Bok leaves his village to try his luck in Kiev, and after denying his Jewish identity, finds himself working for a member of the anti-Semitic Black Hundreds Society. When the boy is found nearly drained of blood in a cave, the Black Hundreds accuse the Jews of ritual murder. Arrested and imprisoned, Bok refuses to confess to a crime that he did not commit.

    is a precocious, sensitive, and rambunctious boy trying to make it through adolescence during the depression years. On a red-clay farm in Georgia he learns all there is to know about cotton chopping, hog killing, watermelon thumping, and mule handling. School provides a quick course in practical joking, schoolboy crushes, athletic glory, and clandestine sex. But it is Porter's family - his genteel, patient mother, his swarm of cousins, his snuff-dipping grandmother, and, most of all, his beloved though flawed father - who teach Porter the painful truths about growing up strong enough to run with the horsemen.

    On a rafting trip down the Colorado River, Hayduke joins forces with feminist saboteur Bonnie Abbzug, wilderness guide Seldom Seen Smith, and billboard torcher Doc Sarvis, M.D., and together they wander off to wage war on the big yellow machines, on dam builders and road builders and strip miners. As they do, his characters voice Abbey's concerns about wilderness preservation ("Hell of a place to lose a cow," Smith thinks to himself while roaming through the canyonlands of southern Utah. "Hell of a place to lose your heart. Hell of a place... to lose. Period").Moving from one improbable situation to the next, packing more adventure into the space of a few weeks than most real people do in a lifetime, the motley gang puts fear into the hearts of their enemies, laughing all the while. It's comic, yes, and required reading for anyone who has come to love the desert.

    And yet, his physical curse proves to be a blessing, allowing him to try to win the heart of the same woman three times as at each successive encounter she fails to recognize him, taking him for a stranger, so giving Max another chance at love.Set against the historical backdrop of San Francisco at the turn of the twentieth century, Andrew Sean Greer's The Confessions of Max Tivoli is a beautiful and daring feat of the imagination, questioning the very nature of love, time, and what it means to be human.

    In 1987, Miri Ammerman returns to her hometown of Elizabeth, New Jersey, to attend a commemoration of the worst year of her life.Thirty-five years earlier, when Miri was fifteen, and in love for the first time, a succession of airplanes fell from the sky, leaving a community reeling. Against this backdrop of actual events that Blume experienced in the early 1950s, when airline travel was new and exciting and everyone dreamed of going somewhere, Judy Blume imagines and weaves together a haunting story of three generations of families, friends, and strangers, whose lives are profoundly changed by these disasters. She paints a vivid portrait of a particular time and place — Nat King Cole singing “Unforgettable,” Elizabeth Taylor haircuts, young (and not-so-young) love, explosive friendships, A-bomb hysteria, rumors of Communist threat. And a young journalist who makes his name reporting tragedy. Through it all, one generation reminds another that life goes on.In the Unlikely Event is a gripping novel with all the hallmarks of Judy Blume's unparalleled storytelling.

    Vollmann turns his trenchant eye to the authoritarian cultures of Germany and the USSR in the twentieth century. Assembling a composite portrait of these two warring leviathans and the terrible age they defined, the narrative intertwines experiences both real and fictional—a young German who joins the SS to expose its crimes, two generals who collaborate with the enemy for different reasons, the Soviet composer Dmitri Shostakovich laboring under Stalinist oppression. Through these and other lives, Vollmann offers a daring and mesmerizing perspective on human actions during wartime.

    Starting in the present day and moving backward, the novel is told in the voices of the three women: fifteen-year-old part-black Rayona; her American Indian mother, Christine, consumed by tenderness and resentment toward those she loves; and the fierce and mysterious Ida, mother and grandmother whose haunting secrets, betrayals, and dreams echo through the years, braiding together the strands of the shared past.

    Then one evening, as they gather to watch the Miss America Pageant, Linda admits that she aspires to write a novel herself, and the Wednesday Sisters Writing Society is born. The five women slowly, and often reluctantly, start filling journals, sliding pages into typewriters, and sharing their work. In the process, they explore the changing world around them: the Vietnam War, the race to the moon, and a women’s movement that challenges everything they believe about themselves. At the same time, the friends carry one another through more personal changes—ones brought about by infidelity, longing, illness, failure, and success. With one another’s support and encouragement, the Wednesday Sisters begin to embrace who they are and what they hope to become, welcoming readers to experience, along with them, the power of dreaming big.

    But the sky is marred by two  conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life.In effortless and tender prose, Jim Crace details the unraveling of a pastoral idyll in the wake of economic progress. His tale is timeless and unsettling, framed by a beautifully evoked world that will linger in your memory long after you finish reading.

