When creatures like goblins and fairies and unicorns, all characters from a card game the Grey Griffins play, begin to make appearances in Max's backyard, Max and his friends know something is terribly wrong. And it's up to them to stop the wicked creatures of the cards from destroying their town-indeed, their world.

    Cletis gasped for air and cried for help. But the forest was empty. No one had ever lived to tell of seeing the witch. Taking his arm, she dragged him to the back porch of the broken hovel in which she lived. There, under the light of a single bulb, she turned to Cletis, revealing the fleshy and pocked face that all but covered the emerald green eyes that peered back at him--eyes that knew him, pierce him. Eyes that would lure him back to her time and again, enticing him into a labyrinth of ancient prophecy, time travel, magic, and danger...and a revelation of his true identity.

    Left for dead, he has no memory, no name, and no home. But it is his determination to find out who he is - to learn the truth about his mysterious powers - that leads him to a strange and enchanted land. And it is there he discovers that the fate of this land and his personal quest are strangely entwined.He is destined to become the greatest wizard of all time--known to all as Merlin."An extraordinary journey of mind, body, and spirit - for both Merlin and ourselves." - Madeleine L'Engle

    He used his unique skills to tell a tale that has had the lasting power of legend: the overwhelming defeat of the seven goblins of the spectrum who sought to take over the colors of the rainbow. Now almost twenty years later, Ul de Rico offers us the complementary tale of the eighth goblin, the white one, banished by his evil brothers to the colorless wastes of the North. There he has suffered in isolation until the day he learns of his brothers' catastrophe and sets out to enjoy the world of color again. He persuades the colorless Cave Goblins to venture out of their safe homes and follow him into the world where they can enjoy and feed themselves on all the colors of nature. Overcome by greed, they set up huge communities and rob the world of all its colors. In the end all sources are exhausted, and Ul de Rico's visionary paintings show us how a handful of Cave Goblins rediscover color's vital importance to life, and return the world to its blissful origins.

    In a relaxed and humorous tone, these splendid artists bring to life the myths that have inspired great European literature and art through the ages, creating a book readers of all ages will cherish."For any child fortunate enough to have this generous book...the kings and heroes of ancient legend will remain forever matter-of-fact; the pictures interpret the text literally and are full of detail and witty observation."--The Horn  Book"The drawings, particularly the full-page ones in this oversized volume, are excellent  and excitingly evocative."--The New  York Times"Parents, uncles, and aunts who have been searching for a big picture book that has good reading-aloud value for the younger ones and fine read-it-yourself value on up, have it in this volume...a children's classic."--Christian Science Monitor

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    A collection of short stories and excerpts from Michael Morpurgo's most famous children's novels.

    This lavishly illustrated guide brings you the people and places from The Hobbit and The Lord of the Rings. Explore Middle-Earth, from the rolling hills of the Shire to the desolate ash plains of Mordor. Discover the secrets of a world where the elves roamed through enchanted forests and dragons slept in dark caverns under the mountains. With stunning artwork that re-imagines the places and people of Middle-Earth, Tolkien’s World is ideal for hobbit fans, big and small.Open the pages of Tolkien’s World and meet Bilbo Baggins, the hero of The Hobbit. Then find out about Gandalf the wizard and his incredible magic powers, uncover the story of the unfortunate Gollum or learn about magical weapons, such as Gandalf’s sword Glamdring. This meticulously researched guide lets you discover the amazing peoples and creatures that inhabit Middle-earth, from friendly elves and stout-hearted dwarves to the deadly dragon Smaug and the evil Sauron. Packed with adventure and lore, Tolkien’s World is a must for all Hobbit

    "All the world, in ink and blood, vellum and parchment, leather and hide. It is the world, and it is yours to save or lose." An unusual murder brings together three strangers, John, Jack, and Charles, on a rainy night in London during the first World War. An eccentric little man called Bert tells them that they are now the caretakers of the Imaginarium Geographica -- an atlas of all the lands that have ever existed in myth and legend, fable and fairy tale. These lands, Bert claims, can be traveled to in his ship the Indigo Dragon, one of only seven vessels that is able to cross the Frontier between worlds into the Archipelago of Dreams.Pursued by strange and terrifying creatures, the companions flee London aboard the Dragonship. Traveling to the very realm of the imagination itself, they must learn to overcome their fears and trust in one another if they are to defeat the dark forces that threaten the destiny of two worlds.An extraordinary journey of myth, magic, and mystery, Here, There Be Dragons introduces James A. Owen as a formidable new talent.

    Young Arthur de Caldicot practises his tilting and archery, learns to be a dutiful page to his father, and waits impatiently to grow up and become a knight. One day his father's friend Merlin gives him a shining black stone. When Arthur starts to see stories in the stone, his life quickly becomes entwined with that of his namesake, the boy who pulls the sword from the stone.

    A compilation of three tales which relate the fantastic adventures of Elmer Elevator and a baby flying dragon named Boris.

    An ugly duckling spends an unhappy year ostracized by the other animals in the barnyard before he grows into a beautiful swan.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    They know immediately that it is special. It is even more than that -- the key to finding a grail, a source of power to fight the forces of evil known as the Dark. And in searching for it themselves, the Drews put their very lives in peril. This is the first volume of Susan Cooper's brilliant and absorbing fantasy sequence known as The Dark Is Rising.

      The world of Greek mythology contains some of the most exciting and imaginative stories ever told. In Heroes, Gods and Monsters of the Greek Myths, bestselling author Bernard Evslin shares his passion for these fabulous tales and the eternal themes they so beautifully express. In this accessible overview, you’ll get to know the iconic gods, heroes, and tragic figures: Zeus, the all-powerful king of the gods; Hera, his cunning and jealous wife; King Midas, whose touch could turn anything into gold; the sculptor Pygmalion, who falls in love with his own creation; and many more.   With each story, Evslin brings new life to these legendary characters and the magical world they inhabit. Translated into multiple languages, and with more than ten million copies sold, this invaluable resource has become a classic in itself.  ContainsThe gods- Zeus- Hera- Athene- Poseidon- Hades- Demeter- Birth of the twins- Artemis- Apollo - Sons of Apollo- Hermes- Hephaestus - Aphrodite Nature myths- Prometheus- Pandora- Phaethon- Orpheus- Narcissus and Echo- Eros and Psyche- ArionDemigods. - Perseus- Daedalus- Theseus- AtalantaFables- Midas- Pygmalion