"Love in the Tall Grass" takes Cordelia down a coastal road on the last day of the twentieth century to keep a date with her lover that has been nine years in the waiting. "Stay Close to the Water's Edge" tells of a young Harvard student who is pitilessly humiliated by his homophobic stepfather on his birthday. Keegan's writing has a clear vision of unaffected truths and boldly explores a world where dreams, memory, and chance have crippling consequences for those involved. The stories are often dark and enveloped in a palpable atmosphere, and the reader feels that something "big" is going on in each of these carefully sculpted tales. The award-winning Antarctica, a Los Angeles Times Best Book of 2001, and recipient of the prestigious Rooney Prize for Irish Literature, the William Trevor Prize, and the Martin Healy Award, is a haunting debut. "These stories are diamonds." -- Emily Robichaud, Esquire "That Keegan has a knack for storytelling is proved many times over...." -- Caitlin Macy, The New York Times Book Review "[These] stories ... show Keegan to be an authentic talent with a gimlet eye and a distinctive voice." -- Amanda Heller, The Boston Globe "Reading these stories is like coming upon work of Ann Beattie or Raymond Carver at the start of their careers." -- Jerry Griswold, Los Angeles Times

    . . a woman whose story has never been told -- until now.Raised in the tranquil beauty of the Summer Country, Princess Guenevere has led a charmed and contented life -- until the sudden, violent death of her mother, Queen Maire, leaves the Summer Country teetering on the brink of anarchy. Only the miraculous arrival of Arthur, heir to the Pendragon dynasty, allows Guenevere to claim her mother's throne. Smitten by the bold, sensuous princess, Arthur offers to marry her and unite their territories, allowing her to continue to reign in her own right. Their love match creates the largest and most powerful kingdom in the Isles. Yet even the glories of Camelot are not safe from the shadows of evil and revenge. Arthur is reunited with his long-lost half-sisters, Morgause and Morgan, princesses torn from their mother and their ancestral right by Arthur's father, the brutal and unscrupulous King Uther. Both daughters will avenge their suffering, but it is Morgan who strikes the deadliest blows, using her enchantments to destroy all Guenevere holds dear and to force Arthur to betray his Queen.In the chaos that follows, Arthur dispatches a new knight to Guenevere, the young French prince Lancelot, never knowing that Lancelot's passion for the Queen, and hers for him, may be the love that spells ruin for Camelot.

    Stories include Hansel and Gretel, Tom Thumb, Little Red Riding Hood, Sleeping Beauty, Rumpelstiltskin, Snow White, the Frog Prince, Rapunzel, The Elves and The Show Maker and many more.

    

    Adult readers only!

    Innocence is set in the 1950s, when Italy was picking up the pieces after the war. Chiara Ridolfi is the guileless daughter of a decrepit Italian family. Barney is her practical English girlfriend, who can sum up a man, she says, in one firm hand-grip. Salvatore is a penniless doctor from the south, who thinks he is proof against politics, social conscience and tenderness. Chiara’s cousin, Cesare, says very little, which gives him time to think…

    Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

    Christopher Hitchens continues to make the case for a splendidly godless universe in this first-ever gathering of the influential voices--past and present--that have shaped his side of the current (and raging) God/no-god debate. With Hitchens as your erudite and witty guide, you'll be led through a wealth of philosophy, literature, and scientific inquiry, including generous portions of the words of Lucretius, Benedict de Spinoza, Charles Darwin, Karl Marx, Mark Twain, George Eliot, Bertrand Russell, Emma Goldman, H. L. Mencken, Albert Einstein, Daniel Dennett, Sam Harris, Richard Dawkins, and many others well-known and lesser known. And they're all set in context and commented upon as only Christopher Hitchens political and literary journalist extraordinaire can.” (Los Angeles Times) Atheist? Believer? Uncertain? No matter: The Portable Atheist will speak to you and engage you every step of the way.

    Phileas Fogg of London and his newly employed French valet Passepartout attempt to circumnavigate the world in 80 days on a £20,000 wager set by his friends at the Reform Club.

    Among the victims of this tragedy were Thomas Keneally's own forebearers, and they were his inspiration to tell the story of the Irish who struggled and ultimately triumphed in Australia and North America. Relying on rare primary sources--including personal letters, court transcripts, ship manifests, and military documents--Keneally offers new and important insights into the impact of the Irish in exile. The result is a vivid saga of heroes and villains, from Great Famine protesters to American Civil War generals to great orators and politicians.

