His life is transformed by a brief glimpse of the beautiful country -- at the back of the north wind. This Victorian fairy tale has enchanted readers for more than a hundred years, and combines a Dickensian regard for the working class of mid-19th-century England with the invention of an ethereal landscape.

    He was also a French translator of American hard-boiled crime novels. One of his discoveries was an African-American writer by the name of Vernon Sullivan. Vian translated Sullivan's I Spit on Your Graves. The book is about a 'white Negro' who acts out an act of revenge against a small Southern town, in repayment for the death of his brother, who was lynched by an all white mob. Upon its release, I Spit on Your Graves became a bestseller in France, as well as a instruction manual for a copycat killer whose copy of I Spit on Your Graves was found by the murdered body of a prostitute with certain violent passages underlined. A censorship trail also came up where Sullivan as the author was held responsible for the material. It was later disclosed that Vian himself wrote the book and made up the identity of Vernon Sullivan! This edition is a translation by Vian, that was never published in America. I Spit on Your Graves is an extremely violent sexy hard-boiled novel about racial and class prejudice, revenge, justice, and is itself a literary oddity due to the fact that it was written by a jazz-loving white Frenchman, who had never been to America.

    Immensely popular for years, the novel led to a hit play, a series of popular films, Trilby products from hats to ice-cream, and streets in Florida named after characters in the book. The setting reflects Du Maurier's bohemian years as an art student in Paris before he went to London to make a career in journalism. A celebrated caricaturist for Punch magazine, Du Maurier's drawings for the novel--of which his most significant are included here--form a large part of its appeal.

    Veering between nervous excitability and debilitating ennui, he gluts his aesthetic appetites with classical literature and art, exotic jewels (with which he fatally encrusts the shell of his tortoise), rich perfumes, and a kaleidoscope of sensual experiences. The original handbook of decadence, Against Nature exploded like a grenade (in the words of Huysmans) and has enjoyed a cult readership from its publication to the present day.

    The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered?

    Morgenstern classic, The Princess Bride. But as a grown-up he discovered that the boring parts were left out of good old Dad's recitation, and only the "good parts" reached his ears.Now Goldman does Dad one better. He's reconstructed the "Good Parts Version" to delight wise kids and wide-eyed grownups everywhere.What's it about? Fencing. Fighting. True Love. Strong Hate. Harsh Revenge. A Few Giants. Lots of Bad Men. Lots of Good Men. Five or Six Beautiful Women. Beasties Monstrous and Gentle. Some Swell Escapes and Captures. Death, Lies, Truth, Miracles, and a Little Sex.In short, it's about everything.

    . . for a champion. Arthur's grandfather disappeared four years ago. All he left behind are his notebooks full of stories about the Minimoys, a miniature people who are all less than one inch tall! But the Minimoys can't possibly be real . . . can they? Ten-year-old Arthur is about to find out, as a hidden message catapults him on an adventure wilder than he had ever imagined. He'll face mosquito-riding soldiers, a malevolent wizard, giant centipedes, and one very independent princess . . . and along the way he might discover that the littlest heroes can make the biggest difference.

    An International Geographic expedition is headed to the dangerous, remote wilds of South America, on a mission to document the legendary Yeti of the Amazon known as the Beast.But there are many secrets hidden in the unexplored wilderness, as Alex and his new friend Nadia soon discover. Drawing on the strength of their spirit guides, both young people are led on a thrilling and unforgettable journey to the ultimate discovery. . . .

    Just like a "real boy." Until he learns that to become truly real, he must open his heart and think of others.

    But when circumstances change, he learns that not all humans are so kind. Passed from hand to hand, Black Beauty witnesses love and cruelty, wealth and poverty, friendship and hardship . . . Will the handsome horse ever find a happy and lasting home? Carefully retold in clear contemporary language, and presented with delightful illustrations, these favorite classic stories capture the heart and imagination of young readers. By retelling the story in a shorter, simpler form, these books become highly engaging for children, and the color illustrations help with both comprehension and interest level. Black Beauty is part of a collectible series that has strong gift appeal.

    And in Pantagruel and its three sequels, Rabelais parodied tall tales of chivalry and satirized the law, theology and academia to portray the bookish son of Gargantua who becomes a Renaissance Socrates, divinely guided in his wisdom, and his idiotic, self-loving companion Panurge.

    When Katy meets her Cousin Helen, an invalid, Katy is awed by her kindness, prettiness, and generosity. Katy is determined to become more like Helen, a resolution that lasts only a few hours. Soon, however, Katy gets a chance to become more like cousin Helen than she ever wished as she finds herself confined to her bedroom for four years as a result of an accident. Much of the story is focused on the change Katy undergoes during her illness. Helen visits again to advise Katy to learn from her experience and to try to become the center of the house by making her room and herself more attractive to others. One way Katy decides to take Helen's advice is through assuming the responsibility of running the house, a job that consists of giving the servants instructions and ringing her bell to summon her sisters when she has a task for them. As soon as Katy has learned the lesson about how to care for others, she recovers and regains the ability to walk. Grade 5-8

    Her father is missing and now silver-eyed men stalk her through the shadows. What could they want from her?With her friends—Robert, the clockmaker’s son, and Malkin, her mechanical fox—Lily is plunged into a murky and menacing world. Too soon Lily realizes that those she holds dear may be the very ones to break her heart...Murder, mayhem and mystery meet in this gripping Victorian adventure.

    Naïma's father claims to remember nothing; he has made himself French. Her grandfather died before he could tell her his side of the story. But now Naïma will travel to Algeria to see for herself what was left behind--including their secrets.The Algerian War for Independence sent Naïma's grandfather on a journey of his own, from wealthy olive grove owner and respected veteran of the First World War, to refugee spurned as a harki by his fellow Algerians in the transit camps of southern France, to immigrant barely scratching out a living in the north. The long battle against colonial rule broke apart communities, opened deep rifts within families, and saw the whims of those in even temporary power instantly overturn the lives of ordinary people. Where does Naïma's family fit into this history? How do they fit into France's future?Alice Zeniter's The Art of Losing is a powerful, moving family novel that spans three generations across seventy years and two shores of the Mediterranean Sea. It is a resonant people's history of Algeria and its diaspora. It is a story of how we carry on in the face of loss: loss of country, identity, language, connection. Most of all, it is an immersive, riveting excavation of the inescapable legacies of colonialism, immigration, family, and war.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.