Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    On a rafting trip down the Colorado River, Hayduke joins forces with feminist saboteur Bonnie Abbzug, wilderness guide Seldom Seen Smith, and billboard torcher Doc Sarvis, M.D., and together they wander off to wage war on the big yellow machines, on dam builders and road builders and strip miners. As they do, his characters voice Abbey's concerns about wilderness preservation ("Hell of a place to lose a cow," Smith thinks to himself while roaming through the canyonlands of southern Utah. "Hell of a place to lose your heart. Hell of a place... to lose. Period").Moving from one improbable situation to the next, packing more adventure into the space of a few weeks than most real people do in a lifetime, the motley gang puts fear into the hearts of their enemies, laughing all the while. It's comic, yes, and required reading for anyone who has come to love the desert.

    Carter the Great—is a young master performer whose skill as an illusionist exceeds even that of the great Houdini. But nothing in his career has prepared Carter for the greatest stunt of all, which stars none other than President Warren G. Harding and which could end up costing Carter the reputation he has worked so hard to create. Filled with historical references that evoke the excesses and exuberance of Roaring Twenties, pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical—and sometimes dangerous—world, where illusion is everything.

    When it ended, he was the most notorious criminal in North America, the object of the largest manhunt in RCMP history.This is the story of Albert Johnson, the Mad Trapper, a silent man of superhuman strength and endurance, who defied capture for fifty days in the bitter cold of winter, north of the Arctic Circle. He was a man who crossed hundreds of miles of frozen tundra on foot, who survived dynamite blasts and the pursuit of police, trappers and the army, and who became the first man to cross the Richardson Mountains in a blizzard.

    The title story takes us on board a small gunboat with a distinguished WW II record; the shame is that it is being used as a smuggler.Other stories include "Oh To Be In England," "The Reconciliation," "The List," "The Thousand Islands Snatch," "Up the Garden Path," "The Man Who Wanted a Mark IX," "I Was There," "The Dinner Party," "Licensed to Kill" and "Postscript."

    The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn't share his brother's appetite for whiskey and killing, he's never known anything else. But their prey isn't an easy mark, and on the road from Oregon City to Warm's gold-mining claim outside Sacramento, Eli begins to question what he does for a living - and whom he does it for.With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters - losers, cheaters, and ne'er-do-wells from all stripes of life - and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West, and two brothers bound by blood, violence, and love.

    . . . Like her nervy protagonists, Tomar is a taker of risks.” —New York Times Book Review “Breathtaking . . . For Penny and Cale, violence looms at all corners and in Tomar’s compassionate rendering, they are imbued with strength, fortitude and fierceness.” —San Francisco Chronicle Cale Lambert, a bookish loner of mysterious parentage, lives in a dusty town near the California-Nevada border, a place where coyotes scavenge for backyard dogs and long-haul truckers scavenge for pills and girls. Cale was raised by her grandfather in a loving, if codependent, household, but as soon as she's left high school his health begins an agonizing decline. Set adrift for the first time, Cale starts waitressing at the local diner, where she reconnects with Penélope Reyes, a charismatic former classmate running mysterious side-hustles to fund her dreams. Penny exposes Cale to the reality that exists beyond their small town, and the girls become inseparable—until one terrifying act of violence shatters their world. When Penny vanishes without a trace, Cale must set off on a dangerous quest across the desert to find her friend, and discover herself.An audacious debut, told in deftly interwoven chapters, A Prayer for Travelers explores the complicated legacy of the American West and the trauma of female experience.

    

    Their explosive story begins in a time of innocence and spans a turbulent quarter century, culminating in their dramatic twenty-five reunion at which they confront their classmates--and the balance sheet of  their own lives. Always at the center; amid the  passion, laughter, and glory, stands Harvard--the symbol of who they are and who they will be. They were a generation who made the rules--then broke them--whose glittering successes, heartfelt tragedies, and unbridled ambitions would stun the world.

    His evocations of small-town Pennsylvania life, and of his own religious, artistic, and sexual awakening, transfixed readers of The New Yorker and of the early collections Pigeon Feathers (1962) and The Music School (1966). In these and the works that followed—the formal experiments and wickedly tart tales of suburban adultery in Museums and Women (1972) and Problems (1979), the portraits of middle-aged couples in love and at war with aging parents and rebellious children in Trust Me (1987) and The Afterlife (1994), and the fugue-like stories of memory, desire, travel, and unquenched thirst for life in Licks of Love (2000) and My Father’s Tears (2009)—Updike displayed the virtuosic command of character, dialogue, and sensual description that was his signature.   Here, in two career-spanning volumes, are 186 unforgettable stories, from "Ace in the Hole” (1953), a sketch of a Rabbit-like ex-basketball player written when Updike was a Harvard senior, to "The Full Glass” (2008), the author’s toast to the visible world, his own impending disappearance from it be damned.” Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time. This unprecedented collection of American masterpieces is not just the publishing event of the season, it is a national literary treasure.

    But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

    Happy in her marriage, she tries to look the other way when her genial husband, Alec, takes to the bottle. When Elspeth, Margaret's sister, comes to live with them, the young woman is immediately captivated by the beauty and vitality of the farm, and by the affection she receives from those around her. But as summer turns into fall, and the friendship between Alec and Elspeth deepens, Margaret finds her spirit tested by a series of events that seem as cruel and inevitable as the endless prairie winters.Long out of print, Remembering Laughter (1937) marked Wallace Stegner's brilliant literary debut.

    Moving beyond the pulp magazines, science fiction writers stretched their imaginations at novel length, ushering in an era of stylistic experiment and freewheeling speculation that responded in wildly inventive ways to the challenges and perplexities of an era of global threat and rapid technological change. Long unnoticed or dismissed by the literary establishment, these “outsider” novels are now recognized as American classics.This, the first of two volumes surveying the decade’s peaks, presents four very different visions of uncertain futures and malleable selves. Frederik Pohl and C. M. Kornbluth’s The Space Merchants (1953), acclaimed in its day by Kingsley Amis as “the best science fiction novel so far,” brought a ferocious, satiric edge to its depiction of a future world dominated by multinational advertising agencies. In Theodore Sturgeon’s More Than Human (1953), a group of damaged individuals finds a strange new fulfillment in what may be the next stage of evolution.Leigh Brackett was one of the first women to make her mark as a science fiction novelist. In The Long Tomorrow (1955), she pits anti-urban technophobes against the remnants of a civilization that destroyed itself through nuclear war. The hero of Richard Matheson’s fable-like The Shrinking Man (1956), condemned to grow ever smaller by a mysterious cloud, moves through humiliations and perils toward what Peter Straub calls “a real surprise . . . a fresh, wide-eyed step into a world both beautiful and new.”Here are four classic novels that, each in a different way, open fresh territory, broaching untried possibilities and brimming with the energies of an age fearfully conscious of standing on the brink of the unknown.

    . . the darker and deadlier their fiery passions grew.

    The Long, Long Trail (1922)Jess is a gunslinger, an outlaw on the run trying to elude the sheriff. When a woman enters his life, he reconsiders his future.About The AuthorSeattle-born Frederick Schiller Faust (1892 –1944) was a western author who wrote under pen names including Max Brand. He grew up working on a ranch in California's San Joaquin Valley. His books inspired Hollywood films and he created popular characters including Dr. Kildare.