At work on a novel that is overdue to her publisher, spending long days alone with her restless terrier, corresponding ardently with fellow writers, the novel's narrator grows obsessed with the challenge of writing the present tense, of capturing time itself. Entranced by the work of Rilke, Dürer, Chantal Akerman, and others, she photographs the residents and strays of her neighborhood, haunts bookstores and galleries, and records her thoughts in a yellow notebook that soon subsumes her work on the novel. As winter closes in, a series of disturbances—the appearances and disappearances of enigmatic figures, the burglary of her apartment—leaves her distracted and uncertain . . . until an intense and tender disruption changes everything.A story of artistic ambition, personal crisis, and the possibilities and failures of literature, Drifts is a dramatic step forward for one of our most daring writers.

    A mammoth balloon is inflated over the city with much talk by the natives after the artifact; Indians storm the city in spite of the excellent hand-sanded table (birch veneer on black wrought iron legs); two emphatic creatures named Edward and Pia exist in instant replays and talk in stereo static: a tiny President (forty-eight inches tall at the shoulder) may or may not cause intermittent and mass unconsciousness; and Kellerman, "gigantic with gin, runs through the park at noon with his naked father slung under one arm." Meaning may emerge, blur forth, but in this glittering clatterbang of existence no overview is possible ("The moon hates us").With elegance and wicked glee, the author has produced hitherto buried delights in the "Isle of Vernacular." Each fragment has its visual and verbal surprise. Baffling, brilliant, and very special, this is Bertie Wooster's "Guernica."

    The setting is Words, Wisconsin, an anonymous town of only a few hundred people. But under its sleepy surface, life rages. Cora and Graham guard their dairy farm, and family, from the wicked schemes of their milk co-op. Lifelong paraplegic Olivia suddenly starts to walk, only to find herself crippled by her fury toward her sister and caretaker, Violet. Recently retired Rusty finds a cougar living in his haymow, dredging up haunting childhood memories. Winifred becomes pastor of the Friends church and stumbles on enlightenment in a very unlikely place. And Julia Montgomery, both private and gregarious, instigates a series of events that threatens the town's solitude and doggedly suspicious ways. Driftless finds the author's powers undiminished in this unforgettable story that evokes a small-town America previously unmapped, and the damaged denizens who must make their way through it.

    Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the eighties, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn and John Lennon. And at the heart of the spectacle stands the artist himself, willful, lustful, and driven by a never-to-be-met need for perfection.

    A joke at first; but then he was caught up, terrifyingly, in a vision of suffering, and he sought a way out, turning first here, then there—Art, Sex, Religion. Shrike, the cynical editor, the friend and enemy, compulsively destroyed each of his friend’s gestures toward idealism. Together, in the city’s dim underworld, Shrike and Miss Lonelyhearts turn round and round in a loathsome dance, unresolvable, hating until death…The Day of the LocustTo Hollywood comes Tod Hackett, hoping for a career in scene designing, but he finds the way hard and falls in with others—extras, technicians, old vaudeville hands—who are also in difficulty. Around him he sees the great mass of inland Americans who have retired to California in expectation of health and ease. But boredom consumes them, their own emptiness maddens them; they search out any abnormality in their lust for excitement—drugs, perversion, crime. In the end only blood will serve; unreasoned, undirected violence. The day of the locust is at hand…

    This fictional memoir, the first of an autobiographical trilogy, traces a self professed failure's nightmarish decent into the underside of American life and his resurrection to the wisdom that emerges from despair.

    From the outside, Zephyr is just another bland corporate monolith, but behind its glass doors business is far from usual: the beautiful receptionist is paid twice as much as anybody else to do nothing, the sales reps use self help books as manuals, no one has seen the CEO, no one knows exactly what they are selling, and missing donuts are the cause of office intrigue. While Jones originally wanted to climb the corporate ladder, he now finds himself descending deeper into the irrational rationality of company policy. What he finds is hilarious, shocking, and utterly telling.

    Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life.But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They head up a halfway house, where they live alongside castoffs like the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding?Disarming, delightfully deadpan, and full of searching, Claire Luchette's Agatha of Little Neon offers a view into the lives of women and the choices they make. It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves.

    Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever. With his own leather mini-skirt and a makeup bag that closes with Velcro, the young “Cherry Vanilla” embarks on a journey through the Appalachian wilds, dining on transcendental cuisine, supplicating to the mystical Jackalope, encountering the most terrifying of pimps, walking on water, being venerated as an innocent girl saint—and then being denounced as the devil. By turns exhilarating and shocking, magical and realistic, Sarah brings urgency, wit, and imagination to an unknown and unforgettable world.

    They succeed, finding not only that tribe but also a group of forest dwellers they dub "The Dreamers," who turn out to be fantastically long-lived but progressively more senile. Perina suspects the source of their longevity is a hard-to-find turtle; unable to resist the possibility of eternal life, he kills one and smuggles some meat back to the States. He scientifically proves his thesis, earning worldwide fame and the Nobel Prize, but he soon discovers that its miraculous property comes at a terrible price. As things quickly spiral out of his control, his own demons take hold, with devastating personal consequences.

    She worries about her children, her dead parents, African elephants, the bedroom rituals of “happy couples”, Weapons of Mass Destruction, and how to hatch an abandoned wood pigeon egg. Is there some trick to surviving survivalists? School shootings? Medical debts? Franks ’n’ beans?A scorching indictment of America’s barbarity, past and present, and a lament for the way we are sleepwalking into environmental disaster, Ducks, Newburyport is a heresy, a wonder—and a revolution in the novel.It’s also very, very funny.

    It's a coming-of-age story for people who hate coming-of-age stories. A journey across a shifting dreamlike landscape, featuring feral children, teenage oracles, mysterious cassette tapes, and a reclusive underground rockstar. With astounding precision, Jackson weaves a moving tale of discovery and mad hope across a startling, vibrant landscape.

    The seven stories of In the Penny Arcade blend both the real and the fantastic in a seductive mix that illuminates the full range of Steven Millhauser's gifts, from 'August Eschenburg', the story of a clockmaker's son whose extraordinary talent for creating animated figures is lost on a world whose taste for the perverse and crude supersedes that of the refined and beautiful, to 'Cathay', a kingdom whose wonders include landscape paintings executed on the bodies of court ladies.