneath the city, transforming himself into a series of superheroes and creating a rather unreliable map to plot out places where he is unlikely to cross paths with the bogeyman.