Nineteen-year-old Elise Landau is forced to leave her glittering life of parties and champagne to become a parlor maid in England. She arrives at Tyneford, the great house on the bay, where servants polish silver and serve drinks on the lawn. But war is coming, and the world is changing. When the master of Tyneford's young son, Kit, returns home, he and Elise strike up an unlikely friendship that will transform Tyneford—and Elise—forever.

    But everyone called her Daisy. She was a blonde beauty living in a world of aristocrats and countless wealthy. Her father was a prince, a Russian nobleman. Her mother was an American movie goddess. Men desired her. Women envied her. Daisy's life was a fairy tale filled with parties and balls, priceless jewels, money and love. Then, suddenly, the fairy tale ended. And Princess Daisy had to start again, with nothing--except the secret she guarded from the day she was born.

    This was a war to make the world safe for democracy. And if democracy was made safe, then nothing else mattered - not the millions of dead bodies, nor the thousands of ruined lives... This is no ordinary novel. This is a novel that never takes the easy way out: it is shocking, violent, terrifying, horrible, uncompromising, brutal, remorseless and gruesome... but so is war. Winner of the National Book Award.

    The girls are taken in by a kindly fisherman named Silver, and Frieda begins to feel at home on the water. When Silver sells his fishing boat to WWI veteran Sam Hicks, thinking Sam would be a fine husband for Frieda, she’s outraged. But Frieda manages to talk Sam into teaching her to repair boat engines instead, so she has a trade of her own and won’t have to marry.Frieda quickly discovers that a mechanic’s wages won’t support Bea and Silver, and is lured into a money-making team of rumrunners supplying alcohol to New York City speakeasies. Speeding into dangerous waters to transport illegal liquor, Frieda gets swept up in the lucrative, risky work—and swept off her feet by a handsome Ivy Leaguer who’s in it just for fun.As danger mounts and her own feelings threaten to drown her, can Frieda find her way back to solid ground—and to a love that will sustain her?

    . . Denver, 1962: Kitty Miller has come to terms with her unconventional single life. She loves the bookshop she runs with her best friend, Frieda, and enjoys complete control over her day-to-day existence. She can come and go as she pleases, answering to no one. There was a man once, a doctor named Kevin, but it didn’t quite work out the way Kitty had hoped.Then the dreams begin.Denver, 1963: Katharyn Andersson is married to Lars, the love of her life. They have beautiful children, an elegant home, and good friends. It's everything Kitty Miller once believed she wanted—but it only exists when she sleeps.Convinced that these dreams are simply due to her overactive imagination, Kitty enjoys her nighttime forays into this alternate world. But with each visit, the more irresistibly real Katharyn’s life becomes. Can she choose which life she wants? If so, what is the cost of staying Kitty, or becoming Katharyn?As the lines between her worlds begin to blur, Kitty must figure out what is real and what is imagined. And how do we know where that boundary lies in our own lives?

     In her twenties, Emily Wilson was on top of the world: she had a bestselling novel, a husband plucked from the pages of GQ, and a one-way ticket to happily ever after. Ten years later, the tide has turned on Emily's good fortune. So when her great-aunt Bee invites her to spend the month of March on Bainbridge Island in Washington State, Emily accepts, longing to be healed by the sea. Researching her next book, Emily discovers a red velvet diary, dated 1943, whose contents reveal startling connections to her own life. A mesmerizing debut with an idyllic setting and intriguing dual story line, The Violets of March announces Sarah Jio as a writer to watch.

    The result is certain to raise doubts in the minds of historians who are skeptical necessarily of anything stemming from the imagination. In my opinion, nevertheless, the only way to tell the saga of the Le Moynes, and to attempt the rescue of these remarkable brothers from the oblivion into which they have sunk, is to set down their story in the guise of historical fiction.” (Thomas B. Costain, Introduction)Source: Google Books.

    The first part of the book deals with his childhood and youth and his longing to become a successful farmer and hard-hitting fighter like his father.The tough life of cattle-farming is brusquely interrupted by the Zulu Wars, when Sean and his brother see fighting for the first time. Wilbur Smith vividly recreates the excitement of the war for the young men-their hope of winning their own cattle, the horror of the massacre at Isandhlwana, the heroism of the defence at Rorkes Drift.'Witwatersrand' is the name of the second part of this book and it tells the story of Sean's fabulous success in the gold rush and his rich life with Duff Charleywood and the beautiful Candy in the new town of Johannesburg, where huge fortunes were made and lost in a morning's dealing on the Exchange.The atmosphere of this feverish, violent time is brilliantly drawn: the heavy drinking, the elaborate houses, the ruthless abandonment of the failure. Sean and Duff are caught at last in a trap laid by their rival, the sinister and clever Hradsky, and leave Johannesburg for the wilderness to seek their fortunes once more.And now the book moves to its climax. At last it seems as though Sean will settle to a quiet married life – but fate has other plans for him. They return to Johannesburg and tragedy strikes quickly. Sean finds himself alone once more...Filled with action scenes in war and the early heady days of the gold rush, and adventure among the vast game herds of the African wilderness, this novel is dominated by the towering compelling personality of Sean, whose life story is continued in The Sound of Thunder and A Sparrow Falls.