    But the death of her doting guardian leaves Gemma under the care of her resentful aunt, and it soon becomes clear that she is nothing more than an unwelcome guest at Yew House. When she receives a scholarship to a private school, ten-year-old Gemma believes she's found the perfect solution and eagerly sets out again to a new home. However, at Claypoole she finds herself treated as an unpaid servant.To Gemma's delight, the school goes bankrupt, and she takes a job as an au pair on the Orkney Islands. The remote Blackbird Hall belongs to Mr. Sinclair, a London businessman; his eight-year-old niece is Gemma's charge. Even before their first meeting, Gemma is, like everyone on the island, intrigued by Mr. Sinclair. Rich (by Gemma's standards), single, flying in from London when he pleases, Hugh Sinclair fills the house with life. An unlikely couple, the two are drawn to each other, but Gemma's biggest trial is about to begin: a journey of passion and betrayal, redemption and discovery, that will lead her to a life of which she's never dreamed.Set in Scotland and Iceland in the 1950s and '60s, The Flight of Gemma Hardy--a captivating homage to Charlotte Brontë's Jane Eyre--is a sweeping saga that resurrects the timeless themes of the original but is destined to become a classic all its own.

    Mother of Pearl revolves around twenty-eight-year-old Even Grade, a black man who grew up an orphan, and Valuable Korner, the fifteen-year-old white daughter of the town whore and an unknown father. Both are passionately determined to discover the precious things neither experienced as children: human connection, enduring commitment, and, above all, unconditional love. A startlingly accomplished mixture of beauty, mystery, and tragedy, Mother of Pearl marks the debut of an extraordinary literary talent. (Oprah's Book Club)

    It is the only reasonable explanation the court can see for her willful behavior, so she is sent away to Sanibel Asylum to be restored to a good, compliant woman. Iris knows, though, that her husband is the true criminal; she is no lunatic, only guilty of disagreeing with him on notions of justice, cruelty, and property. On this remote Florida island, cut off by swamps and seas and military blockades, Iris meets a wonderful collection of residents--some seemingly sane, some wrongly convinced they are crazy, some charmingly odd, some dangerously unstable. Which of these is Ambrose Weller, the war-haunted Confederate soldier whose memories terrorize him into wild fits that can only be calmed by the color blue, but whose gentleness and dark eyes beckon to Iris. The institution calls itself modern, but Iris is skeptical of its methods, particularly the dreaded "water treatment." She must escape, but she has found new hope and love with Ambrose. Can she take him with her? If they make it out, will the war have left anything for them to make a life from, back home? Blue Asylum is a vibrant, beautifully-imagined, absorbing story of the lines we all cross between sanity and madness. It is also the tale of a spirited woman, a wounded soldier, their impossible love, and the undeniable call of freedom. http://www.hmhbooks.com/blueasylum/

    Kya Clark is barefoot and wild; unfit for polite society. So in late 1969, when the popular Chase Andrews is found dead, locals immediately suspect her.But Kya is not what they say. A born naturalist with just one day of school, she takes life's lessons from the land, learning the real ways of the world from the dishonest signals of fireflies. But while she has the skills to live in solitude forever, the time comes when she yearns to be touched and loved. Drawn to two young men from town, who are each intrigued by her wild beauty, Kya opens herself to a new and startling world—until the unthinkable happens.In Where the Crawdads Sing, Owens juxtaposes an exquisite ode to the natural world against a profound coming of age story and haunting mystery. Thought-provoking, wise, and deeply moving, Owens’s debut novel reminds us that we are forever shaped by the child within us, while also subject to the beautiful and violent secrets that nature keeps.The story asks how isolation influences the behavior of a young woman, who like all of us, has the genetic propensity to belong to a group. The clues to the mystery are brushed into the lush habitat and natural histories of its wild creatures.

    Each set of family members occupies a floor of the home, in accordance to their standing within the family. Poisonous rivalries between sisters-in-law, destructive secrets, and the implosion of the family business threaten to unravel bonds of kinship as social unrest brews in greater Indian society. This is a moment of turbulence, of inevitable and unstoppable change: the chasm between the generations, and between those who have and those who have not, has never been wider. The eldest grandchild, Supratik, compelled by his idealism, becomes dangerously involved in extremist political activism—an action that further catalyzes the decay of the Ghosh home.Ambitious, rich, and compassionate, The Lives of Others anatomizes the soul of a nation as it unfolds a family history, at the same time as it questions the nature of political action and the limits of empathy. It is a novel of unflinching power and emotional force.

    Cowney is spending the season as an undervalued member of the Grove Park Inn’s grounds crew. The inn is currently home to Axis diplomats and their families being held as prisoners of war. Cowney struggles to balance the often conflicting worlds of life at home on the Qualla Boundary (Cherokee Indian Reservation), where a Capuchin monkey roams the woods at will and mysterious forest fires loom, with life at the inn where foreign diplomats quietly negotiate backdoor deals and a secret room provides the rare opportunity for Cowney and Essie (his enigmatic carpool companion) to construct their own world views. Bud, Cowney’s uncle, offers the only true glimpse into Cowney’s past before his parents died, but Bud’s own demons threaten to upend Cowney’s peace with the past and compromise any hope for a future free from the consequences of his family’s choices. When a diplomat’s young daughter goes missing at the inn, Cowney finds himself in the center of suspicion and betrayal.Cowney’s experience is an examination of race and class tangled in a microcosm of the secluded inn. His story asks the reader to consider the tropes of American imprisonment and our role as both prisoners and imprisoners. Cowney finally comes to reason that all three natural elements that cause so many problems in life (bones, blood, and skin color) will not be what remain of humankind in the end. Only the human spirit can be passed on wholly to the next generation.