So she barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies halt operations. The subways squeak to a halt. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a quirky coming-of-adulthood tale and satire.

    Uniformity is the defining feature; there is only one language and all ethnic groups have been eugenically merged into one race called “The Family.” The world is ruled by a central computer called UniComp that has been programmed to keep every single human on the surface of the earth in check. People are continually drugged by means of regular injections so that they will remain satisfied and cooperative. They are told where to live, when to eat, whom to marry, when to reproduce. Even the basic facts of nature are subject to the UniComp’s will—men do not grow facial hair, women do not develop breasts, and it only rains at night.

    Yet as this extraordinary novel unfolds, readers will be astonished to discover how he committed the murders and by the end of the book, their sympathies for the killer will be fully engaged. Riffing on the tropes of crime fiction (the country house murder, the locked room mystery) and imbued with the feel of golden age SF, this is another bravura performance from Roberts. Whatever games he plays with the genre, whatever questions he asks of the reader, Roberts never loses sight of the need to entertain. Filled with wonderfully gruesome moments and liberal doses of sly humor, this novel is built around three gripping HowDunnits that challenge notions of crime, punishment, power, and freedom.

    He’s the toughest private eye in Los Angeles, and he’ll handle anything – if you’re human. If you’re a Toon, that’s another story.Eddie doesn’t like Toons – those cartoon characters who live side-by-side with humans. Not the way they look, and especially not the way they talk: word-filled balloons come out of their mouths and then disintegrate, leaving dust all over his rug.Eddie will work for a Toon if his cash supply is low enough. So he reluctantly agrees when Roger Rabbit, a Toon who plays straight man (or should that be straight rabbit) in the Baby Herman cartoon series, asks him to find out who’s been trying – unsuccessfully – to buy his contract from the DeGreasy Brothers syndicate.Then Rocco DeGreasy is murdered – and Roger is the prime suspect! The rabbit is also, as Eddie soon discovers, very, very dead.Who censored Roger Rabbit? And who shot Rocco DeGreasy? Was it Roger, or was it Rocco’s hot-cha-cha girlfriend, Jessica Rabbit? Why had Jessica – a pretty steamy number for a Toon – ever married a dopey bunny in the first place? And why does everybody want Roger’s battered old teakettle?As Eddie combs L.A. from the executive suites of the DeGreasy Brothers to Sid Sleaze’s porno comic studio, he uncovers art thefts, blackmail plots... and the cagiest killer he’s ever faced.In Who Censored Roger Rabbit?, author Gary K. Wolf has created a wonderfully skewed – and totally believable – world compounded of equal parts Raymond Chandler, Lewis Carroll, and Warner Brothers. This riotously surreal spoof of the hard-boiled detective novel is packed with action and laughs. From first page to last, Who Censored Roger Rabbit? is shear delight.Celebrated author Gary K. Wolf’s cult classic and highly praised novel Who Censored Roger Rabbit? is the basis for the blockbuster Walt Disney/Steven Spielberg Academy Award winning film Who Framed Roger Rabbit.

    Then his prize suspect Rob Toshack is murdered in custody. Furious, Quill pursues the investigation, co-opting intelligence analyst Lisa Ross and undercover cops Costain and Sefton. But nothing about Toshack's murder is normal. Toshack had struck a bargain with a vindictive entity, whose occult powers kept Toshack one step ahead of the law -- until his luck ran out. Now, the team must find a 'suspect' who can bend space and time and alter memory itself. And they will kill again.As the group starts to see London's sinister magic for themselves, they have two choices: panic or use their new abilities. Then they must hunt a terrifying supernatural force the only way they know how: using police methods, equipment and tactics. But they must all learn the rules of this new game - and quickly. More than their lives will depend on it.

    He goes by Alif—the first letter of the Arabic alphabet, and a convenient handle to hide behind. The aristocratic woman Alif loves has jilted him for a prince chosen by her parents, and his computer has just been breached by the state’s electronic security force, putting his clients and his own neck on the line. Then it turns out his lover’s new fiancé is the "Hand of God," as they call the head of state security, and his henchmen come after Alif, driving him underground. When Alif discovers The Thousand and One Days, the secret book of the jinn, which both he and the Hand suspect may unleash a new level of information technology, the stakes are raised and Alif must struggle for life or death, aided by forces seen and unseen.