    Suddenly, the election is concluded - with a surprise result. The new pope is the youngest cardinal of all - and a Russian. Shoes of the Fisherman slowly unravels the heartwarming and profound story of Kiril Lakota, a cardinal who reluctantly steps out from behind the Iron Curtain to lead the Catholic Church and to grapple with the many issues facing the contemporary world.

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.

    Kennedy is inaugurated, Claire, a young wife and mother obsessed with the glamor of Jackie, struggles over the decision of whether to stay in a loveless but secure marriage or to follow the man she loves and whose baby she may be carrying. Decades earlier, in 1919, Vivien Lowe, an obituary writer, is searching for her lover, who disappeared in the Great San Francisco Earthquake of 1906. By telling the stories of the dead, Vivien not only helps others cope with their grief but also begins to understand the devastation of her own terrible loss. The surprising connection between these two women will change Claire’s life in unexpected and extraordinary ways.Part literary mystery and part love story, The Obituary Writer examines expectations of marriage and love, the roles of wives and mothers, and the emotions of grief, regret, and hope.

    An award-winning work, Cloudstreet exemplifies the brilliant ability of fiction to captivate and inspire. Struggling to rebuild their lives after being touched by disaster, the Pickle family, who've inherited a big house called Cloudstreet in a suburb of Perth, take in the God-fearing Lambs as tenants. The Lambs have suffered their own catastrophes, and determined to survive, they open up a grocery on the ground floor. From 1944 to 1964, the shared experiences of the two overpopulated clans -- running the gamut from drunkenness, adultery, and death to resurrection, marriage, and birth -- bond them to each other and to the bustling, haunted house in ways no one could have anticipated.

    The Ponte di Ghetto Nuovo, the bridge that leads to the ghetto, trembles under the weight of sacks of rotting vegetables, rancid fat, and vermin. Shapeless matter, perhaps animal, floats to the surface of Rio di San Girolamo and hovers on its greasy waters. Through the mist rising from the canal the cries and grunts of foraging pigs echo. Seeping refuse on the streets renders the pavement slick and the walking treacherous.  It was on such a night that the men came for Hannah.—Hannah Levi is known throughout sixteenth-century Venice for her skill in midwifery. When a Christian count appears at Hannah's door in the Jewish ghetto imploring her to attend his labouring wife, who is nearing death, Hannah is forced to make a dangerous decision. Not only is it illegal for Jews to render medical treatment to Christians, it's also punishable by torture and death. Moreover, as her Rabbi angrily points out, if the mother or child should die, the entire ghetto population will be in peril. But Hannah’s compassion for another woman’s misery overrides her concern for self-preservation. The Rabbi once forced her to withhold care from her shunned sister, Jessica, with terrible consequences. Hannah cannot turn away from a labouring woman again. Moreover, she cannot turn down the enormous fee offered by the Conte. Despite the Rabbi’s protests, she knows that this money can release her husband, Isaac, a merchant who was recently taken captive on Malta as a slave. There is nothing Hannah wants more than to see the handsome face of the loving man who married her despite her lack of dowry, and who continues to love her despite her barrenness. She must save Isaac.Meanwhile, far away in Malta, Isaac is worried about Hannah’s safety, having heard tales of the terrifying plague ravaging Venice. But his own life is in terrible danger. He is auctioned as a slave to the head of the local convent, Sister Assunta, who is bent on converting him to Christianity. When he won’t give up his faith, he’s traded to the brutish lout Joseph, who is renowned for working his slaves to death. Isaac soon learns that Joseph is heartsick over a local beauty who won’t give him the time of day. Isaac uses his gifts of literacy and a poetic imagination—not to mention long-pent-up desire—to earn his day-to-day survival by penning love letters on behalf of his captor and a paying illiterate public. Back in Venice, Hannah packs her “"birthing spoons”—secret rudimentary forceps she invented to help with difficult births—and sets off with the Conte and his treacherous brother. Can she save the mother? Can she save the baby, on whose tiny shoulders the Conte’s legacy rests? And can she also save herself, and Isaac, and their own hopes for a future, without endangering the lives of everyone in the ghetto?The Midwife of Venice is a gripping historical page-turner, enthralling readers with its suspenseful action and vivid depiction of life in sixteenth-century Venice. Roberta Rich has created a wonderful heroine in Hannah Levi, a lioness who will fight for the survival of the man she loves, and the women and babies she is duty-bound to protect, carrying with her the best of humanity’s compassion and courage.

     In 1950, Constantine Stassos, a Greek immigrant laborer, marries Mary Cuccio, an Italian-American girl, and together they produce three children: Susan, an ambitious beauty, Billy, a brilliant homosexual, and Zoe, a wild child. Over the years, a web of tangled longings, love, inadequacies and unfulfilled dreams unfolds as Mary and Constantine's marriage fails and Susan, Billy, and Zoe leave to make families of their own. Zoe raises a child with the help of a transvestite, Billy makes a life with another man, and Susan raises a son conceived in secret, each extending the meaning of family and love. With the power of a Greek tragedy, the story builds to a heartbreaking crescendo, allowing a glimpse into contemporary life which will echo in one's heart for years to come.

    It plunges you into the reckless, dangerous world of the Santangelo crime family. It introduces you to Gino Santangelo, the street kid who makes it all the way to the top. And then brings you Lucky—his sensual, stunningly beautiful, and passionate daughter; a woman who dares to win her father’s empire for herself; a woman unafraid of taking…CHANCES.