Unlike the "New Woman" novels of the era which challenged the idea that the unmarried woman was superfluous, Gissing satirizes that image and portrays women as "odd" and marginal in relation to an ideal. Set in a grimy, fog-ridden London, Gissing's "odd" women range from the idealistic, financially self-sufficient Mary Barfoot to the Madden sisters who struggle to subsist in low paying jobs and little chance for joy. With narrative detachment, Gissing portrays contemporary society's blatant ambivalence towards its own period of transition. Judged by contemporary critics to be as provocative as Zola and Ibsen, Gissing produced an "intensely modern" work as the issues it raises remain the subject of contemporary debate.

    Widely regarded as one of Trollope's most successful later novels, He Knew He Was Right is a study of marriage and of sexual relationships cast against a background of agitation for women's rights.

    While engaged in this dreadful task, he loses his way and emerges in the bedroom of Ellie, the young daughter of the house who mistakes him for a thief. He runs away, and, hot and bothered, he slips into a cooling stream, falls fast asleep, and becomes a water baby.In this new life, he meets all sorts of aquatic creatures, including an engaging old lobster, other water babies, and at last reaches St Branden's Isle where he encounters the fierce Mrs Bedonbyasyoudid and the motherly Mrs Doasyouwouldbedoneby. After a long and arduous quest to the Other-end-of-Nowhere young Tom achieves his heart's desire.

    Molly Hughes writes of her suburban London Victorian family in the 1870s. In this first book she describes her happy childhood, growing up with her 4 brothers. She describes outings in London and holidays with her mother's family in Cornwall. Hughes notes details when describing people, places and things that make the story come alive. The foreward by Adam Gopnik tells the real, not so happy, story of what happened to her family.

    How could such a delicate young lady, used to the quiet hallways of a girls' boarding school, exist in such a spirited home? It is the arrival of Uncle Alec that changes everything. Much to the horror of her aunts, Rose's forward-thinking uncle insists that the child get out of the parlor and into the sunshine. And with a little courage and lots of adventures with her mischievous but loving cousins, Rose begins to bloom.Written by the beloved author of Little Women, Eight Cousins is a masterpiece of children's literature. This endearing novel offers readers of all ages an inspiring story about growing up, making friends, and facing life with strength and kindness.

    Dell and Elinor Glyn up a tree. Following the death of their grandfather - in whose enormous Warwickshire house they live - their mother relinquishes drink (to which she had taken in a big way) for the joys of frantic housework. Naturally the girls long to escape.Blanche trains as a mannequin at a dubious institution in London, and Vicky flees to Holland and a purgatorial life as an au pair to a lot of dogs. But this is only the beginning and other adventures await them, including the poverty and cabbage smells of one-room living, the charcoaled fingers of art school, drunkenness and cheap restaurants of Soho bohemia, and varying degrees of excitement with several husbands and lovers.First published in 1967, A Touch of Mistletoe shows Barbara Comyns' original voice at its best, mixing a characteristic simplicity with a quiet but cunning wit.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

    But after the idealistic Felix Holt also returns to the town, the difference between Harold's opportunistic values and Holt's profound beliefs becomes apparent. Forthright, brusque and driven by a firm desire to educate the working-class, Felix is at first viewed with suspicion by many, including the elegant but vain Esther Lyon, the daughter of the local clergyman. As she discovers, however, his blunt words conceal both passion and deep integrity. Soon the romantic and over-refined Esther finds herself overwhelmed by a heart-wrenching decision: whether to choose the wealthy Transome as a husband, or the impoverished but honest Felix Holt.

    Their uneventful but always interesting everyday life is the main subject of a novel that evokes the charmingly contented and timeless while managing to be both funny and profound about human relations.

    It is set in the time of the English Civil War and the Commonwealth. The story follows the fortunes of the four Beverley children who are orphaned during the war, and hide from their Roundhead oppressors in the shelter of the New Forest where they learn to live off the land.

    In the first chapter her brother, a devout Catholic (whereas Patience is a rather unthinking Catholic, nevertheless she undeniably is one) comes to tea to tell her that her husband Edward is being unfaithful. Patience, who is perfectly happy with her husband, her children and her St John’s Wood life, is not too upset, in fact she is more curious than anything else because a) her husband had never seemed inattentive, on the contrary, b) she is mystified at the thought of another woman going to bed with Edward out of choice.Fortuitously (for this is a caper, a farce, a satire, something unreal – which is why coincidence is allowable) Patience meets Philip and upon going back with him to his room in Regent’s Park ‘realises that through seven years of marriage she has never understood the meaning of married love, has never had a moment of sexual pleasure, has been cheated by her husband of true happiness.’ This is what Tribune magazine told its readers, assuring them that there was ‘no melodrama – or pornography here. Patience is a truly delightful, idyllic story of a simple soul’s discovery of the beauties of sexual love and her attempts to reconcile it with her mild Catholicism and her ardent maternal love.’

    It is also extraordinarily atmospheric and perceptive about the English: in some respects it is Forsterian (the greatest compliment we can pay). It too would make a wonderful play or film.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.Yes, he was the most beautiful Prince that ever was born. Of course, being a prince, people said that; but it was true besides.The Prince's christening was to be a grand affair. By six in the morning all the royal household had dressed itself in its very best; and then the little Prince was dressed in his best - his magnificent christening-robe; which proceeding his Royal Highness did not like at all, but kicked and screamed like any common baby.In truth, though very few knew, the Prince in coming to the chapel had met with a slight disaster. His nurse - not his ordinary one, but the state nurse-maid - an elegant and fashionable young lady of rank, whose duty it was to carry him to and from the chapel, had been so occupied in arranging her train with one hand, while she held the baby with the other, that she stumbled and let him fall, just at the foot of the marble staircase. To be sure, she contrived to pick him up again the next minute; and the accident was so slight it seemed hardly worth speaking of. Consequently nobody did speak of it. The baby had turned deadly pale, but did not cry, so no person a step or two behind could discover anything wrong; afterward, even if he had moaned, the silver trumpets were loud enough to drown his voice. It would have been a pity to let anything trouble such a day of felicity.