Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . .A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?Duration: 11 hours 39 minutes.

    Giovanna, he says, looks more like her Aunt Vittoria every day. But can it be true? Is she really changing? Is she turning into her Aunt Vittoria, a woman she hardly knows but whom her mother and father clearly despise? Surely there is a mirror somewhere in which she can see herself as she truly is.Giovanna is searching for her reflection in two kindred cities that fear and detest one another: Naples of the heights, which assumes a mask of refinement, and Naples of the depths, a place of excess and vulgarity. She moves from one to the other in search of the truth, but neither city seems to offer answers or escape.Named one of 2016’s most influential people by TIME Magazine and frequently touted as a future Nobel Prize-winner, Elena Ferrante has become one of the world’s most read and beloved writers. With this new novel about the transition from childhood to adolescence to adulthood, Ferrante proves once again that she deserves her many accolades. In The Lying Life of Adults,/i>, readers will discover another gripping, highly addictive, and totally unforgettable Neapolitan story.

    When a deadly non-viral agent intended for biowarfare spreads out of control, scientists must scramble to ensure the survival of the human race. They turn to their last resort, a plan to place genetically engineered children inside the cocoons of large-scale robots--to be incubated, birthed, and raised by machines. But there is yet one hope of preserving the human order--an intelligence programmed into these machines that renders each unique in its own right--the Mother Code. 

Kai is born in America's desert southwest, his only companion his robot Mother, Rho-Z. Equipped with the knowledge and motivations of a human mother, Rho-Z raises Kai and teaches him how to survive. But as children like Kai come of age, their Mothers transform too--in ways that were never predicted. When government survivors decide that the Mothers must be destroyed, Kai must make a choice. Will he break the bond he shares with Rho-Z? Or will he fight to save the only parent he has ever known?In a future that could be our own, The Mother Code explores what truly makes us human--and the tenuous nature of the boundaries between us and the machines we create.

    But he has found a way to break the cycle—Bilodo has taken to stealing people's mail, steaming open the envelopes, and reading the letters inside. And so it is he comes across Ségolène's letters. She is corresponding with Gaston, a master poet, and their letters are each composed of only three lines. They are writing each other haikus. The simplicity and elegance of their poems move Bilado and he begins to fall in love with her. But one day, out on his round, he witnesses a terrible and tragic accident. Just as Gaston is walking up to the post-box to mail his next haiku to Ségolène, he is hit by a car and dies on the side of the road. And so Bilodo makes an extraordinary decision—he will impersonate Gaston and continue to write to Ségolène under this guise. But how long can the deception continue for? Denis Thériault weaves a passionate and elegant tale, comic and tragic with a love story at its heart.

    The narrative oscillates stylistically from chapter to chapter—at times a novel, fable, historical research, or a diary—locking and unlocking codes, culminating in a captivating, original reading experience.Michèle Audin is the author of several works of mathematical theory and history and also published a work on her anticolonialist father's torture, disappearance, and execution by the French during the Battle of Algiers.

    In eleven chapters, "Kalpa Imperial"'s multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories. But this is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and translator Ursula K. Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. "Kalpa Imperial" is a powerful introduction to the writing of Angelica Gorodischer, a novel which will enthrall readers already familiar with the worlds of Le Guin.Selected for the "New York Times" Summer Reading list.* "The dreamy, ancient voice is not unlike Le Guin's, and this collection should appeal to her fans as well as to those of literary fantasy and Latin American fiction."--"Library Journal" (Starred Review)"There's a very modern undercurrent to the Kalpa empire, with tales focusing on power (in a political sense) rather than generic moral lessons. Her mythology is consistent--wide in scope, yet not overwhelming. The myriad names of places and people can be confusing, almost Tolkeinesque in their linguistic originality. But the stories constantly move and keep the book from becoming overwhelming. Gorodischer has a sizeable body of work to be discovered, with eighteen books yet to reach English readers, and this is an impressive introduction."--"Review of Contemporary Fiction""Borges and Cortazar are alive and well."--"Bridge Magazine""Those looking for offbeat literary fantasy will welcome "Kalpa Imperial: The Greatest Empire That Never Was, " by Argentinean writer Angelica Gorodischer. Translated from the Spanish by Ursula Le Guin, this is the first appearance in English of this prize-winning South American fantasist."--"Publishers Weekly""It's always difficult to wrap up a rave review without babbling redundant praises. This time I'll simply say "Buy this Book!""--"Locus""The elaborate history of an imaginary country...is Nabokovian in its accretion of strange and rich detail, making the story seem at once scientific and dreamlike."--"Time Out New York""Kalpa Imperial" has been awarded the Prize "Mas Alla" (1984), the Prize "Sigfrido Radaelli" (1985) and also the Prize Poblet (1986). It has had four editions in Spanish: Minotauro (Buenos Aires), Alcor (Barcelona), Gigamesh (Barcelona), and Planeta Emece Editions (Buenos Aires).Praise for the Spanish-language editions of "Kalpa Imperial" "Angelica Gorodischer, both from without and within the novel, accomplishes the indispensable function Salman Rushdie says the storyteller must have: not to let the old tales die out; to constantly renew them. And she well knows, as does that one who met the Great Empress, that storytellers are nothing more and nothing less than free men and women. And even though their freedom might be dangerous, they have to get the total attention of their listeners and, therefore, put the proper value on the art of storytelling, an art that usually gets in the way of those who foster a forceful oblivion and prevent the winds of change."--Carmen Perilli, "La Gaceta," Tucuman"At a time when books are conceived and published to be read quickly, with divided attention in the din of the subway or the car, this novel is to be tasted with relish, in peace, in moderation, chewing slowly each and every one of the stories that make it up, and digesting it equally slowly so as to properly assimilate it all."--Rodolfo Martinez"A vast, cyclical filigree . . . Gorodischer reaches much farther than the common run of stories about huge empires, maybe because she wasn't interested in them to begin with, and enters the realm of fable, legend, and allegory."--Luis G. Prado, "Gigamesh," Barcelona

