In this exuberantly praised book — a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner — David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest.

    In this collection, including two never-before-published essays, Nussbaum writes about her passion for television that began with stumbling upon "Buffy the Vampire Slayer"—a show that was so much more than it appeared—while she was a graduate student studying Victorian literature. What followed was a love affair with television, an education, and a fierce debate about whose work gets to be called “great” that led Nussbaum to a trailblazing career as a critic whose reviews said so much more about our culture than just what’s good on television. Through these pieces, she traces the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And she explores the links between the television antihero and the rise of Donald Trump.The book is more than a collection of essays. With each piece, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that elevates one form of culture over another. It traces her own struggle to punch through stifling notions of “prestige television,” searching for a wilder and freer and more varied idea of artistic ambition—one that acknowledges many types of beauty and complexity, and that opens to more varied voices. It’s a book that celebrates television as television, even as each year warps the definition of just what that might mean.

    One of our foremost novelists, National Book Award and PEN/Malamud Award winner Oates demonstrates an unparalleled understanding and appreciation of great works of literature with In Rough Country, and offers unique and breathtaking insights into the writer’s art.

    Surely in an age such as ours when Terra's Sphere of Influence is once again surrounded by Alien Peril in all its sundry guises, it is desirable - nay, vital! - that our people be aware that, contrary to the official records of the Corps, it was not by the questionable efforts of such worthies as Ambassadors Nitworth and Spradley that Mankind held its own in the terrible arena between the stars, but by the courage, skill and daring of such men as Jame Retief! This collection has six Retief stories to tickle your funny-bone. Retief is in prime form, taking on dangerous aliens and his own bosses in the Corps Diplomatique.Contents: Protocol [Retief] (1962) / short story by Keith Laumer (variant of The Yillian Way) Sealed Orders [Retief] (1962) / short story by Keith Laumer (variant of Retief of the Red-Tape Mountain) Aide Memoire [Retief] (1962) / short story by Keith Laumer Policy [Retief] (1962) / novelette by Keith Laumer (variant of The Madman from Earth) Palace Revolution [Retief] (1961) / novelette by Keith Laumer (variant of Gambler's World) Retief's Ransom [Retief • 6] (1971) / novel by Keith Laumer.

    Kindle edition of sci-f/fantasyi writer Andre Norton.

    However, only a fraction of what Jordan imagined ended up on the page, the rest going into his personal files.The Wheel of Time Companion sheds light on some of the most intriguing aspects of the world, including biographies and motivations of many characters that never made it into the books, but helped bring Jordan's world to life.

    . . shows you that Hiaasen's seemingly implausible fictional premises aren't really far-fetched at all. He just knows Florida ("Playboy").

    46 original stories edited with introductions by Harlan Ellison. Contents: Again, Dangerous Visions • (1972) • interior artwork by Ed Emshwillerix • An Assault of New Dreamers • (1972) • essay by Harlan Ellison1 • The Counterpoint of View • (1972) • shortstory by John Heidenry7 • Ching Witch! • (1972) • shortstory by Ross Rocklynne31 • The Word for World Is Forest • [Hainish] • (1972) • novella by Ursula K. Le Guin127 • For Value Received • (1972) • shortstory by Andrew J. Offutt145 • Mathoms from the Time Closet • (1972) • shortfiction by Gene Wolfe157 • Time Travel for Pedestrians • (1972) • shortstory by Ray Nelson188 • Christ, Old Student in a New School • (1972) • poem by Ray Bradbury197 • King of the Hill • (1972) • shortstory by Chad Oliver217 • The 10:00 Report is Brought to You By ... • (1972) • shortstory by Edward Bryant233 • The Funeral • (1972) • novelette by Kate Wilhelm261 • Harry the Hare • (1972) • shortstory by James B. Hemesath266 • When It Changed • (1972) • shortstory by Joanna Russ282 • The Big Space Fuck • (1972) • shortstory by Kurt Vonnegut, Jr.293 • Bounty • (1972) • shortstory by T. L. Sherred300 • Still-Life • (1972) • shortstory by Barry N. Malzberg [as by K. M. O'Donnell ]315 • Stoned Counsel • (1972) • shortstory by H. H. Hollis331 • Monitored Dreams and Strategic Cremations • (1972) • shortfiction by Bernard Wolfe398 • With a Finger in My I • (1972) • shortstory by David Gerrold413 • In the Barn • (1972) • novelette by Piers Anthony

    The fight is just beginning.Battlestar Galactica is back. The "re-imagined" version of the cult 1970s series has quickly become one of the most critically acclaimed shows on TV. With its suburb ensemble cast, cutting-edge special effects, outstanding production design, and gritty, adult-oriented scripts, the new Battlestar Galactica is both a worthy successor to a classic original, and a stunning piece of television in its own right.Author David Bassom was granted full access to the production for this official companion, which is packed with exclusive cast and crew interviews, previously unseen photos, behind-the-scenes revelations, and a complete episode guide to the miniseries and first season.Launch when ready!

