Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.Now ninety-five years old and telling her story at last, Vivian recalls how the events of those years altered the course of her life - and the gusto and autonomy with which she approached it. "At some point in a woman's life, she just gets tired of being ashamed all the time," she muses. "After that, she is free to become whoever she truly is." Written with a powerful wisdom about human desire and connection, City of Girls is a love story like no other.

    As the book opens, she is barely 40 but has only a short time to live. The novel charts her preoccupation with two things: how to make provision for her husband and daughters - and how to make her peace with her past.

    The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

    Her brain cells, having run out of blood, were now completely deprived of oxygen. But they did not shut down. Not right away...'For Leila, each minute after her death brings a sensuous memory: the taste of spiced goat stew, sacrificed by her father to celebrate the long-awaited birth of a son; the sight of bubbling vats of lemon and sugar which the women use to wax their legs while the men attend mosque; the scent of cardamom coffee that Leila shares with a handsome student in the brothel where she works. Each memory, too, recalls the friends she made at each key moment in her life - friends who are now desperately trying to find her. . .

    It begins with a secret."All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    They've got a two hundred year-old house, an autistic son obsessed with the Titanic, and 17 chickens, at last count. It's the kind of paradise where stay-at-home moms team up to cook the school's "hot lunch," dads grill grass-fed burgers, and, as Lucy observes, "chopping kale has become a certain kind of American housewife's version of chopping wood."When friends at a wine-soaked dinner party reveal they've made their marriage open, sensible Lucy balks. There's a part of her, though – the part that worries she's become too comfortable being invisible-that's intrigued. Why not try a short marital experiment? Six months, clear ground rules, zero questions asked. When an affair with a man in the city begins to seem more enticing than the happily-ever-after she's known for the past nine years, Lucy must decide what truly makes her happy – "real life," or the "experiment?"

    She doesn’t mind, not really—not with Atticus, her African grey parrot, to keep her company—but after her house is broken into by a knife-wielding intruder, she decides it might be good to have some company after all.Andy’s father has lost his job, and his parents’ savings are barely enough to cover his tuition. If he wants to graduate, he’ll have to give up his student flat and find a homeshare. Living with an elderly Australian woman is harder than he’d expected, though, and soon he’s struggling with more than his studies.

    Their affluent father, Rex, has made sure that they'll be the envy of the new, working-class suburb they've moved to. But underneath the surface of the perfect family, is there something unsettling about the Jensons? To the local kids, Rex becomes a kind of hero, but Colt senses there's something in his father that could destroy their fragile new lives.

    In Vietnam, she finds satisfying work and enjoys a life of relative luxury and personal freedom. Thirty-five and single, Mischa believes that romance and passion are for teenagers; a view with which her cynical, promiscuous expat friends agree.But then a friend introduces Mischa to his visiting eighteen-year-old son. Cal is a strikingly attractive Vietnamese-Australian boy, but he's resentful of his father, and of the nation which has stolen him away. His beauty and righteous idealism awaken something in Mischa and the two launch into an affair that threatens Mischa's friendships and reputation and challenges her sense of herself as unselfish and good.Set among the louche world of Hanoi's expatriate community, Fishing for Tigers is about a woman struggling with the morality of finding peace in a war-haunted city, personal fulfilment in the midst of poverty and sexual joy with a vulnerable youth.

    When the bridge collapses one October morning, killing 35 of his workmates, his world crashes down on him.In 2009, Jo and her best friend, Ashleigh, are on the verge of finishing high school and flush with the possibilities for their future. But one terrible mistake sets Jo’s life on a radically different course.Drawing on true events of Australia’s worst industrial accident — a tragedy that still scars the city — The Bridge is a profoundly moving novel that examines class, guilt, and moral culpability. Yet it shows that even the most harrowing of situations can give way to forgiveness and redemption. Ultimately, it is a testament to survival and the resilience of the human spirit.

    Full of glorious angst, embarrassment and small achievements.Hot afternoons on school ovals, the terrifying promise of losing your virginity, sneaking booze from your mother's pantry, the painful sophistication and squalor of your first share house, cancer, losing a parent.Tegan Bennett Daylight's powerful collection captures the dangerous, tilting terrain of becoming adult. Over these ten stories, we find acute portrayals of loss and risk, of sexual longing and wreckage, blunders and betrayals. Threaded through the collection is the experience of troubled, destructive Tasha, whose life unravels in unexpected ways, and who we come to love for her defiance, her wit and her vulnerability.Stunningly written, and shot through with humour and menace, Six Bedrooms is a mesmerising collection of moments from adolescence through adulthood, a mix of all the potent ingredients that make up a life.

    Her grandmother is seventy-seven years old and crazy, standing-on-the-balcony-firing-paintball-guns-at-men-who-want-to-talk-about-Jesus-crazy. She is also Elsa's best, and only, friend. At night Elsa takes refuge in her grandmother's stories, in the Land of Almost-Awake and the Kingdom of Miamas where everybody is different and nobody needs to be normal.When Elsa's grandmother dies and leaves behind a series of letters apologizing to people she has wronged, Elsa's greatest adventure begins. Her grandmother's letters lead her to an apartment building full of drunks, monsters, attack dogs, and totally ordinary old crones, but also to the truth about fairytales and kingdoms and a grandmother like no other.

    Thankfully, he has a loving family waiting for him when he gets home, to help wash the day's cares away. At least, that's what his coworkers believe.Andrew didn't mean for the misunderstanding to happen, yet he's become trapped in his own white lie. The fantasy of his wife and two kids has become a pleasant escape from his lonely one bedroom with only his Ella Fitzgerald records for company. But when new employee Peggy breezes into his life like a breath of fresh air, Andrew is shaken out of his routine. She doesn't notice the wall he's been safely hiding behind and their friendship promises to break it down.Andrew must choose: Does he tell the truth and start really living his life, but risk losing his friendship with Peggy? Or will he stay safe and alone, behind the façade? How Not to Die Alone is about the importance of taking a chance in those moments when we have the most to lose. Sharp and funny, warm and real, it's the kind of big-hearted story we all need.

    Joe wants to go - Jen begs him to stay. They fight in the corridor, following their usual script, and then he walks out and leaves her. A few hours later she dies.Three years on, after burning up his own dreams for the future, Joe is working in dead-end jobs and mentoring a wayward teenager not dissimilar from his younger self. Driven by the need to make good, he spends all his spare time doing parkour under an inner-city bridge, training his mind and body to conquer the hostile urban environment that took his love and blighted his future.Somewhere else, a middle-aged woman, Elise, is treading water in her life as her marriage breaks up. We watch as she retreats to the only place that holds any meaning for her - the tiger enclosure at Melbourne Zoo, where, for reasons she barely understands, she starts painting the tigers and forms a close connection to them.Joe is broken by grief, but the outside world won't let him hide forever. A cool and bewitching girl turns up on the doorstep of his share house, somehow painfully familiar to him. Then there is the skateboarding chef at the bar where he works, the girl with the Cossack-blue eyes, who wants to be his friend. And someone going by the Facebook tag Emily Dickinson wants to reminisce about his dead girlfriend and won't leave him alone.Can Joe staunch the flooding return of desire - or is it time to let go of the past? And will he make the nine-foot leap from girder to pillar or does he want to fall too?While at its heart is a searing absence, Leap is driven by an unstoppable and exhilarating life force, and the eternally hopeful promise of redemptive love. Funny, moving, quirky and original, Leap is an effortlessly enjoyable novel that quietly creeps up on you until its final jaw-dropping pages and a narrative twist that will take your breath away.