If there's a line between the real and the digital, between meat and the game, between past and present, then hold this book close to your mouth and whisper it into the pages. Please. Maybe the kid in there'll hear you. His name is Nolan Dugatti. He's lost, see, running down hall after hall, something both ancient and not-yet born galloping up behind him on a hundred legs, each individual footfall a sound he knows, a way of shuffling that he's always known. His father? Except it can't be. Unless of course this is another novel from Stephen Graham Jones. Not quite horror, not quite science fiction, but like his five or six other books, a story trembling at some pupal stage between meat and the game, where words will sometimes stop their crawl across the page and crane their neck around at the sky, nod about what they see there--you--then unfold their wings, drift up into another world altogether.

    In the course of a gripping, headlong narrative, Price's unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps; from Kanye West and Jeff Koons to George Bush and Patricia Highsmith; from the playground to the internet to the mirror, Price's hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now

    A. L. Kennedy’s men and women huddle in foreign hotel rooms, immobilized by travel-sickness and betrayal. They plan seductions on the line at a cheese shop. They’re undone by a passing embrace in the office men’s room. Their passion is so urgent and imperious that it invades the stories they tell their children.By turns chaste and ferociously sexy, funny and unbearably sad, every story in Indelible Acts is a testament to the lengths to which desire drives us. And all are marked by Kennedy’s wisdom and humanity, and language that captures the briefest tremor of the infatuated heart.

    In spare, elegant prose, Freed delivers surprise after surprise as she shakes the truth from life. Whether it's her portrayal of a mother mired in senile dementia in "Ma," a young girl experiencing her first sexual encounter with an itinerant knife-sharpener in "Under the House," or a young woman incapable of loving conventionally in "An Error of Desire," Freed portrays the absurdity, the delusions, the dramas, and the dignity of her characters' lives. These masterful stories reinforce her reputation as one of our most fearless and sophisticated explorers of sexual and filial love.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    Cribb, a special-needs teacher from Virginia’s Eastern Shore, is captive in a dysfunctional marriage. Tired of living up to her husband’s and everyone else’s standards, Myrtle impulsively heads to wherever the road will take her. But soon she gets a surprise of her own. She finds an unlikely stowaway on her journey: Hellcat, the local drunk.Together, they embark on a pilgrimage that takes them everywhere from a shady highway motel to a hippie retreat center, developing an unlikely friendship while finding wisdom in the most unlikely places. The journey forces Myrtle to evaluate her marriage, her priorities, and her own prejudices, and compels her to share her hard-earned insights with other women who feel some dissatisfaction in their lives.With its iconoclastic, complex, and irresistible cast of characters, and bold yet sincere advice, The Homespun Wisdom of Myrtle T. Cribb is an engaging, heartbreaking, and joyful story to be cherished by those seeking an understanding of life’s greatest mysteries.

    edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    

    These are not your mother's bedtime stories. In this mesmerizing debut collection, Aubrey Hirsch will lead you into the darkest recesses of human life, where hope and longing and love and loss look all too much like one another. Each of these sixteen stories may be filled with its own kind of despair, but they are not despairing as Hirsch enters with deep sympathy into the souls of lonely women (Cheater, Hydrogen Event in a Bubble Chamber, Made in Indonesia), broken men (Leaving Seoul, Advice for Dealing with the Loss of a Beloved Pet), young recruits (The Specialists), and dutiful daughters (Strategy #13: Journal, No System for Blindness). With a hard intelligence, Hirsch considers the toll of heartache (Why We Never Talk About Sugar, Certainty) and loss (The Borovsky Circus Goes to Littlefield, Paradise Hardware) and the simple cost of longing. Taut and tension filled, these stories will transport you into the heart of what it means to be human. But be careful. Hirsch's compassion arrives on a knife blade. And you just may find your own heart cut open.

    I am Daniel Handler, the author of this book. Did you know that authors often write the summaries that appear on their book's dust jacket? You might want to think about that the next time you read something like, "A dazzling page-turner, this novel shows an internationally acclaimed storyteller at the height of his astonishing powers.""Adverbs" is a novel about love -- a bunch of different people, in and out of different kinds of love. At the start of the novel, Andrea is in love with David -- or maybe it's Joe -- who instead falls in love with Peter in a taxi. At the end of the novel, it's Joe who's in the taxi, falling in love with Andrea, although it might not be Andrea, or in any case it might not be the same Andrea, as Andrea is a very common name. So is Allison, who is married to Adrian in the middle of the novel, although in the middle of the ocean she considers a fling with Keith and also with Steve, whom she meets in an automobile, unless it's not the same Allison who meets the Snow Queen in a casino, or the same Steve who meets Eddie in the middle of the forest. . . .It might sound confusing, but that's love, and as the author -- me -- says, "It is not the nouns. The miracle is the adverbs, the way things are done." This novel is about people trying to find love in the ways it is done before the volcano erupts and the miracle ends. Yes, there's a volcano in the novel. In my opinion a volcano automatically makes a story more interesting.