    Welcome to Urban Monad 116. A lofty spire reaching nearly two miles into the sky, the one thousand stories of this building are home to over eight hundred thousand people living in peace and harmony. In the year 2381, nearly all of Earth's 75 billion live in the hundreds of monolithic structures scattered across the globe, with the exception of the small agricultural communes that supply the Urbmons with food. Life in Urbmon 116 is highly regulated, life is cherished, and the culture of procreation is seen as the highest pinnacle of god's plan. Conflict is abhorred, and any who disturb the peace face harsh punishment, to risk being labeled a flippo, for whom there is only one punishment, being sent "down the chute" to be recycled as fertilizer. But inside their glorious world are a few who dare to doubt and dream:Aurea Holston, a beautiful young bride who fears leaving the only world she's ever known.Jason Quevedo, a historian, searches records of the twentieth century hoping to find the root of his discontent with the perfection of Urbmon life.Siegmund Kluver, a young and ambitious administrator, strives to reach the top levels of the Urbmon?s government and discovers the civilization's dark truths.Michael Statler, a computer engineer, harbors a forbidden desire. He dreams of leaving the building, of walking in the open air and visiting the far-off sea. This is a dream he must keep secret. If anyone were to find out, he'd face the worst punishment imaginable.The World Inside is a fascinating exploration of society and what makes us human, told by a master of speculative fiction. This novel consists of a number of shorter works linked together. Fixup of the following stories: All the Way Up, All the Way Down (1971), We Are Well Organized (1970). The Throwbacks (1970), The World Outside (1970), A Happy Day in 2381 (1970), and In the Beginning (1970).

    Michael Straczynski brought his ambitious vision to the screen.Then launch into a comprehensive overview of the groundbreaking premiere season, including in-depth, episode-by-episode summaries of all of the first twenty-two shows--from the pilot, "The Gathering," through the climactic season finale, "Chrysalis"--with analysis by author and B5 expert Jane Killick.Veteran viewers or first-time fans, relive the adventure--or find out what you've been missing--with the complete companions to Babylon 5!

    Lovecraft (1890-1937), the most important American supernaturalist since Poe, has had an incalculable influence on all the horror-story writing of recent decades. Altho his supernatural fiction has been enjoying an unprecedented fame, it's not widely known that he wrote a critical history of supernatural horror in literature that has yet to be superceded as the finest historical discussion of the genre. This work is presented in this volume in its final, revised text. With incisive power, Lovecraft here formulates the esthetics of supernatural horror & summarizes the range of its literary expression from primitive folklore to the tales of his own 20th-century masters. Following a discussiom of terror-literature in ancient, medieval & renaissance culture, he launches on a critical survey of the whole history of horror fiction from the Gothic school of the 18th century (when supernatural horror found its own genre) to the time of De la Mare & M.R. James. The Castle of Otranto, Radcliffe, "Monk" Lewis, Vathek Charles Brockden Brown, Melmoth the Wanderer, Frankenstein, Bulwer-Lytton, Fouqué's Undine, Wuthering Heights, Poe (full chapter), The House of the Seven Gables, de Maupassant's The Horla, Bierce, The Turn of the Screw , M.P. Shiel, W.H. Hodgson, Machen, Blackwood & Dunsany are among those discussed in depth. He also notices a host of lesser writers--enough to draw up an extensive reading list. By charting so completely the background for his own concepts of horror & literary techniques, Lovecraft throws light on his own fiction as well as on the horror-literature which has followed. For this reason this book will be especially intriguing to those who've read his fiction as an isolated phenomenon. Any searching for a guide thru the inadequately marked region of literary horror, need search no further. Unabridged & corrected republication of 1945 edition. New introduction by E.F. Bleiler.

    Packed with facts, figures and stories from the show's entire run, this unique tour of space and time takes you from Totters Lane to Trenzalore, taking in guides to UNIT call signs, details of the inner workings of sonic screwdrivers, and a reliability chart covering every element of the TARDIS. With tables, charts and illustrations dotted throughout, as well as fascinating lists and exhaustive detail, you won't believe the wonders that await. Are you ready? Then read on, you clever boy. And remember.

    . .* What Isaac Asimov was like at 19.* The truth behind the great World SF Convention War of 1939.* How a teenager became a mover and shaker in the bizarre world of the pulp magazines.* The strange mating rites of the sf community.* How to represent most of the best sf writers and go broke.* The dreams of new worlds and universes behind a body of completely original writing that has enlarged the horizons of three generations of readers . . . and netted the writers ½¢ to 3¢ a word.From the moment he attended the first meeting of the Brooklyn chapter of the Science Fiction League, Fred Pohl was hooked. He and his friends founded and disbanded fan clubs with dizzying speed, then organized the fabled Futurians. At 19, he became editor of Astonishing Stories and Super Science Stories, and, except for the war and a brief fling in the advertising business, has been almost totally involved in science fiction ever since.As an agent, he created the market for hardcover sf; as editor of Galaxy in the 60s, he shaped the field for most of a decade; his Star Science Fiction series pioneered the concept of original anthologies; and along with all that he produced a number of truly outstanding works of sf, including: The Space Merchants (with Cyril Kornbluth) and, most recently Man Plus and Gateway, voted the Best Novels of 1976 and 1977, respectively.It's been a long road, from the scruffy Ivory Tower where the Futurians denned to a time when much that was science fiction is now reality—and Fred Pohl retraces it with candor, wit, and abiding love.

    The Steampunk Bible is the first compendium about the movement, tracing its roots in the works of Jules Verne and H. G. Wells through its most recent expression in movies such as Sherlock Holmes. Its adherents celebrate the inventor as an artist and hero, re-envisioning and crafting retro technologies including antiquated airships and robots. A burgeoning DIY community has brought a distinctive Victorian-fantasy style to their crafts and art. Steampunk evokes a sense of adventure and discovery, and embraces extinct technologies as a way of talking about the future. This ultimate manual will appeal to aficionados and novices alike as author Jeff VanderMeer takes the reader on a wild ride through the clockwork corridors of Steampunk history.Praise for The Steampunk Bible:"The Steampunk Bible is an informed, informative and beautifully illustrated survey of the subject." -The Financial Times"The Steampunk Bible is far and away the most intriguing catalog of all things steam yet written." -The Austin Chronicle “It’s hard to imagine how VanderMeer and Chambers could have put together a stronger collection. Its publication marks a significant, self-conscious moment in the history of the movement.”—PopMatters.com