    Lord have pity on us!"With these words, Pierre Boulle hurtles the reader onto the Planet of the Apes. In this simian world, civilization is turned upside down: apes are men and men are apes; apes rule and men run wild; apes think, speak, produce, wear clothes, and men are speechless, naked, exhibited at fairs, used for biological research. On the planet of the apes, man, having reached to apotheosis of his genius, has become inert.To this planet come a journalist and a scientist. The scientist is put into a zoo, the journalist into a laboratory. Only the journalist retains the spiritual strength and creative intelligence to try to save himself, to fight the appalling scourge, to remain a man.Out of this situation, Pierre Boulle has woven a tale as harrowing, bizarre, and meaningful as any in the brilliant roster of this master storyteller. With his customary wit, irony, and disciplined intellect and style, the author of The Bridge Over the River Kwai tells a swiftly moving story dealing with man's conflicts, and takes the reader into a suspenseful and strangely fascinating orbit.

    So she barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies halt operations. The subways squeak to a halt. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a quirky coming-of-adulthood tale and satire.

    He'd say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn.Out on the frontier of a failed state, Makepeace—sheriff and perhaps last citizen—patrols a city's ruins, salvaging books but keeping the guns in good repair.Into this cold land comes shocking evidence that life might be flourishing elsewhere: a refugee emerges from the vast emptiness of forest, whose existence inspires Makepeace to reconnect with human society and take to the road, armed with rough humor and an unlikely ration of optimism.What Makepeace finds is a world unraveling: stockaded villages enforcing an uncertain justice and hidden work camps laboring to harness the little-understood technologies of a vanished civilization. But Makepeace's journey—rife with danger—also leads to an unexpected redemption.Far North takes the reader on a quest through an unforgettable arctic landscape, from humanity's origins to its possible end. Haunting, spare, yet stubbornly hopeful, the novel is suffused with an ecstatic awareness of the world's fragility and beauty, and its ability to recover from our worst trespasses.

    The eldest son is a driver for an app-based car service, which comically puts him at odds with his father, whose very livelihood is threatened by this new generation of disruptors. The younger son, shy and serious, works as a nurse in a French hospital. Jaded by the regular rejections he encounters in French society, he decides to join a Muslim humanitarian organization to help wounded civilians in the war in Syria. But when he stops sending news home, the silence begins to eat away at his father and brother who wonder what his real motivations were. When younger brother returns home, he has changed. Guven alternates between an ironic take on contemporary society and the gravity of terrorist threats. He explores with equal poignancy the lives of “Uberized” workers and actors in the global jihad.

    His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed. Hadi soon realizes he's created a monster, one that needs human flesh to survive--first from the guilty, and then from anyone in its path. A prizewinning novel by "Baghdad's new literary star" (The New York Times), Frankenstein in Baghdad captures with white-knuckle horror and black humor the surreal reality of contemporary Iraq.

    Have you noticed?’1819. Iax Agolasky, a young assistant to a notable French explorer, sets off on a journey to the Russian wilderness. They soon discover a group of creatures living in a cave: children with animal traits. But are they animals, or are they human? Faced with questions of faith, science and the fundamentals of truth, tensions rise in the camp. Soon the children’s safety becomes threatened and Agolasky needs to act.Why Peirene chose to publish this book:Greek legends, fables and fairy tales all share an interest in mythical beings. In this book Sammalkorpi imagines what would happen if these creatures really existed. How would we respond? The answer to this question matters hugely. It determines what it means to be human.

    But, as he recounts the story of his immortal existence over more than six centuries, as she learns of his involvement in some of the most significant events in history and how human hope and love have withered in him, she finally understands the implications for him and for love.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    However, these rare memoirs, preserved for centuries in a volcanic rock, record the strange life of a man trapped in a hermetically sealed underground community. Translated by Michael Kandel and Christine Rose.