So they rent out their California home--dog and cat included--and embark on a yearlong trip around the world. The couple is swept up in the adventure of a lifetime: traversing the Sahara on camels, trekking in the Himalayas, scrambling over Cambodian temples, crossing the Andes, scaling a New Zealand glacier.The book traces the odyssey in forty-eight colorful dispatches from six continents. Whether barreling across India with a former tank driver at the wheel, getting clipped by Vietnam's oldest barber, touring a notorious Bolivian prison with inmates as guides, or braving a cyclone in Fiji on a rubber raft, McIntyre taps his signature wit to convey the joys, perils, and frustrations of prolonged travel. He also writes eloquently of such touching moments as flying kites with a boy in Indonesia and sleeping under the stars in Morocco.Funny, heartwarming, and full of expert tips, The Wander Year will inspire and entertain veteran and armchair travelers alike."A superb writer."--Los Angeles Times"A reader's dream."--San Diego Union-Tribune

    These stories span characters and emotional states with canny details that touch the depths of your soul. Picturing the complexities of love, misery and mystery, the stories try to gnaw your heart like never before.• What does a flower teach us we often fail to see?• “The belly is an ungrateful wretch.” Is it true?• Ever wondered about the sparseness and illusions in life?• Does death put an end to true love?• Have all the ascetics won over their emotions?With the power of simple language, this book transports the readers to a world scarcely thought of in our bustling lives. The allegories maintain an intense rhythm of life prompting the readers to perceive things from a unique angle.“A whole bookful to make you think, cry, think again and move on.”

    Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.

    Channeling her poetic sensibilities into a rich, lucid prose, Alexander tells a love story that is, itself, a story of loss. As she reflects on the beauty of her married life, the trauma resulting from her husband's death, and the solace found in caring for her two teenage sons, Alexander universalizes a very personal quest for meaning and acceptance in the wake of loss. The Light of the World is at once an endlessly compelling memoir and a deeply felt meditation on the blessings of love, family, art, and community. It is also a lyrical celebration of a life well-lived and a paean to the priceless gift of human companionship. For those who have loved and lost, or for anyone who cares what matters most, The Light of the World is required reading.

    

    But I wrote a lot of good poems.”So maintains Anita Liberty, the caustically funny New York City performance artist who was going along happily healing her hurt by hating and humiliating her detestable ex-boyfriend on stage and in print until the unthinkable happened: she had a good date. And one good date deserves another. And another. And another. And, all of the sudden, Anita Liberty finds herself in a predicament. Getting dumped launched Anita’s career–Will falling in love finish it? Who’s more important: her devoted audience or her newly devoted boyfriend? And on top of everything, Hollywood won’t stop calling and Anita can’t figure out if It wants a serious commitment or just a little bit of no-strings-attached fun. From digging mercilessly into the minutiae of her new relationship to dramatically torching every professional bridge she crosses in L.A., Anita refuses to let a big load of bliss get dumped right in the middle of her career path.“He said that my work was amazing and hilarious and smart and that he can’t wait to see me perform.So I had sex with him.”“My boyfriend asked me to change my look.To something other than contemptuous.”{BARGAIN} Whatever Hollywood ends up paying me for the rights to the story of my life.“It’s easier to go back to fantasizing about perfection . . .than to accept that perfection is just a fantasy.”“Boyfriend thinks I’d rather be right than happy.Boyfriend’s right.But I’m not telling him that.”Through blog entries, film scenes, poems, and to-do lists, Anita Liberty documents the perils and pitfalls of dating, sex, relationships, artistic success, and the kind of true love that sucks the creative life out of you to the point where you just end up staring at a blank computer screen and thinking gooey thoughts about your new boyfriend even though you should be writing.

    Through Lara we discover the complex past and present, as she grows up in the 60s and 70s, a mixed race child in London.

    In fact, he’d give anything not to be the son of Rutherford Morrison, a washed-up rock star and drug addict with delusions of a comeback. Or to no longer be part of a family known most for lost potential, failure, and tragedy. The one true light is his girlfriend, Chapel, but her parents have forbidden their relationship, assuming—like many—that Blade will become just like his father.In reality, the only thing Blade has in common with Rutherford is the music that lives inside them. But not even the songs that flow through Blade’s soul are enough when he’s faced with two unimaginable realities: the threat of losing Chapel forever, and the revelation of a long-held family secret, one that leaves him questioning everything he thought was true. All that remains is a letter and a ticket to Ghana—both of which could bring Blade the freedom and love he’s been searching for, or leave him feeling even more adrift.

    

    He learned that his real name was not Norman. It was Lemn Sissay. He was British and Ethiopian. And he learned that his mother had been pleading for his safe return to her since his birth. Here Sissay recounts his life story. It is a story of neglect and determination. Misfortune and hope. Cruelty and beauty. Sissay reflects on adoption, self-expression and Britishness, and in doing so explores the institutional care system, race, family and the meaning of home. Written with all the lyricism and power you would expect from one of the nation's best-loved voices, this moving, frank and timely memoir is the result of a life spent asking questions, and a celebration of the redemptive power of creativity.

    It is the 1980s and they are fleeing the civil war in Sudan. This remarkable account tracks Bol’s boyhood through one camp after another, through good times and bad, until he begins a vast journey through Kenya, Tanzania, Zambia and Zimbabwe which finally ends in South Africa some ten years later. By the time Bol reaches Pretoria, he is in his early twenties, and for the first time finds himself without a purpose. Hoping to lift his spirits, he starts studying English at a school for refugees. He recounts his life experiences to a teacher, who suggests he writes it all down. The result is this book.

    

    She describes unforgettable scenes from her childhood with simplicity and accuracy, traveling through magical times and places that, when seen from a distance, awake steady feelings of loneliness, love and death find their perfect expression in Davilas writing, who delicately shapes them into life.

    Seuss!Dr. Seuss Lacing Cards enhance kids' fine motor skills while they play! Kids will love these cards, which feature spectacular Seuss art, and the trademark Seuss sense of the silly. Laces included!

    Written as fiction to protect the innocent, the book exposes the explosive dark truths of the Winelands' elite. All is revealed through the eyes of stay at home mom, 49-year-old Jen, who is the wife of John, a renowned wine farmer and businessman. Jen, like many of her privileged friends, lives a charmed life provided by her husband, in exchange for conjugal sex and obligatory wifely gratitude. When Jen stumbles upon her playboy husband in a compromising position with his sexy employee, things fall apart. Jen is forced to choose between leaving her marriage, jeopardising her standing and stability in the community or turning a blind eye to his infidelity. The book follows Jen's passage to self-discovery and self-fulfillment, while other characters' perspectives move the story forward as each is privy to (and eventually reveals) at least one 'truth' or 'lie' which Jen must face. Jen's exposition of her husband's infidelity inadvertently mirrors the underbelly of the patriarchal and often duplicitous community of the seemingly perfect Stellenbosch. Led by prominent wine farmers, international businessmen and renowned academics, business and private interests, even if ethically compromised, are staunchly guarded. The unfolding chapters irreverently explore both the emotional growth of the protagonist, Jen, as well as the moral ambiguities of the other players in the book. Characters like Lee, John's childhood friend and unknown ally to Jen, and marriage wrecker, Patty, blur lines between right and wrong and what is decent and moral. The alluring opulence of the rich and privileged setting of the famed Cape Winelands is complemented by the very real, often funny and indeed relatable crises that Jen is forced to confront. Sex,Lies & Stellenbosch is a page turner - sexy, fast-paced and entertaining.