In it, he grapples with perhaps the most challenging questions of modern history: Why was the twentieth century history's bloodiest by far? Why did unprecedented material progress go hand in hand with total war and genocide? His quest for new answers takes him from the walls of Nanjing to the bloody beaches of Normandy, from the economics of ethnic cleansing to the politics of imperial decline and fall. The result, as brilliantly written as it is vital, is a great historian's masterwork.

    Seuss was drawing biting cartoons for adults that expressed his fierce opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against dictatorial rule abroad and America First (an isolationist organization that argued against U.S. entry into World War II) with more than 400 cartoons urging the United States to fight against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how America responded to World War II as events unfolded.As one of America's leading historians of Japan during World War II, Minear also offers insightful commentary on the historical and political significance of this immense body of work that, until now, has not been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning career at Dartmouth College, where he contributed to the humor magazine. After a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his work published, choosing his middle name, Seuss, and adding "Dr." several years later when he dropped out of graduate school at Oxford University in England. He had never planned on setting poison political pen to paper until he realized his deep hatred of Italian fascism. The first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter while a winged Mussolini holds up the free end of the banner of paper emerging from the roll. He submitted it to a friend at PM, an outspoken political magazine that was "against people who push other people around," and began his two-year career with the magazine before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the next two years, depicted alone, among his generals and other Germans, and with his allies Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists abroad. He was also loudly critical of America's initial apathy toward the war, skewering isolationists like America First advocate Charles Lindbergh, the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do everything they could to ensure victory over fascism.Minear provides historical background in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly explains the highly problematic anti-Japanese and anticommunist stances held by both Dr. Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as Russia and the United States were united on the Allied front, but his stereotypical portrayals of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war raged on, reflecting the troubling public opinion of American citizens. Minear does not attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew another editorial cartoon, though we find in these cartoons the genesis of his later characters Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted fans have not been able to see until now. But this book is also a comprehensive, thoughtfully researched, and exciting history lesson of the Second World War, by a writer who loves Dr. Seuss as much as those who grow up with his books do.

    If the German invasion of France had failed, it is arguable that the war might have ended right there. But the French suffered instead a dramatic and humiliating defeat, a loss that ultimately drew the whole world into war.This exciting new book by Julian Jackson, a leading historian of twentieth-century France, charts the breathtakingly rapid events that led to the defeat and surrender of one of the greatest bastions of the Western Allies. Using eyewitness accounts, memoirs, and diaries to bring the story to life, Jackson not only recreates the intense atmosphere of the six weeks in May and June leading up to the establishment of the Vichy regime, but he also unravels the historical evidence to produce a fresh answer to the perennial question--was the fall of France inevitable. Jackson's vivid narrative explores the errors of France's military leaders, her inability to create stronger alliances, the political infighting, the lack of morale, even the decadence of the inter-war years. He debunks the vast superiority of the German army, revealing that the more experienced French troops did well in battle against the Germans. Perhaps more than anything else, the cause of the defeat was the failure of the French to pinpoint where the main thrust of the German army would come, a failure that led them to put their best soldiers up against a feint, while their worst troops faced the heart of the German war machine.An engaging and authoritative narrative, The Fall of France illuminates six weeks that changed the course of twentieth-century history.

    With no geographical raison d'etre and no obvious political roots in its Roman, Germanic, or Islamic pasts, it for long remained a small, struggling realm on Europe's outer fringe. Then, in the early fifteenth century, this unlikely springboard for Western expansion suddenly began to accumulate an empire of its own, eventually extending more than halfway around the globe. The History of Portugal and the Portuguese Empire, drawing particularly on historical scholarship postdating the 1974 Portuguese Revolution, offers readers a comprehensive overview and reinterpretation of how all this happened - the first such account to appear in English for more than a generation. Volume I concerns the history of Portugal itself from pre-Roman times to the climactic French invasion of 1807, and Volume II traces the history of the Portuguese overseas empire.

    They uncover evidence of collusion at worst and the turning of a blind eye at best, which enabled many leading Nazi's to escape apprehension and to hold onto their ill-gotten gains.Alford and Savas describe how the principal powermongers of the "Reich Sicherheits Hauptamt" - The Reich Main Security Office, established by Himmler and Kaltenbrunner to oversee all security departments of the German State - squirreled away vast fortunes. Towards the end of the war, blackmail, unrestrained looting, theft and the bartering of human lives became sources of great profit for these men. Never ideologically motivated, these RSHA managers, who included college professors, bank executives and engineers - all of whom are named in this book - preyed on the misfortunes of others. After stealing and destroying in the most brutal fashion, most of the RSHA leaders returned to a "normal" existence after the war, continuing their lives as if nothing untoward had ever happened How did they mislead U.S. Army criminal investigators and walk away free men? What part did money, blackmail, counter-spying and murder play in these events? Ken Alford and Ted Savas address these and many other questions in this detailed investigation and exposé.

