Instead, he’s surfing the real estate listings, searching for a sanctuary—a nice farmhouse in Kansas, perhaps. Although James lives in twenty-first-century Manhattan, he’s more at home in the faraway worlds of Eric Rohmer or Anthony Trollope—or his favorite writer, the obscure and tragic Denton Welch. James’s sense of dislocation is exacerbated by his willfully self-absorbed parents, a disdainful sister, his Teutonically cryptic shrink, and an increasingly vague, D-list celebrity grandmother. Compounding matters is James’s growing infatuation with a handsome male colleague at the art gallery his mother owns, where James supposedly works at his summer job but where he actually plots his escape to the prairie.

    Growing up, he never dreamt anything would haunt him more than the riddle of his parents' identity. But at seventeen, Rokey is discovering that while his roommate, Ely, can think only of girls, his own feelings draw him toward other boys instead. Soon the question of whether or not he is a "samer" is occupying his mind to the exclusion of all else. But when a tragedy results in his expulsion from the only home he has ever known, and an unknown enemy begins trying to kill him, Rokey's mind abruptly returns to the mystery of his parentage. Solving that puzzle, he determines, could mean the difference between life and death. On the road, Rokey soon meets up with a charming elf named Flaskamper. Captivated by the handsome young man, the elf promptly volunteers his help, as well as that of his three unlikely companions. Before long, the five become swept up in the effort to solve the riddle of Rokey's origins and to find out who is trying to kill him, and why. Along the way, Rokey endures some harsh lessons about disappointment and betrayal but also delights in the joy and excitement of first love. Foiled in initial attempts, Rokey's enigmatic foe escalates the attacks. As the young orphan and his new-found friends pursue the trail of clues that leads them across the land of Firma, they find themselves battling an ever-deadlier array of assassins. When they finally do uncover the truth, it is in the last place Rokey had ever expected to find it.

    Macklin "Mackie" Cormack’s only interests are reading and the outdoors. Yeah, right. Isa's convinced Mackie is either a pyro or a klepto. Plus, as a white kid, Mackie looks ridiculous in the Zamans' Arab American household. Forced to share a bedroom, the boys keep butting heads until an absurd fight finally breaks the tension between them. Isa’s just starting to figure life out: this new houseguest, his cultural identity, school, and even girls, when the entire family is uprooted from their home for reasons Isa can't understand. They move from their tiny city apartment to a giant, old house in a small town, hours away from everything he's ever known. Oh, and the new house? It's probably haunted, or so says the blank-faced ten-year-old next door. As if things weren't weird enough, Isa's friendship with Mackie suddenly takes a strange turn down a path Isa's not sure he’s ready to follow. It turns out Mackie Cormack isn’t nearly as boring as Isa once imagined.

    They represent the epitome of black magic, strong, dark, and wicked, and though Mason tries to live up to his respected lineage, most of the spells he casts go awry. To make matters worse, his active power has yet to kick in. While his brothers wield lightning and harness the cold, Mason sits on the sidelines, waiting for the moment when he can finally enter the magical game. When a dead body is discovered on the football field of his high school, Mason meets Drake Carpenter, the new kid in town. Drake’s confident demeanor and quick wit rub Mason the wrong way. Drake is far too self-assured for someone without an ounce of magical blood in his body, and Mason aims to teach him a lesson—like turn him into a roach. And if he’s lucky, maybe this time Mason won’t be the one turned into an insect. Not surprisingly, the dislike is mutual, and Drake does nothing to dispel Mason’s suspicion that the sexy boy with a southern drawl is somehow connected to the murder. If only Mason didn’t find himself inexplicably spellbound whenever they are together, they might actually find out what danger hides in the shadows.

    They share everything—from their friends to a room—and they both enjoy star positions on their high school’s soccer teams. All’s right with the twins...or is it?When new student Ryder Coltrane moves from Texas to their small New York town, he spins Andrew’s world upside down. All of Andrew’s past relationship troubles begin to make sense and his true feelings start to click into place after Ryder comes out to him. His friendship with Ryder turns secretively romantic, but secrets, they soon find out, are hard to keep. Once rumors start to fly, so-called friends turn on them, and the boys’ relationship turns into a bomb about to explode. But Andrew never expected it would be his own twin, Andrea, holding a lighter to ignite it.

    But things start to look up when a new student breezes through the halls of his small-town high school. Sage Hendricks befriends Logan at a time when he no longer trusts or believes in people. Sage has been homeschooled for a number of years and her parents have forbidden her to date anyone, but she won't tell Logan why. One day, Logan acts on his growing feelings for Sage. Moments later, he wishes he never had. Sage finally discloses her big secret: she was born a boy. Enraged, frightened, and feeling betrayed, Logan lashes out at Sage and disowns her. But once Logan comes to terms with what happened, he reaches out to Sage in an attempt to understand her situation. But Logan has no idea how rocky the road back to friendship will be.

