One of a hand-picked selection of some of the most popular and cult-worthy titles on Faber and Faber's extensive list of film scripts.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    Included is the original shooting script. With over thirty pages of material not used in the final film, along with a sixteen-page color section featuring rare artwork, production drawings, photographs of the cast and crew, and detailed annotations by the screenwriters.

    But this is no ordinary screenplay. This is a work of extraordinary imagination which draws on many of the themes of McCarthy's work as well as taking it to new dark places. It is also written with great descriptive passages counteracting the dialogue, so the reader is given the full experience of the McCarthy prose. It is the story of a lawyer, the Counselor, a man who is so seduced by the desire to get rich, to impress his fiancée Laura, that he becomes involved in a drug-smuggling venture that quickly takes him way out of his depth. His contacts in this are the mysterious and probably corrupt Reiner and the seductive Malkina, so exotic her pets of choice are two cheetahs. As the action crosses the Mexican border, things become darker, more violent and more sexually disturbing than the Counselor has ever imagined.

    The former is a psychological thriller set in the Hollywood of the 1940s, while the latter reinvents the 1930s gangster film.

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    For the past ten years he has been attempting to decode the numerical pattern beneath the ultimate system of ordered chaos-the stock market. As Max verges on a solution, chaos is swallowing the world around him. He is pursued by an aggressive Wall Street firm set on financial domination as well as by a Kabbalah sect intent on unlocking the secrets behind its ancient holy texts. Max races to crack the code, hoping to defy the madness that looms before him. In succeeding, he uncovers a secret everyone is willing to kill for.Also included with the screenplay is a full journal of how Darren Aronofsky made this award-winning film on a minuscule budget of $60,000, providing practical advice and inspiration to film students and offering film buffs rare insight into how an independent film is made.

    

    Illustrated.

    In late nineteenth-century England, two stage illusionists are drawn into a match of wits, each desiring to annihilate the reputation of the other. Upper-class Robert Angier (Hugh Jackman) enjoys worldwide fame, while cockney Alfred Borden (Christian Bale) is his most ardent rival. Their antagonism is also a mutual fascination, but the competition between them leads to evermore dangerous acts of conjuring. When Angier raises the stakes by consulting scientist Nikola Tesla (David Bowie), the potential for a deadly reckoning draws near. This volume contains an Introduction by Jonathan Nolan and Christopher Nolan.

    While the authorities draw a blank, Cory picks up the cold trail and finds there's something sinister going on in Shallow Falls--something he'll regret ever getting involved in. Now You See Her is an exciting new thriller about pain, loss and regret. The conspiracies deepen with each turn of the page, leading readers on a relentless pursuit for answers until the very end.

    But, with its unforgettable songs and its infinitely quotable script it has gone on to become an enduring cult classic.

    . . not even in His house.Liz’s best friend rode off on the back of a motorcycle when she was 16 years old. Her body parts washed up on the shores of a Virginia beach community days later, prompting Liz’s parents to sequester her away to Richmond, far away from the vicious murder. Now on her own, Liz returns to take back that part of her life and make peace with the events of her 16th summer.John Williams’ heart broke when, after being questioned in the grisly murder, Liz’s parents spirited her away for good, leaving him grieving for his forsaken love. With the guidance of his father, the community preacher, John moves on with a clear understanding of his life’s mission.When another body turns up, savagely hacked-up on the side of the road, safety becomes elusive, even in the small community church where the answers are hidden. Liz and John have to face the truth that the killer is still out there. Watching. Waiting for them.

     What would you be prepared to do to have everything you ever wanted? How far would you go and where would you draw the line? These are the questions facing John Kennedy in Drug Gang, as he arrives in Manchester in the summer of 2001 and finds the sinister but exciting world of The Brotherhood. If he is prepared to sell drugs, risk his life and commit vicious acts without limits, a life of luxury and huge sums of money can be his. As events spiral out of control, are the money and the glamorous lifestyle enough to keep him locked in a destructive cycle of cruelty and violence?

    Dick's screenplay adaptation of one of his signature novels available for the first time in more than twenty years. Copies of the first edition of Ubik: the Screenplay now fetch more than $100 on the collector's market, when you can find them. In addition, the screenplay features an ending that differs markedly from that of the novel."Dick included far more parenthetical description and interpretation than can be standard for screenplays, and so we have here his considered, after-the-fact portraits of Glen Runciter, Ella Runciter, Joe Chip, Pat Conley, and Ubik itself. And too, with a facility that's scarce among novelists, he smoothly adapts his story to the wider, deeper ranges of the film medium. The Ubik 'ads' are much more effective as actual intrusions than as chapter headings, the soundtrack becomes a central element (and makes us wonder what music Dick would have chosen to complement some of his other novels), and he presents the dysfunctions in time and perception even more effectively when he imagines them enacted on a movie screen. In some ways, in fact, it almost seems as though we're getting a purer version of UBIK—something closer to the original conception than the text of the novel." -- Tim Powers, from his foreword