    We hear from the persecutors themselves: the leaders of the Nazi party, the members of the Protestant and Catholic hierarchies, the university elites, and the heads of the business community. Most telling of all, perhaps, are the testimonies of ordinary German citizens, who in the main acquiesced to increasing waves of dismissals, segregation, humiliation, impoverishment, expulsion, and violence.

    Its failure was a key turning point of the Second World War. The operation was planned as a Blitzkrieg to win Germany its Lebensraum in the East, and the summer of 1941 is well-known for the German army's unprecedented victories and advances. Yet the German Blitzkrieg depended almost entirely upon the motorised Panzer groups, particularly those of Army Group Centre. Using previously unpublished archival records, David Stahel presents a new history of Germany's summer campaign from the perspective of the two largest and most powerful Panzer groups on the Eastern front. Stahel's research provides a fundamental reassessment of Germany's war against the Soviet Union, highlighting the prodigious internal problems of the vital Panzer forces and revealing that their demise in the earliest phase of the war undermined the whole German invasion.

    As decapitated heads and dismembered body parts surfaced in the Seine, Commissaire Georges-Victor Massu, head of the Brigade Criminelle, was tasked with tracking down the elusive murderer in a twilight world of Gestapo, gangsters, resistance fighters, pimps, prostitutes, spies, and other shadowy figures of the Parisian underworld.The main suspect was Dr. Marcel Petiot, a handsome, charming physician with remarkable charisma. He was the “People’s Doctor,” known for his many acts of kindness and generosity, not least in providing free medical care for the poor. Petiot, however, would soon be charged with twenty-seven murders, though authorities suspected the total was considerably higher, perhaps even as many as 150.Who was being slaughtered, and why? Was Petiot a sexual sadist, as the press suggested, killing for thrills? Was he allied with the Gestapo, or, on the contrary, the French Resistance? Or did he work for no one other than himself? Trying to solve the many mysteries of the case, Massu would unravel a plot of unspeakable deviousness. When Petiot was finally arrested, the French police hoped for answers. But the trial soon became a circus. Attempting to try all twenty-seven cases at once, the prosecution stumbled in its marathon cross-examinations, and Petiot, enjoying the spotlight, responded with astonishing ease. His attorney, René Floriot, a rising star in the world of criminal defense, also effectively, if aggressively, countered the charges.  Soon, despite a team of prosecuting attorneys, dozens of witnesses, and over one ton of evidence, Petiot’s brilliance and wit threatened to win the day.Drawing extensively on many new sources, including the massive, classified French police file on Dr. Petiot, Death in the City of Light is a brilliant evocation of Nazi-Occupied Paris and a harrowing exploration of murder, betrayal, and evil of staggering proportions.

    After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with similar abandon and relentless persistence, destroying European powers from Spain to Sweden as they marched on the contested soil of Germany. Fanatics, speculators, and ordinary people found themselves trapped in a nightmarish world of famine, disease, and seemingly unstoppable destruction. The Thirty Years War was a turning point in the making of modern Europe and the modern world: out of it came the system of nation-states that remains fundamental to international law. C.V. Wedgwood's magisterial book is the only comprehensive account of the war in English, as well as a triumph of scholarship and literature. Includes maps and charts.

    There, she must walk a tightrope, learning to live as a second-class citizen in a world where one wrong word could spell disaster and every day could be her last. Based on real events, this is a story of hope amid despair, of love amid loss . . . ultimately, it’s one woman’s story of survival.Editorial Review:"This is the best kind of fiction—it’s based on the real life. Ludwika’s story highlights the magnitude of human suffering caused by WWII, transcending multiple generations and many nations.WWII left no one unscarred, and Ludwika's life illustrates this tragic fact. But she also reminds us how bright the human spirit can shine when darkness falls in that unrelenting way it does during wartime.This book was a rollercoaster ride of action and emotion, skilfully told by Mr. Fischer, who brought something fresh and new to a topic about which thousands of stories have already been told."