    But now Cobb is just an aging alcoholic waiting to die, and the big boppers are threatening to absorb all of the little boppers--and eventually every human--into a giant, melded consciousness. Some of the little boppers aren't too keen on the idea, and a full-scale robot revolt is underway on the moon (where the boppers live). Meanwhile, bopper Ralph Numbers wants to give Cobb immortality by letting a big bopper slice up his brain and tape his "software." It seems like a good idea to Cobb.

    Advancements in nanotechnology have enabled us to control aging. We've genetically engineered mosquitoes to feast on carbon fumes instead of blood, ending air pollution. And teleportation has become the ideal mode of transportation, offered exclusively by International Transport—a secretive firm headquartered in New York City. Their slogan: Departure... Arrival... Delight!Joel Byram, our smartass protagonist, is an everyday twenty-second century guy. He spends his days training artificial intelligence engines to act more human, jamming out to 1980's new wave—an extremely obscure genre, and trying to salvage his deteriorating marriage. Joel is pretty much an everyday guy with everyday problems—until he's accidentally duplicated while teleporting. Now Joel must outsmart the shadowy organization that controls teleportation, outrun the religious sect out to destroy it, and find a way to get back to the woman he loves in a world that now has two of him.

    In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

    Clarke of Last and First Men. This masterpiece of science fiction by British philosopher and writer Olaf Stapledon (1886–1950) is an imaginative, ambitious history of humanity's future that spans billions of years. Together with its follow-up, Star Maker, it is regarded as the standard by which all earlier and later future histories are measured.The protagonist of this compelling novel is humanity itself, stripped down to sheer intelligence. It evolves through the ages: rising to pinnacles of civilization, teetering on the brink of extinction, surviving onslaughts from other planets and a decline in solar energy, and constantly developing new forms, new senses, and new intellectual abilities. From the present to five billion years into the future, this romance of humanity abounds in profound and imaginative thought.

    Beyond the Forest lie the mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among the Family recount legends of a world where light came from the sky, where men and women made boats that could cross the stars. These ships brought us here, the Oldest say—and the Family must only wait for the travelers to return. But young John Redlantern will break the laws of Eden, shatter the Family and change history. He will abandon the old ways, venture into the Dark…and discover the truth about their world.Already remarkably acclaimed in the UK, Dark Eden is science fiction as literature; part parable, part powerful coming-of-age story, set in a truly original alien world of dark, sinister beauty--rendered in prose that is at once strikingly simple and stunningly inventive.

    Daniel, a teen runaway-turned-paparazzi out for his big break, witnesses the first shot hit Suyana, and before he can think about it, he jumps into the fray, telling himself it's not altruism, it's the scoop. Just like that, Suyana and Daniel are now in the game of Faces. And if they lose, they'll die.

    Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-Boiled Wonderland and the End of the World is the tour de force that expanded Haruki Murakami's international following. Tracking one man's descent into the Kafkaesque underworld of contemporary Tokyo, Murakami unites East and West, tragedy and farce, compassion and detachment, slang and philosophy.'

    If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: whether it was really a deal with Satan that claimed the life of his hero, the great Renaissance stage designer Adriano Lavicini; and why a handsome, clever, charming, modest guy like him can't, just once in a while, get himself laid. From the author of the acclaimed Boxer, Beetle comes a historical novel that doesn't know what year it is; a noir novel that turns all the lights on; a romance novel that arrives drunk to dinner; a science fiction novel that can't remember what 'isotope' means; a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it. LET'S HOPE THE PARTY WAS WORTH IT

    Like any father, he just wants the best for his son Nigel, a biracial boy whose black birthmark is growing larger by the day. In this near-future society plagued by resurgent racism, segregation, and expanding private prisons, our narrator knows Nigel might not survive. Having watched the world take away his own father, he is determined to stop history from repeating itself.There is one potential solution: a new experimental medical procedure that promises to save lives by turning people white. But in order to afford Nigel's whiteness operation, our narrator must make partner as one of the few Black associates at his law firm, jumping through a series of increasingly surreal hoops--from diversity committees to plantation tours to equality activist groups--in an urgent quest to protect his son.This electrifying, suspenseful novel is at once a razor-sharp satire of surviving racism in America and a profoundly moving family story. Writing in the tradition of Ralph Ellison and Franz Kafka, Maurice Carlos Ruffin fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love.