The narrator, a boy of sixteen, tells of his love affair with Martha Lacombe, a young woman whose soldier husband is away at the front. With an accuracy of insight that is almost ruthless, he describes his conflicting emotions—the pride of an adolescent on the verge of manhood and the pain of a child thrust too fast into maturity.The liaison soon becomes a scandal, and their friends, horrified and incredulous, refuse to accept what is happening—even when the affair reaches its tragic climax.

    The only thing he fears is missing the action. Soon, however, the vaunted “war to end all wars” seems like a war that will never end: whether mired in the trenches or going over the top, Jean finds himself caught in the midst of an unimaginable, unceasing slaughter. After he is wounded, he returns from the front to discover a world where no one knows or wants to know any of this. Both the public and the authorities go on talking about heroes — and sending more men to their graves. But Jean refuses to keep silent. He will speak the forbidden word. He will tell them about fear.

    Readers of J. M. Coetzee's Disgrace, Bernhard Schlink's The Reader and Kafka will be captivated by Brodeck.Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident. As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

    Now an elderly woman with nothing but her memories to guide her – she embarks on a journey to unravel the truth of her past, once and for all.You have never read a story quite like this. Based on real events, Three Voices illustrates the trauma and relief of a woman escaping the atrocities of the Holocaust, traveling the world and eventually reclaiming her childhood. This incredible tale, pieced together from three unique perspectives, weaves past, present and future into a heart-wrenching experience that will change you. Watch Lena take her life back Lena remembers everything from her childhood. She doesn’t know that her whole life is about to be turned upside down as she comes face-to-face with another Lena. A once-in-a-lifetime meeting between the two Lena’s and the town's priest, sends shockwaves that reverberate through the truth that was known to her. Scroll up and grab your copy of Three Voices today

    First performed in Paris in 1947, its action was inspired by a real-life scandal, the murder by two maids, sisters Christine and Léa Papin, of their mistress and her daughter. Genet's maids - Solange and Claire - occupy themselves, whenever their Madame is out of doors, by acting out ritualised fantasies of revenging their downtrodden status. But when the game goes beyond their control the maids are compelled to try to make their fantasy a reality.'The most extraordinary example of the whirligigs of being and appearance, of the imaginary and the real, is to be found in [Genet's] The Maids. It is the element of fake, of sham, of artificiality, that attracts Genet in the theatre.' Jean-Paul Sartre

    The matriarch, Gabi, was born Jewish but converted to Christianity in her teens. The patriarch, Willibald, is a Lutheran minister who, on one hand is an admirer of Hitler, but on the other hand, the conflicted father of children who are half-Jewish. Mindful and resentful of her husband’s ambivalence, Gabi is determined to make sure her children are educated, devising schemes to keep them in school even after learning that any child less than 100% Aryan will eventually be kept from completing education. She even hires tutors who are willing to teach half-Jewish children and in this way comes to hire Fraulein Kaminsky who shows Gabi how to cure her frustration and rage: to keep her mouth filled with water until the urge to scream or rant has passed.This beautifully rendered novel of WWII, “seen through a child’s eye, makes delusion and hypocrisy shockingly stark.” (The Guardian)

    They have been charged by their commanders to track down and bring back for execution 'one of them' - a Jew. Having flushed out the young man hiding in the woods, they decide to rest in an abandoned house before continuing their journey back to the camp. As they prepare food, they are joined by a passing Pole whose outspoken anti-Semitism adds tension to an already charged atmosphere. Before long, the group's sympathies have splintered as they consider the moral implications of their murderous mission and confront their own consciences to ask themselves: should the Jew be offered food? And, having shared their meal, should he be taken back, or set free?

    A German cruise ship turned refugee carrier, it was attacked by a Soviet submarine in January 1945. Some 9,000 people went down in the Baltic Sea, making it the deadliest maritime disaster of all time. Born to an unwed mother on a lifeboat the night of the attack, Paul Pokriefke is a middle-aged journalist trying to piece together the tragic events. While his mother sees her whole existence in terms of that calamitous moment, Paul wishes their life could have been less touched by the past. For his teenage son, who dabbles in the dark, far-right corners of the Internet, the Gustloff embodies the denial of Germany's wartime suffering. "Scuttling backward to move forward," Crabwalk is at once a captivating tale of a tragedy at sea and a fearless examination of the ways different generations of Germans now view their past.Winner of the Nobel Prize

    Loaded onto cattle trucks, they are transported to an unknown destination. Terror and uncertainty become the new normal. Life is a continuous nightmare as she is selected by a Gestapo officer’s wife, destined to become little more than their slave.Separated from everyone she loves Alexa relies on her Christian faith, inner strength and courage, to endure through her long nightmare. Her story takes her on a treacherous journey across war-ravaged Europe in search of her family and the life she once knew. Despite living through unimaginable hardships and life-threatening danger, Alexa feels that someone, or something, seems to be looking out for her. Years later, she finds out that not all was as it seemed, as hidden secrets from this dark period in history are revealed to her.In Alexa’s Shoes is a historical novel that beckons the reader to follow in the footsteps of a real-life individual who walks by faith to triumph over tragedy, one step at a time. It is based on the true story of the author’s grandmother.

