Beginning with an outline of the events of the war, the book continues with an analysis of contemporary views regarding the war. Two chapters follow that describe the military aim of the protagonists, military and naval organization, recruitment, and the raising of taxes. The remainder of the book describes and analyzes some of the main social and economic effects of war upon society, the growth of a sense of national consciousness in time of conflict, and the social criticism that came from those who reacted to changes and development brought about by war.

    This has become a vital international issue. Twenty national parliaments in democratic countries have voted to recognise the genocide, but Britain and the USA continue to equivocate for fear of alienating their NATO ally. Geoffrey Robertson QC condemns this hypocrisy, and in An Inconvenient Genocide he proves beyond reasonable doubt that the horrific events in the Ottoman Empire in 1915 constitute the crime against humanity that is today known as genocide. He explains how democracies can deal with genocide denial without infringing free speech, and makes a major contribution to understanding and preventing this worst of all crimes. His renowned powers of advocacy are on full display as he condemns all those - from Sri Lanka to the Sudan, from Old Anatolia to modern Syria and Iraq - who try to justify the mass murder of children and civilians in the name of military necessity or religious fervour.

    Written by an eminent theologian, it combines in its narrative a rare blend of clarity, unity, and balance. In light of significant advances in scholarship in recent years, extensive revisions have been made to this fourth edition. Three scholars from Union Theological Seminary in New York have incorporated new historical discoveries and provided fresh interpretations of various periods in church history from the first century to the twentieth. The result is a thoroughly updated history which preserves the tenor and structure of Walker's original, unparalleled text.

    It is an indispensable guide to the depth and power of the Shia–Sunni split.

    Written in an attractive and accessible style, it makes extensive use of original sources to introduce early medieval men and women at all levels of society from slave to emperor, and allows them to speak to the reader in their own words. It overturns traditional narratives and instead offers an entirely fresh approach to the centuries from c.500 to c.1000. Rejecting any notion of a dominant, uniform early medieval culture, it argues that the fundamental characteristic of the early middle ages is diversity of experience. To explain how the men and women who lived in this period ordered their world in cultural, social, and political terms, it employs an innovative methodology combining cultural history, regional studies, and gender history. Ranging comparatively from Ireland to Hungary and from Scotland and Scandinavia to Spain and Italy, the analysis highlights three themes: regional variation, power, and the legacy of Rome. In the context of debates about the social, religious and cultural meaning of 'Europe' in the early twenty-first century, this books seeks the origins of European cultural pluralism and diversity in the early Middle Ages.

    

    Carlo Ginzburg uses the trial records of Domenico Scandella, a miller also known as Menocchio, to show how one person responded to the confusing political and religious conditions of his time.For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed—just as cheese is made out of milk—and worms appeared in it, and these were the angels."

    Tuchman, Pulitzer Prize–winning author of The Guns of August, comes history thru a wide-angle lens: a fascinating chronicle of Britain’s long relationship with Palestine & the Middle East, from the ancient world to the 20th century. Historically, the British were drawn to the Holy Land for two major reasons: first, to translate the Bible into English &, later, to control the road to India & access to Middle Eastern oil. With the lucid vividness that characterize all her work, Tuchman follows these twin spiritual & imperial motives—the Bible & the sword—to their seemingly inevitable endpoint, when Britain conquered Palestine at the conclusion of WWI. At that moment, in a gesture of significance & solemnity, the Balfour Declaration of 1917 established a British-sponsored mandate for a national home for the Jewish people. Throughout this account, Tuchman demonstrates that the seeds of conflict were planted in the Middle East long before the official founding of the modern state of Israel. “Tuchman is a wise & witty writer, a shrewd observer with a lively command of high drama.”—The Philadelphia Inquirer “In her métier as a narrative popular historical writer, Barbara Tuchman is supreme.”—Chicago Sun-Times

    David Abulafia's The Great Sea is the first complete history of the Mediterranean, from the erection of temples on Malta around 3500 BC to modern tourism. Ranging across time and the whole extraordinary space of the Mediterranean from Gibraltar to Jaffa, Genoa to Tunis, and bringing to life pilgrims, pirates, sultans and naval commanders, this is the story of the sea that has shaped much of world history.

     The influence of ancient Greece and Rome can be seen in every aspect of our lives. From calendars to democracy to the very languages we speak, Western civilization owes a debt to these classical societies. Yet the Greeks and Romans did not emerge fully formed; their culture grew from an active engagement with a deeper past, drawing on ancient myths and figures to shape vibrant civilizations. In "The Birth of Classical Europe," the latest entry in the Penguin History of Europe, historians Simon Price and Peter Thonemann present a fresh perspective on classical culture in a book full of revelations about civilizations we thought we knew. In this impeccably researched and immensely readable history we see the ancient world unfold before us, with its grand cast of characters stretching from the great Greeks of myth to the world-shaping Caesars. A landmark achievement, "The Birth of Classical Europe" provides insight into an epoch that is both incredibly foreign and surprisingly familiar.