    Includes the following Agatha Christie mysteries:And Then There Were None (1939)Death on the Nile (1937)The Murder of Roger Ackroyd (1926)Witness for the Prosecution (1924)

    Schama, the author of the highly acclaimed Citizens and The Embarrassment of Riches, is one of the most popular and celebrated historians of our day, and in this magnificent work he brings history to dramatic life with a wealth of stories and vivid, colorful detail, reanimating familiar figures and events and drawing them skillfully into a powerful and compelling narrative. Schama's perspective moves from the birth of civilization to the Norman Conquest; through the religious wars and turbulance of the Middle Ages to the sovereignties of Henry II, Richard I and King John; through the outbreak of the Black Death, which destroyed nearly half of Europe's population, through the reign of Edward I and the growth of national identity in Wales and Scotland, to the intricate conflicts of the Tudors and the clash between Elizabeth I and Mary Queen of Scots. Driven by the drama of the stories themselves but exploring at the same time a network of interconnected themes--the formation of a nation state, the cyclical nature of power, the struggles between the oppressors and the oppressed--this is a superbly readable and illuminating account of a great nation, and its extraordinary history.

    Harriet, a widow from World War I, is atop Coventry Cathedral, part of the nightly watch, when first the factories and then the church itself are set on fire. In the ensuing chaos she bonds with a young man, very much like the husband she lost, who relies on her to find the way back to his home where he left his mother. On their journey through a hell of burning shops and collapsed homes, Harriet awakens to emotions she had long put aside. At home, the youth's mother awaits his arrival and rethinks the life that has brought her to this city and her life raising her son alone. Ultimately, together these two women must face a world as immeasurably changed as their own selves.

    Cause of death: pneumonia. But he is scarcely cold in his coffin before Detective Inspector Purbright, affable and annoyingly polite, must turn out again to examine the death of Carobleat’s neighbour, Marcus Gwill, former prop. of the local rag, the Citizen. This time it looks like foul play, unless a surfeit of marshmallows had led the late and rather unlamented Mr Gwill to commit suicide by electrocution. (‘Power without responsibility’, murmurs Purbright.) How were the dead men connected, both to each other and to a small but select band of other town worthies? Purbright becomes intrigued by a stream of advertisements Gwill was putting in the Citizen, for some very oddly named antique items… Witty and a little wicked, Colin Watson’s tales offer a mordantly entertaining cast of characters and laugh-out-loud wordplay. What people are saying about the Flaxborough series: “Colin Watson wrote the best English detective stories ever. They work beautifully as whodunnits but it's really the world he creates and populates ... and the quality of the writing which makes these stories utterly superior.”“The Flaxborough Chronicles are satires on the underbelly of English provincial life, very well observed, very funny and witty, written with an apt turn of phrase ... A complete delight.” “If you have never read Colin Watson - start now. And savour the whole series.” “Light-hearted, well written, wickedly observed and very funny - the Flaxborough books are a joy. Highly recommended.” “How English can you get? Watson's wry humour, dotty characters, baddies who are never too bad, plots that make a sort of sense. Should I end up on a desert island Colin Watson's books are the ones I'd want with me.” “A classic of English fiction... Yes, it is a crime novel, but it is so much more. Wonderful use of language, wry yet sharp humour and a delight from beginning to end.” “Colin Watson threads some serious commentary and not a little sadness and tragedy within his usual excellent satire on small town morality and eccentricities.” “Re-reading it now, I am struck by just how many laugh-out-loud moments it contains. A beautifully written book.” “As always, hypocricy and skulduggery are rife, and the good do not necessarily emerge triumphant. Set aside plenty of time to read this book - you won't want to put it down once you've started it!” “Colin Watson writes in such an understated, humorous way that I follow Inspector Purbright's investigation with a smile on my face from start to finish.” “If you enjoy classic mysteries with no graphic violence and marvellously well drawn characters then give the Flaxborough series a try - you will not be disappointed.” Editorial reviews: “Watson has an unforgivably sharp eye for the ridiculous.” New York Times“Flaxborough is Colin Watson's quiet English town whose outward respectability masks a seething pottage of greed, crime and vice ... Mr Watson wields a delightfully witty pen dripped in acid.Page Numbers Source ISBN: 1788420152

    This funny, irreverent story collection by Helene Tursten, author of the Irene Huss investigations, features two-never-before translated stories that will keep you laughing all the way to the retirement home.Ever since her darling father’s untimely death when she was only eighteen, Maud has lived in the family’s spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late eighties, Maud contents herself with traveling the world and surfing the net from the comfort of her father’s ancient armchair. It’s a solitary existence, but she likes it that way.Over the course of her adventures—or misadventures—this little bold lady will handle a crisis with a local celebrity who has her eyes on Maud’s apartment, foil the engagement of her long-ago lover, and dispose of some pesky neighbors. But when the local authorities are called to investigate a murder in her apartment complex, will Maud be able to avoid suspicion, or will Detective Inspector Irene Huss see through her charade?