From the Pulitzer Prize- winning author of Glengarry Glen Ross, here is a collection of thirty-two one-act plays and short dramatic pieces that David Mamet himself considers to be some of the best writing he has ever done.

    Secretly in love with Midia, the wife of a banished revolutionary, Morn finds himself facing renewed bloodshed and disaster when Midia's husband returns, provoking a duel and the return of chaos that Morn has fought so hard to prevent.The first major work and the only play of Vladimir Nabokov, author of Lolita and Pnin, The Tragedy of Mister Morn is translated and published in English here for the first time, and is a moving study of the elusiveness of happiness, the power of imagination and the eternal battle between truth and fantasy.

    This gargantuan helping of the human comedy relates how he is devoured by the masses of New York, a city boiling over with the itch to grab it now.

    
 Before long, business is booming, and the Motorbunny Club is so successful, Tasha enlists her new friend, Ashley, to keep up with the demand. 
 Both women are enjoying the wildest ride of their lives, but Tasha has a secret she hasn’t told Max—yet. It seems she’s developed feelings for Ashley, and Tasha isn’t quite sure how she’s going to tell her husband that she wants to add more to their life than just a new toy…

    The first play, Tughlaq, is a historical play in the manner of nineteenth-century Parsee theater. The second, Hayavadana was one of the first modern Indian plays to employ traditional theatrical techniques. In Naga-Mandala, the third play, Karnad turns to oral tales, usually narrated by women. This selected work of one of India's best known playwrights should attract the attention of students and scholars of comparative literature, or any reader interested in South Asian literature.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    It was premiered in Saint Petersburg’s Alexandrinsky Theatre on November 1, 1871, as a benefice for actor Fyodor Burdin.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities"

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    Unwelcome newcomers to Still Creek, Minnesota, she and her troubled teenage son are treated with suspicion by the locals, including the sheriff. Yet nothing will stop her from digging beneath the town's placid surface for the truth - except the killer.Night Sins (Engineer: Jill Sovis): A peaceful Minnesota town, where crime is something that just doesn't happen, is about to face its worst nightmare. A young boy disappears. There are no witnesses, no clues - only a note, cleverly taunting, casually cruel. Has a cold-blooded kidnapper struck? Or is this a reawakening of a long-quiet serial killer?Guilty as Sin (Engineer: Melissa Coates): A cold-blooded kidnapper has been playing a twisted game with a terrified Minnesota town. Now a respected member of the community stands accused of a chilling act of evil. But when a second boy disappears, a frightened public demands to know: Have the police caught the wrong man? Is the nightmare continuing . . . Or just beginning?