    It is told through the letters of Peter Abélard, a French philosopher and one of the greatest logicians of the twelfth century, and of his gifted pupil Héloïse. Through their impassioned writings unfolds the story of a romance, from its reckless, ecstatic beginnings through to public scandal, an enforced secret marriage and its devastating consequences. These eloquent and intimate letters express a vast range of emotions from adoration and devotion to reproach, indignation and grief, and offer a fascinating insight into religious life in the Middle Ages.This is the revised edition of Betty Radice's highly regarded translation, in which Michael Clanchy, the biographer of Abélard, updates the scholarship on the letters and the lovers. This volume includes Abélard's remarkable autobiography and his spiritual advice to Héloïse and her nuns, as well as a selection of the 'lost love letters' of Abélard and Héloïse, letters between Héloïse and Peter the Venerable, two of Abélard's hymns, a chronology, notes and maps.

    In The Ayatollah Begs to Differ, he paints a portrait of a country that is fiercely proud of its Persian heritage, mystified by its outsider status, and scornful of the idea that the United States can dictate how it should interact with the community of nations.With wit, style, and an unusual ability to get past the typical sound bite on Iran, Majd reveals the paradoxes inherent in the Iranian character which have baffled Americans for more than thirty years. Meeting with sartorially challenged government officials in the presidential palace; smoking opium with an addicted cleric, his family, and friends; drinking fine whiskey at parties in fashionable North Tehran; and gingerly self-flagellating in a celebration of Ashura, Majd takes readers on a rare tour of Iran and shares insights shaped by his complex heritage. He considers Iran as a Muslim country, as a Shiite country, and, perhaps above all, as a Persian one. Majd shows that as Shiites marked by an inferiority complex, and Persians marked by a superiority complex, Iranians are fiercely devoted to protecting their rights, a factor that has contributed to their intransigence over their nuclear programs. He points to the importance of the Persian view of privacy, arguing that the stability of the current regime owes much to the freedom Iranians have to behave as they wish behind “Persian walls.” And with wry affection, Majd describes the Persian concept of ta’arouf, an exaggerated form of polite self-deprecation that may explain some of Iranian President Ahmadinejad’s more bizarre public moments. With unforgettable portraits of Iranians, from government figures to women cab drivers to reform-minded Ayatollahs, Majd brings to life a country that is deeply religious yet highly cosmopolitan, authoritarian yet with democratic and reformist traditions—an Iran that is a more nuanced nemesis to the United States than it is typically portrayed to be.

    Even his face became more than usually familiar: the imperial coinage displayed his portrait for over 40 years, from the clean-shaven young heir of Antonius to the war-weary, heavily bearded ruler who died at his post in his late fifties.His correspondence with his tutor Fronto, and even more the private notebook he kept for his last ten years, the Meditations, provides a unique series of vivid and revealing glimpses into the character and peoccupations of this emporer who spent many years in terrible wars against northern tribes.In this accessible and scholarly study, Professor Birley paints a portrait of an emporer who was human and just - an embodiment of the pagan virtues of Rome.

    The facts of Joan of Arc's life are straightforward: she was born in 1412, in Domremy, France, to a peasant family; she participated in the Hundred Years' War but was in active military service for only a year; and she was burned at the stake at 19. Novelist Gordon, who has always been fascinated by the young heroine, emphasizes Joan the girl. She acknowledges that the 17-year-old could have been a wife and mother, a fully adult member of her community. But Gordon's Joan "has a young girl's heedlessness, sureness, readiness for utter self-surrender". This biography rehearses the well-known highlights in Joan's short life: the voices she heard who charged her with the mission to save France; her participation in the Battle of Orleans and the coronation of King Charles VII; her trial by an ecclesiastical court, where she was charged with witchcraft, heresy and idolatry. The judges, Gordon tells us in a deft and clever interpretation, connected "Joan's cross-dressing to the sin of idolatry. (They) were accusing Joan of making an idol of herself". Gordon recounts Joan's excommunication and execution in spare and arresting detail. The strength of this "biographical meditation" lies in the penultimate chapter, in which Gordon investigates the numerous re-creations of Joan on stage and screen, from Carl Dreyer's 1928 film The Passion of Joan of Arc to Verdi's opera Giovanna d'Arco -- a chapter that comes like an unexpected dessert at the end of a rich feast.

    John the Eunuch, Emperor Justinian's Lord Chamberlain, orders a Christian court while himself observing the rites of Mithra. Thomas, a knight from Britain, Ahasuerus, a soothsayer, and two ladies from Crete stir up events and old memories for John, who must ask how the visitors link to the death of Leukos, Keeper of the Plate. An Egyptian brothel keeper and a Christian stylite know more than they are telling....In due course, John gets his man - and a love scene....