A simple, apolitical man, he believes in the essential fairness of the South African government and its policies—until the sudden arrest and subsequent "suicide" of a black janitor from Du Toit's school. Haunted by new questions and desperate to believe that the man's death was a tragic accident, Du Toit undertakes an investigation into the terrible affair—a quest for the truth that will have devastating consequences for the teacher and his family, as it draws him into a lethal morass of lies, corruption, and murder.

    His love of women, his fondness for drink, and his loathing for the country prove formidable obstacles on his road to any kind of success. But when he becomes an operative in Operation Kingpin and is charged with monitoring the front runner in Kinjanja’s national elections, Morgan senses an opportunity to achieve real professional recognition and, more importantly, reassignment.After he finds himself being blackmailed, diagnosed with a venereal disease, attempting bribery, and confounded with a dead body, Morgan realizes that very little is going according to plan.

    By the author of Kill Me Quick and Striving for the Wind.

    Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie? Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television. In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.

    The story takes place in Harare at the height of Zimbabwe’s economic woes in 2008. The book is a thorough and evocative attempt at grappling with a variety of important issues in the postcolonial context: tradition and modernity; feminism and patriarchy; spiritual and political freedoms and responsibilities; poverty and desperation; and wealth and abundance.

    When a sailor named Muhidin, also an outsider, enters their lives, Ayaana finds something she has never had before: a father. But as Ayaana grows into adulthood, forces of nature and history begin to reshape her life and the island itself--from a taciturn visitor with a murky past to a sanctuary-seeking religious extremist, from dragonflies to a tsunami, from black-clad kidnappers to cultural emissaries from China. Ayaana ends up embarking on a dramatic ship's journey to the Far East, where she will discover friends and enemies; be seduced by the charming but unreliable scion of a powerful Turkish business family; reclaim her devotion to the sea; and come to find her own tenuous place amid a landscape of beauty and violence and surprising joy. Told with a glorious lyricism and an unerring sense of compassion, The Dragonfly Sea is a transcendent story of adventure, fraught choices, and of the inexorable need for shelter in a dangerous world.

    The middle-class pair become victims of the same brutal violence that the poor and powerless suffer.

    It is the winner of the Noma Award.

    A portrayal of contemporary Ghanian urban society and working class lives.

    It provides an account of the exploitation of women in Africa and Europe, and tells of an immigrant who, having travelled to Germany to find a paradise, finds she has been betrayed by her husband and is forced into prostitution.

    "Aké: The Years of Childhood" gives us the story of Soyinka's boyhood before and during World War II in a Yoruba village in western Nigeria called Aké. A relentlessly curious child who loved books and getting into trouble, Soyinka grew up on a parsonage compound, raised by Christian parents and by a grandfather who introduced him to Yoruba spiritual traditions. His vivid evocation of the colorful sights, sounds, and aromas of the world that shaped him is both lyrically beautiful and laced with humor and the sheer delight of a child's-eye view.A classic of African autobiography, "Aké" is also a transcendantly timeless portrait of the mysteries of childhood.

    They are about the brutalization of the individual's mental processes, until madness, violence and despair become the normal state of affairs for families in black urban areas.

    He prided himself on furthering relations between communities, speaking several tribal languages fluently and developing a reputation as a man to be trusted and sought after for help and advice. With a thriving young family, a devoted wife and a quick succession of promotions, George is proud of everything he has achieved so far, in particular the understanding he is fostering between whites and blacks. Then, in the wake of the 1948 elections, George feels a shift in the Native Affairs Department's agenda. As he is shunted from one outpost to another, his role becoming ever more hopeless, his place in South Africa's future increasingly hazy, he feels the weight of his powerlessness and finds himself fighting off a crippling depression. "The Native Commissioner" is a heart-wrenching portrayal of a kind and conscientious man who felt himself cast adrift under the weight of South African apartheid.

    This early novel deals with the pain and dislocation of the clash of the old and new ways - the educated young man determined to go overseas, and the elders of the family believing his duty is to stay and head the family.

    Set in modern-day Zimbabwe, the story is narrated through the four female protagonists. Joyce is the legitimate first wife of Jonasi Gomora. She has four kids, a shiny black Mercedes Benz and a life every woman is envious of. Joyce believes she has the perfect marriage until Matipa rears her coiffed head.Matipa is an ambitious, educated high flyer with an eye for the good things in life. She does not want to sit around waiting for a guy to realise his potential, she wants instant gratification, which comes in the form of Jonasi. He personifies everything she wants in a man. And so her driving ambition is usurp Joyce’s role as Jonasi’s wife and lover. Essie is the girl next door from the poverty-stricken township where Jonasi grew up in. She lacks Joyce’s sophistication and Matipa’s intelligence, but she cared for Jonasi long before he became the man he is. So Essie plays the role of second fiddle knowing he’ll always come back to herLindani is a beautiful young girl who has nothing going for her but her greatest assets: her beauty and her body. She hopes this lethal combination will be enough to ensnare the affections of a man who will marry her and leave her taken care of, no longer having to worry about how she’ll keep a solid roof over her head. Then she meets Jonasi and thinks all her problems have been answered, not knowing they have only just begun….Told in a gripping, accessible and somewhat shockingly frank style, Sue Nyathi takes readers on a journey beyond the bedroom door of a polygamous man and his four Mrs Rights. Yet lurking below the surface the question remains: is this kind of marriage practice really legitimate in a society plagued by HIV/Aids? Smart, sassy and sexy, The Polygamist shows that sometimes marriage isn’t what you envisioned – rather than being a secure refuge it can be a battlefield!