    Though German Jews, they are embraced by their Italian neighbors, and for the next several years, the pensione flourishes and becomes their perch to observe the world’s events. Travelers from across Europe and America come to their door, each with their own story, mystery, or surprise. Nearly all have been touched in some way by the ominous changes occurring to the north, in Nazi-controlled Germany.When war breaks out in Europe and Italy sides with Germany, Elsa and her family’s fears are quickly realized. The growing sense that the atrocities in German-occupied lands will soon occur in Italy forces them to sell their pensione and attempt a desperate journey to safety in America. The way seems impossible. Day by day, war makes travel increasingly difficult as countries begin closing their doors to refugees.Told in Elsa’s words and written by her grandson, One More Moon is the extraordinary story of a woman and her family’s often harrowing experiences in the years before and during World War II.

    Perfect for fans of THE TATTOOIST OF AUSCHWITZ, THE VOLUNTEER and THE LIBRARIAN OF AUSCHWITZ. _______________________________ Against all odds, love will lead them home.Shurka, her husband and their two small children never thought the war would reach their remote Polish village. They were wrong. Forced to flee their family home, they find shelter with their fellow Jews in the ghetto - but every night more and more people disappear, taken away on trucks to never be seen again. As terrible rumours of extermination camps swirl, Shurka realises that the longer they stay in the ghetto, the lower their chances of survival.Their best hope is to flee into the Polish forest, where Jewish resistance fighters hold out against Nazi search parties. Their new life is precarious in the extreme - and will test them more than they ever thought possible... Even in the dark, hope can be found. _______________________________ Surviving The War is the international Amazon bestselling survival and holocaust story, based on an incredible true story and previously published as Surviving The Forest. It has been translated into English from the original Hebrew.

    Set in Louis XIII's reign, it is the moving and exciting drama of one of the finest swordsmen in France, gallant soldier, brilliant wit, tragic poet-lover with the face of a clown. Rostand's extraordinary lyric powers gave birth to a universal hero--Cyrano De Bergerac--and ensured his own reputation as author of one of the best-loved plays in the literature of the stage.This translation, by the American poet Brian Hooker, is nearly as famous as the original play itself, and is generally considered to be one of the finest English verse translations ever written.

    is a beautiful seventeen-year-old girl who, while interred in the Theresienstadt concentration camp, becomes a prostitute. Capturing Perla's voice through a series of diary entries, Arnost Lustig shows how she maintains her integrity, honesty, and hope amidst lies and horror. This first paperback edition has been extensively revised and expanded by the author.

    Another woman took him in, at risk to herself. Viviane Renaud is a young mother living on the French Riviera in the Second World War. Times are hard but she is not the sort to be dismayed by circumstances. One day her life changes forever. A young Jewish woman, fleeing from the authorities, begs her to take care of her four year old boy, David. Almost without thinking, Viviane agrees. Viviane’s life is never the same again. She fabricates a story to explain how David came to be with her and must tip-toe around the suspicions of her neighbours, her friends and most of all her mother and sister. She and her husband, Alain, find allies in unlikely places, particularly an American woman, Dorothy Pine. But then, the world crashes around them. Threatened by Allied military success, Hitler sends the German army to occupy the south of France. With them come the SS and the Gestapo. The peril for Jews and for those, like Viviane, who hide them, appears overwhelming. The challenge for them now is to survive.

    Celebrating the 50th anniversary of the liberation, this extraordinary diary by the author of The Lover is "a haunting portrait of a time and place" (New York Times).Written in 1944, and first published in 1985, Duras's riveting account of life in Paris during the Nazi occupation and the first few months of liberation depicts the harrowing realities of World War II-era France "with a rich conviction enhanced by [a] spare, almost arid, technique" (Julian Barnes, The Washington Post Book World). Duras, by then married and part of a French resistance network headed by François Mitterand, tells of nursing her starving husband back to health after his return from Bergen-Belsen, interrogating a suspected collaborator, and playing a game of cat and mouse with a Gestapo officer who was attracted to her. The result is "more than one woman's diary...[it is] a haunting portrait of a time and a place and also a state of mind" (The New York Times).