    Not knowing what to do with the interviews, he boxed & stored them. After his death, his son Stephan--also a journalist--inherited the files. Fascinated by what he found, he set out to re-interview the same people 40 years later. Revisiting his father's subjects, Lebert explores how each of them deals with the agonizing question: What does it mean to have a father who participated in mass murder? For the most part, the Leberts found that the children remained intensely loyal to their fathers, regardless of their crimes. Gudrun Himmler, for example, lives in a Munich suburb under her husband's name, keeping secret contact with other nostalgic Nazis. In fact, Niklas Frank is the only one who rejects his heritage. But when he writes in a popular German magazine of his rage against his father--charged with 2,000,000 deaths--hundreds of letters pour in from outraged readers. Whatever your father did, fathers must always be honored. Remarkable in both its content & its narrative power, "My Father's Keeper" is an illuminating addition to the dark literature of the Nazi past & of how the past haunts the present.For You Bear My Name --The 1959 Manuscript: Wolf-Rudiger Hess --Who Were the Fathers? --The 1959 Manuscript: Wolf-Rudiger Hess and the Nazi Women --On a Home Page the Story Continues --The 1959 Manuscript: Martin Bormann Junior --A Priest Offers a Warning about the Future --The 1959 Manuscript: Niklas and Norman Frank --A Man Wants to Destroy His Father --The 1959 Manuscript: Gudrun Himmler --An Embittered Daughter and the Not-Wanting-to-See Principle --The 1959 Manuscript: Edda Goring --A Sightseeing Tour of Munich in the Year 2000 --The 1959 Manuscript: The von Schirach Brothers --A Final Meeting with the Lawyer

    Izabela and prisoner of war Bill have secretly married and are on the run, with Izzy dressed as a man. The young husband and wife evade capture for as long as possible--until they are cornered by Nazi soldiers with tracking dogs.Izzy's disguise works. The couple are assumed to be escaped British soldiers and transported to a POW camp. However, their ordeal has just begun, as they face appalling living conditions and the constant fear of Izzy's exposure. But in the midst of danger and deprivation comes hope, for the young couple are befriended by a small group of fellow prisoners. These men become their new family, willing to jeopardize their lives to save Izzy from being discovered and shot.The Prisoner's Wife tells of an incredible risk, and of how our deepest bonds are tested in desperate times. Bill and Izzy's story is one of love and survival against the darkest odds.

    He called it Ravensbrück, and during the years that followed thousands of people died there after enduring brutal forms of torture. All were women. There are a handful of studies and memoirs that reference Ravensbrück, but until now no one has written a full account of this atrocity, perhaps due to the mostly masculine narrative of war, or perhaps because it lacks the Jewish context of most mainstream Holocaust history. Ninety percent of Ravensbrück's prisoners were not Jewish. Rather, they were political prisoners, Resistance fighters, lesbians, prostitutes, even the sister of New York's Mayor LaGuardia. In a perverse twist, most of the guards were women themselves. Sarah Helm's groundbreaking work sheds much-needed light on an aspect of World War II that has remained in the shadows for decades. Using research into German and newly opened Russian archives, as well as interviews with survivors, Helm has produced a landmark achievement that weaves together various accounts, allowing us to follow characters on both sides of the prisoner/guard divide. Chilling, compelling, and deeply unsettling, Ravensbrück is essential reading for anyone concerned with Nazi history.

    With courage, guile, and nerves of steel, these “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town’s water supply. They also nursed the sick and taught children.Yet the exploits of these courageous resistance fighters have remained virtually unknown.As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, Band of Brothers, and A Train in Winter, The Light of Days at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion—the granddaughter of Polish Holocaust survivors—takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few—like Renia, who orchestrated her own audacious escape from a brutal Nazi jail—into the late 20th century and beyond.Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds.

    Representing twenty years of research and reflection, Leni Yahil's book won the Shazar Prize, one of Israel's highest awards for historical work. Now available in English, The Holocaust offers a sweeping look at the Final Solution, covering not only Nazi policies, but also how Jews and foreign governments perceived and responded to the unfolding nightmare. The Holocaust is astonishingly comprehensive. Yahil weaves a gripping chronological narrative that stretches from the Norwegian fjords to the Greek islands, from Amsterdam to Tehran--and even Shanghai. Her writing is balanced, objective, and compelling, as she systematically explores the evolution of the Holocaust in German-occupied Europe, probing its politics, planning, goals, and key figures. Yahil uses her command of the many relevant languages to marshal an impressive array of documentary and statistical evidence, driving her narrative forward with telling details and personal accounts--such as a survivor's description of her perseverance during a death march, or the story of the Struma, a boat that sank with over 700 Jewish refugees when the British refused to receive it in Palestine. Along the way, she destroys persistent myths about the Holocaust: that Hitler had no plan for exterminating the Jews, that the Jews themselves went peacefully to the slaughter. Though Yahil finds that Nazi policies were often inconsistent, particularly during the years before the war, she conclusively demonstrates that Hitler was always working toward a final reckoning with world Jewry, envisioning his war as a war against the Jews. The book also recounts numerous uprisings and acts of resistance in ghettos and concentration camps, as well as the activities of Jewish partisan units. Yahil describes the work of Jews in America, Palestine, and world organizations on behalf of Hitler's victims--often in the face of resistance by the Allied governments and neutral states--and explores the factors that affected the success of rescue efforts. The Holocaust is a monumental work of history, unsurpassed in scope and insightful detail. Objective yet compassionate, Leni Yahil brings together the countless diverse strands of this epic event in a single gripping account.