She feels hopeless until she meets handsome young Christian Lange, whose German-born parents were wrongfully arrested for un-American activities. Together, they live as prisoners with thousands of other German and Japanese families, but discover that love can bloom in even the bleakest circumstances.When Emi and her mother are abruptly sent back to Japan, Christian enlists in the US Army, with his sights set on the Pacific front—and, he hopes, a reunion with Emi—unaware that her first love, Leo Hartmann, the son of wealthy of Austrian parents and now a Jewish refugee in Shanghai, may still have her heart.Fearful of bombings in Tokyo, Emi’s parents send her to a remote resort town in the mountains, where many in the foreign community have fled. Cut off from her family, struggling with growing depression and hunger, Emi repeatedly risks her life to help keep her community safe—all while wondering if the two men she loves are still alive.As Christian Lange struggles to adapt to life as a soldier, his unit pushes its way from the South Pacific to Okinawa, where one of the bloodiest battles of World War II awaits them. Meanwhile, in Japanese-occupied Shanghai, as Leo fights to survive the squalor of the Jewish ghetto, a surprise confrontation with a Nazi officer threatens his life. For each man, Emi Kato is never far from their minds. Flung together by war, passion, and extraordinary acts of selflessness, the paths of these three remarkable young people will collide as the fighting on the Pacific front crescendos. With her “elegant and extremely gratifying” (USA Today) storytelling, Karin Tanabe paints a stunning portrait of a turning point in history.

    In Five Came Back, he achieves something larger and even more remarkable, giving us the untold story of how Hollywood changed World War II, and how World War II changed Hollywood, through the prism of five film directors caught up in the war: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. It was the best of times and the worst of times for Hollywood before the war. The box office was booming, and the studios’ control of talent and distribution was as airtight as could be hoped. But the industry’s relationship with Washington was decidedly uneasy—hearings and investigations into allegations of corruption and racketeering were multiplying, and hanging in the air was the insinuation that the business was too foreign, too Jewish, too un-American” in its values and causes. Could an industry this powerful in shaping America’s mind-set really be left in the hands of this crew? Following Pearl Harbor, Hollywood had the chance to prove its critics wrong and did so with vigor, turning its talents and its business over to the war effort to an unprecedented extent. No industry professionals played a bigger role in the war than America’s most legendary directors: Ford, Wyler, Huston, Capra, and Stevens. Between them they were on the scene of almost every major moment of America’s war, and in every branch of service—army, navy, and air force; Atlantic and Pacific; from Midway to North Africa; from Normandy to the fall of Paris and the liberation of the Nazi death camps; to the shaping of the message out of Washington, D.C. As it did for so many others, World War II divided the lives of these men into before and after, to an extent that has not been adequately understood. In a larger sense—even less well understood—the war divided the history of Hollywood into before and after as well. Harris reckons with that transformation on a human level—through five unforgettable lives—and on the level of the industry and the country as a whole. Like these five men, Hollywood too, and indeed all of America, came back from the war having grown up more than a little.