    Their final stop is their grandfather's house, where they're left to face an uncertain future. Through the eyes and in the language of children, Kimball tries to make sense of loss, love, and death.

    Fifty-five acclaimed and emerging writers—including Emma Bolden, Ron Carlson, Kelly Cherry, Stuart Dybek, Blake Kimzey, Roland Leach, Bobbie Ann Mason, Diane Williams, and Hiromi Kawakami—have made the debut of The Best Small Fictions 2015 something significant, something worthwhile, and something necessary. Featuring spotlights on Pleiades journal and Michael Martone, this international volume—with Pulitzer Prize–winning author Robert Olen Butler serving as guest editor and award-winning editor Tara L. Masih as series editor—is a celebration of the diversity and quality captured in fiction forms fewer than 1,000 words. ................................................."Whatever one calls them—flash fictions, microfictions, short shorts—the number of outlets where such pieces are published continue to grow along with the interest of readers and writers in the form. The time is right for a Best of the Year anthology."—Stuart Dybek, author of The Coast of Chicago and Ecstatic Cahoots"These small fictions are small only in length, not in impact. Their minuteness provides a different lens upon life—one that illuminates the telling yet elusive moments that bigger stories often overlook. A different slant on the truth emerges not in spite of their length, but because of it. Short shorts often seem like the quiet stepchild in the fiction family—overshadowed by vociferous novels, not quite dressed in the right attire as conventional short stories. A series celebrating these tiny gems is long overdue."—Grant Faulkner, cofounder of 100 Word Story, author of Fissures"The loud and long message of the seemingly quiet and the definitely short is in ample supply in The Best Small Fictions 2015. From a mother’s fury over misspelled words in Dee Cohen’s ‘By Heart’, to a father’s disintegration in David Mellerick Lynch’s ‘Lunar Deep’, there is pathos, depth, and welcome language-fireworks in these small gems. Chekhov would be proud of how briefly these writers manage to speak on lengthy subjects."—Nuala Ní Chonchúir, author of Miss Emily"The Best Small Fictions 2015 is essential reading for anyone who enjoys not just small fiction, but fiction in general. Don't miss it!"—Robert Swartwood, editor of Hint Fiction:An Anthology of Stories in 25 Words or Fewer

    Morbidly amused by the decadent decay of his surroundings, he watches the patrons fall into their nightly oblivion, making notes for his novel. In the hope of uncovering their secrets and motives, he establishes tentative friendships with the cast of variously pathological regulars. But as his tenure at the bar continues, he begins to serve himself more often than his customers, and the moments he lives outside the bar become more and more painful: he loses his wife, his way, himself. Trapped by his habits and his loneliness, he realizes he will not survive if he doesn't break free. And so he hatches a terrible, but necessary plan of escape and his only chance for redemption. Step into Ablutions and step behind the bar, below rock bottom, and beyond the everyday take on storytelling for a brilliant, new twist on the classic tale of addiction and its consequences.

    Six years later, that child meets his father for the first time and discovers the athlete within. Before long he is on the fast-track to the NFL, coached by a relentless Vietnam veteran uncle, nourished by a patient working mom, and defended by an ambitious girlfriend, all of whom tie their own hopes to his career. When he finally makes it, as Mitch "Wilk" Wilkins, New England's fearsome middle linebacker, it all seems preordained. Then, almost immediately, his life begins to fall apart: a billionaire owns him, his marriage is on the rocks, and his body is betraying him in stages. As Mitch and his wounded family press on, seeking meaning in a relentlessly incentive-driven and forward-moving life, the sacrifices necessary for success in sports―and in attaining the “American Dream”―are laid painfully and tragically bare.

    Women's Studies. Art by Amy Sillman. The long out-of-print 1978 novella by the brilliant Lynne Tillman catalogs a series of encounters and relationships spanning the 60s and the 70s. Fucking is involved. So is weird, but in a way that means more than just weird. Think wyrd, like the witch sisters of Macbeth, or already feeling like a ghost, or waiting in a Victorian nightgown on Valium for two months, or knowing more about the cock of the baby alien in your bed than about his face. It's an early work, but already the sentences are classic Lynne Tillman, brutal, funny, concrete, and haunted. This is how WEIRD FUCKS should have always been, alone and beautiful and shiny in the world. The 8 full color artworks by Amy Sillman rub up against the words, and the fine detail and construction make it a pleasurably Weird Fuck to read and hold.