She is taken in by her estranged grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. But Alice also learns that there are secrets within secrets about her past. Under the watchful eye of June and The Flowers, women who run the farm, Alice grows up. But an unexpected betrayal sends her reeling, and she flees to the dramatically beautiful central Australian desert. Alice thinks she has found solace, until she falls in love with Dylan, a charismatic and ultimately dangerous man.The Lost Flowers of Alice Hart is a story about stories: those we inherit, those we select to define us, and those we decide to hide. It is a novel about the secrets we keep and how they haunt us, and the stories we tell ourselves in order to survive. Spanning twenty years, set between the lush sugar cane fields by the sea, a native Australian flower farm, and a celestial crater in the central desert, Alice must go on a journey to discover that the most powerful story she will ever possess is her own.

    Having saved his life, can she now rescue him from his dark past? Or will that endanger all she holds most dear? Noah, keeper of the peace and guardian of the Banksia Cove secrets, can’t tell Darcy the real reason this stranger has washed up on their shores. If she understood the links between him and her own dysfunctional family, he’d lose her love for good. As they take refuge in an old whaling station for the night, only one thing is certain – by morning, no one will be the same again. Lies will surface. Hearts will break, and not all will find safe harbour. A heart-stopping novel of high drama and desire by Australia’s award-winning master of romantic suspense.

    Nell is an Australian journo, and quite the fashionable lady, and Johnny is a captain with the American Press Corps who has a bit of a shady romantic past.Johnny's ex-lover, Lena Mitrovic, has been convicted of the murder of caddish artist Rick Henzell. Convinced of Lena's innocence, Johnny ropes Nell in to help him find the truth. During their investigation, they uncover a seedy and unsavoury side to wartime Perth. British, Australian and American servicemen are in the city looking to have a good time and many of the local girls are seeking excitement and romance. What they find is less wholesome. Some of these young girls fall into prostitution and become "Lost Girls".Nell hopes to improve conditions for these Lost Girls and for the women in Fremantle Gaol. Johnny hopes to find the true killer of Rick Henzell. The chemistry between the two main characters is immediate. They are both attractive, witty, sassy and willing to throw themselves into the fray. But Nell is "engaged" to an Australian lawyer and suspicious of Johnny's reputation. As well she might be...

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    But when Sylvie dies, the ground shifts dangerously for the remaining three.They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather at Sylvie's old beach house--not for festivities this time, but to clean it out before it is sold. Can they survive together without her?Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface--and threatens to sweep away their friendship for good.The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

    For Whiskey and Charlie Ferns, the two-way alphabet (alpha, bravo, charlie, delta) whispered back and forth over their crackly walkie-talkies is the best they can do. But as the brothers grow up, they grow apart. Whiskey is everything Charlie is not-bold, daring, carefree-and Charlie blames his brother for always stealing the limelight, always striving ahead while seeming to push Charlie back. By the time the twins reach adulthood, they are barely even speaking to each other.When Charlie hears that Whiskey has been in a terrible accident and has slipped into a coma, he is shocked...although perhaps not devastated. But as days and weeks slip by and the chances of Whiskey recovering grow ever more slim, Charlie is forced to look back on their lives and examine whether or not Whiskey's actions were truly as unforgivable as Charlie believed them to be.

    The houses are beautiful, the neighbors get along, and the kids play together on weekends.But when Darren and Jodie move into the house on the corner, they donʼt follow the rules. They blast music at all hours, begin an unsightly renovation, and run a used-car business from their yard. It doesn't take long for an all-out war to start brewing.Then, early one Saturday, a horrific death shocks the street. As police search for witnesses, accusations start flying--and everyone has something to hide.

    From a routine visit to the dentist that turns into a chase through the streets of London, to a school trip with a deadly twist, no day has ever been ordinary for the teenage super-spy. This collection of seven thrilling adventures features familiar and new assailants from the best-loved world of Alex Rider, and also includes three, brand new and action-packed adventures.

    The day before he fished a giant haul of heroin out of his favourite abalone poaching spot near Newcastle.There’s a better than even chance that the two are connected and he should leave well enough alone.But the opportunity to clear his gambling debt and get ahead of the game is too good to pass up.But how do you sell several kilos of heroin? It’s not like drug dealers are listed in the Yellow Pages. And what happens when the owners come looking for their missing package? Is the torso a warning to anyone thinking of crossing them?Now a person of interest to the police, Lachie needs to stay one step ahead of them, a local bikie he’s managed to insult, play off a big time dealer from Sydney, placate the neighbour’s labrador, Horace, and win the heart of the gorgeous new Fisheries Officer he’s fallen for. Or will he discover that getting into the gun sights of the crooked, the dodgy and the downright shady characters of Newcastle and beyond is more than a man can handle.But, if Lachie can pull it all off, he might just get Something for Nothing.

    He didn't really know whether he'd seen anything at all, though. Maybe an abduction? Maybe just a stressed-out father.Detective Bart Moy, newly returned to the country town where his ailing, cantankerous father still lives, finds nothing. As far as he can tell no one in Guilderton is missing a small boy. Still, he looks deeper into the butcher's story — after all, he had a son of his own once.But when the boy does turn up, silent, apparently traumatised, things are no clearer. Who is he? Where did he come from and what happened to him?For Moy, gaining the boy's trust becomes central not just to the case but to rebuilding his own life. From the wreckage of his grief, his dead marriage and his fractured relationship with his father may yet come a chance for something new.A mystery, a meditation on fatherhood, a harrowing examination of love and loss: a new departure in literary crime from Stephen Orr.