“Count Victor Lustig,” moved to Paris hoping to be an artist. A con artist, that is. He used his ingenious scams on unsuspecting marks all over the world, from the Czech Republic, to Atlantic ocean liners, and across America. Tricky Vic pulled off his most daring con in 1925, when he managed to "sell" the Eiffel Tower to one of the city’s most successful scrap metal dealers! Six weeks later, he tried to sell the Eiffel Tower all over again. Vic was never caught. For that particular scam, anyway. . . . Kids will love to read about Vic's thrilling life, and teachers will love the informational sidebars and back matter. Award-winner Greg Pizzoli’s humorous and vibrant graphic style of illustration mark a bold approach to picture book biography.

    Born in 1876 on the Yankton Sioux reservation in South Dakota, Zitkala-Sa willingly left her home at age eight to go to a boarding school in Indiana. But she soon found herself caught between two worlds--white and Native American. At school she missed her mother and her traditional life, but Zitkala-Sa found joy in music classes. "My wounded spirit soared like a bird as I practiced the piano and violin," she wrote. Her talent grew, and when she graduated, she became a music teacher, composer, and performer. Zitkala-Sa found she could also "sing" to help her people by writing stories and giving speeches. As an adult, she worked as an activist for Native American rights, seeking to build a bridge between cultures. The coauthors tell Zitkala-Sa's life by weaving together pieces from her own stories. The artist's acrylic illustrations and collages of photos and primary source documents round out the vivid portrait of Zitkala-Sa, a frightened child whose spirit "would rise again, stronger and wiser for the wounds it had suffered."

    Shirley kicks butt in school; she breaks her mother's curfew; she plays jazz piano instead of classical. And as a young adult, she fights against the injustice she sees around her, against women and black people. Soon she is running for state assembly...and winning in a landslide. Three years later, she is on the campaign trail again, as the first black woman to run for Congress. Her slogan? Fighting Shirley Chisholm--Unbought and Unbossed! Does she win? You bet she does.

    He could play the piano, throw a curveball, and tie a triple bowline knot in three seconds flat. But in the 1950s and 60s, he could not bake bread at the Wonder Bread factory. Factory bosses said white people would not want to eat bread touched by the hands of the African Americans who worked there. In this powerful intergenerational story, Joseph learns that people joined their hands together to fight discrimination so that one day, their hands—Joseph’s hands—could do anything at all in this whole wide world.

    And she never thought she’d be one of the first Native American women in Congress. During her campaign, she heard from a lot of doubters. They said she couldn’t win because of how she looked, who she loved, and where she came from. But here’s the thing: Everyone’s path looks different and everyone’s path has obstacles. And this is the remarkable story of Sharice Davids’ path to Congress.Beautifully illustrated by Joshua Mangeshig Pawis-Steckley, an Ojibwe Woodland artist, this powerful autobiographical picture book teaches readers to use their big voice and that everyone deserves to be seen—and heard!The back matter includes information about the Ho-Chunk written by former Ho-Chunk President Jon Greendeer, an artist note, and an inspiring letter to children from Sharice Davids.