    After tragically losing a rare love, Tory immerses himself in the pages of a Wild West mail-order bride magazine, where he stumbles on the advertisement of frontiersman and Civil War veteran Franklin Ausmus. Torsten and Franklin begin an innocent correspondence—or as innocent as it can be, considering Torsten keeps his true gender hidden. But when his parents discover the letters, Tory is forced out on his own. With nowhere else to go, he boards a train for the Black Hills and Franklin’s homestead, Moonlight Gulch.Franklin figures Tory for a drifter, but he’s lonely after ten years of living in the backcountry alone, and his “girl” in Chicago has mysteriously stopped writing, so he hires Tory on as his ranch hand. Franklin and Tory grow closer while defending the land from outlaws who want the untapped gold in Franklin’s creek, but then Franklin learns Tory’s true identity and banishes Tory from his sight. Will their lives be forever tattered, or will Torsten—overhearing a desperate last-ditch scheme to snatch Franklin’s gold—be able to save Moonlight Gulch and his final shot at love?

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Though Violet longs to climb the social ladder Will scorns, she seems willing to wait for him—and wait she must, for Will intends to make his way without the assistance of Violet's well-to-do connections. Whether that's a vow he can keep comes into question when he runs afoul of Charlie Kohlbeck, a capricious reporter with a keen eye for a story and the flexible ethics to dig up any secret, whether hidden in Manhattan's darkest corners or the grand marble halls of its social elite. When Will is ordered to work with him so they'll come to better appreciate each other's talents, Charlie takes him along on the hunt for an interview with the elusive Lord Belcourt. It's a meeting every reporter in town is after, but Charlie gains an audience by introducing Will as one of the wealthy California Nesmiths—a lie that sets Will on a path up the social ladder at a speed no respectable gentleman could stomach. Offered his own society column if he prolongs the charade, Will wants nothing more than to escape the bevy of eager debutantes on his trail and make peace with a very vexed Violet. But when he helps a shy heiress menaced by swindlers, he's caught in a tangled web turned dangerous and must put his faith in Charlie Kohlbeck—who may possibly prove the one road to ruin Will is defenseless to resist.

    They've shared everything for four years. Then one night at a drunken party, Kate leaned in to kiss Lissa, and Lissa kissed her back. And now Kate is pretending Lissa doesn't exist. Confused and alone, Lissa's left questioning everything she thought she knew about herself, and about life. But with the help of a free-spirit new friend, Lissa's beginning to find the strength to realize that sometimes falling in love with the wrong person is the only way to find your footing.

    Reily, a gay man living contentedly in South Carolina, never expects to find himself raising a child. But when his sister and her husband die in an accident, their will makes him guardian of their infant son.

    Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

    Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

    Franklin was caught, convicted, and put away in juvenile detention for what he did. The ordeal seems to be over.Until Rem’s mother selects Franklin as a test subject for an experimental brain procedure intended to “cure” him of his cruel and violent impulses. Suddenly Rem’s memories of that day start coming back to the surface. His nightmares become worse than ever. Plus he has serious doubts about whether his mother’s procedure will even work. Can evil really just be turned off?Then, as part of Franklin’s follow-up testing, he and Rem are brought face to face, and Rem discovers…Franklin does seem different. Despite everything, Rem finds himself becoming friends with Franklin. Maybe even something more than friends.But when another of their classmates turns up dead, Rem’s world turns upside-down yet again. Franklin insists that he’s innocent, that he’s cured, but Rem doesn’t know what to believe. Is someone else responsible for this new murder, or is Franklin fated to stay a monster forever? And can Rem find out the answer to this question before the killer, whoever it is, comes after him too?

    There, in the woods of Connecticut, Arthur meets Katrina Felt, the charming, troubled daughter of a Hollywood movie star. As Arthur struggles with his sexuality and Katrina’s beauty and talent land her in a Broadway musical, the two forge a tender friendship. But while Arthur’s confidence grows, Katrina is pulled down by the heartbreaking secrets and sorrows of her past. By year’s end, their lives will be changed forever, and their friendship will be over. Set in the late 1960s, The Hour Between is a compelling portrait of a time and place, replete with drugs, sex, Andy Warhol, a cast of truly memorable secondary characters, and some of the sharpest and funniest dialogue in recent memory.Sebastian Stuart has written novels, plays, and screenplays. His last novel was ghostwritten (with acknowledgment): Charm! by Kendall Hart, a character on the soap opera All My Children. Charm! spent five weeks on The New York Times bestseller list. A native New Yorker, Stuart now lives in Cambridge, Massachusetts, with novelist Stephen McCauley.