And there’s one more thing. It’s all about feeling comfortable in your own skin-—no matter how you add it up!

    When Daniel Anderson’s older brother dies, he wonders which category Eli’s death falls into. In an attempt to understand, Danny creates a Book of the Dead — an old binder that he fills with details about dead people, how they died, and, most important, for what purpose. Time passes, and eventually Daniel is prompted to look up from his notebook of death and questions to make new friends and be swept into their imaginings. With gentle humor and genuine emotion, Rebecca Rupp examines the questions that arise following a profound loss and the moments that start life rolling again.

    She can practically feel the keys under her flying fingers; she can hear the audience's applause. All she needs is a baby grand so she can start her lessons, and then she'll be well on her way to Carnegie Hall.But when Dad ventures to the music store and ends up with a wheezy organ instead of a piano, Zoe's dreams hit a sour note. Learning the organ versions of old TV theme songs just isn't the same as mastering Beethoven on the piano. And the organ isn't the only part of Zoe's life in Michigan that's off-kilter, what with Mom constantly at work, Dad afraid to leave the house, and that odd boy, Wheeler Diggs, following her home from school every day.Yet when Zoe enters the annual Perform-O-Rama organ competition, she finds that life is full of surprises--and that perfection may be even better when it's just a little off center.

    Elise has always lived in the big house with her loving Uncle and Aunt, because Elise's parents died when she was too young to remember them.  There's always been a barn behind the house with eight locked doors on the second floor. When Elise and Franklin start middle school, things feel all wrong. Bullying. Not fitting in. Franklin suddenly seems babyish.  Then, soon after her 12th birthday, Elise receives a mysterious key left for her by her father. A key that unlocks one of the eight doors upstairs in the barn...

    Agnes loves being a Believer. She knows the rules at the Mount Blessing religious commune are there to make her a better person. Honey hates Mount Blessing and the control Emmanuel, their leader, has over her life. The only bright spot is the butterfly garden she's helping to build, and the journal of butterflies that she keeps. When Agnes's grandmother makes an unexpected visit to the commune, she discovers a violent secret that the Believers are desperate to keep quiet. And when Agnes's little brother is seriously injured and Emmanuel refuses to send him to a hospital, Nana Pete takes the three children and escapes the commune. Their journey begins an exploration of faith, friendship, religion and family for the two girls, as Agnes clings to her familiar faith while Honey desperately wants a new future.

    Sometimes our hearts see things our eyes can’t. Lily Jo McGrother, born Timothy McGrother, is a girl. But being a girl is not so easy when you look like a boy. Especially when you’re in the eighth grade. Dunkin Dorfman, birth name Norbert Dorfman, is dealing with bipolar disorder and has just moved from the New Jersey town he’s called home for the past thirteen years. This would be hard enough, but the fact that he is also hiding from a painful secret makes it even worse. One summer morning, Lily Jo McGrother meets Dunkin Dorfman, and their lives forever change.

    Growing up in Las Vegas with her fun-loving mother, she's learned to be tough. But she never expected a betrayal that would land her in a foster care. When she's placed with the Murphys, a lively family with three boys, she's blindsided. Do happy families really exist? Carley knows she could never belong in their world, so she keeps her distance. It's easy to stay suspicious of Daniel, the brother who is almost her age and is resentful she's there. But Mrs. Murphy makes her feel heard and seen for the first time, and the two younger boys seem determinded to work their way into her heart. Before she knows it, Carley is protected the boys from a neighbourhood bully and even teaching Daniel how to play basketball. Then just when she's feeling like she could truly be one of the Murphys, news from her mother shakes her world.

    The only survivors are Chris and a boy named Frank, who hates Chris immediately. Chris and Frank have no radio, no flares, no food. Suddenly, they've got to find a way to forage, fish and scavenge supplies from the shore. Chris likes the company of a curious friendly raven more than he likes the prickly Frank. But the boys have to get along if they want to survive. Because as the days get colder, and the salmon migration ends, survival will take more than sheer force of will. There in the wilderness of Kodiak, they discover a bond they didn't expect, and through it, the compassion and teamwork that might truly be the path to rescue.

    Gradually she adjusts to a new school, new friends, and a new culture, but while Laila sees opportunity in her new life, her mother is focused on the past. She’s conspiring with CIA operatives and rebel factions to regain the throne their family lost. Laila can’t bear to stand still as an international crisis takes shape around her, but how can one girl stop a conflict that spans generations?

    Her family owns the Hopewell, a small Art Deco hotel in the heart of New York City. When each of the Martins turns fifteen, they are expected to take over the care of a suite. For Scarlett's fifteenth birthday, she gets both a room called the Empire Suite and a permanent guest named Mrs. Amberson. Scarlett doesn't quite know what to make of this C-list starlet and world traveler.And when she meets Eric, an astonishingly gorgeous actor who has just moved to the city, her summer takes a second unexpected turn. Before the summer is over, Scarlett will have to survive a whirlwind of thievery and romantic missteps. But in the city where anything can happen, she just might be able to pull it off.

    What kind of monster would do such a thing? It's true that Leonardo da Vinci did it, Shakespeare wrote about it, and the resurrection men of nineteenth-century Scotland practically made it an art. But none of this matters to Joey Crouch, a sixteen-year-old straight-A student living in Chicago with his single mom. For the most part, Joey's life is about playing the trumpet and avoiding the daily humiliations of high school.     Everything changes when Joey's mother dies in a tragic accident and he is sent to rural Iowa to live with the father he has never known, a strange, solitary man with unimaginable secrets. At first, Joey's father wants nothing to do with him, but once father and son come to terms with each other, Joey's life takes a turn both macabre and exhilarating.     Daniel Kraus's masterful plotting and unforgettable characters make Rotters a moving, terrifying, and unconventional epic about fathers and sons, complex family ties, taboos, and the ever-present specter of mortality.