Keita can only be safe if he keeps moving and eludes Hamm and the officials who would deport him to his own country, where he will face almost certain death.This is the new underground. A place where tens of thousands of people deemed to be “illegal” live below the radar of the police and government officials.As Keita surfaces from time to time to earn cash prizes by running local road races, he has to assess whether the people he meets are friends or enemies: John Falconer, a gifted student intent on making a documentary about AfricTown; Ivernia Beech, an elderly woman who is at risk of being forced into an assisted living facility; Rocco Stanton, a recreational marathoner who is the Immigration Minister; Lula DiStefano, self-declared Queen of AfricTown and Madame of the community’s infamous brothel; and Viola Hill, one of the only black reporters in the country, who is investigating the possibility of corruption linking the highest officials in Freedom State and Zantoroland.Keita’s very existence in Freedom State is illegal. As he trains in secret, eluding capture, the stakes keep getting higher. Soon, he is running not only for his life, but his sister’s life, too.Fast-moving and compelling, The Illegal addresses the fate of an undocumented refugee who struggles to survive in a nation that does not want him.

    Situated on the edge of the Little Snake sand hills, Juliet and its inhabitants are caught in limbo between a century — old promise of prosperity and whatever lies ahead.But the heart of the town beats in the rich and overlapping stories of its people: the foundling who now owns the farm his adoptive family left him; the pregnant teenager and her mother, planning a fairytale wedding; a shy couple, well beyond middle age, struggling with the recognition of their feelings for one another; a camel named Antoinette; and the ubiquitous wind and sand that forever shift the landscape. Their stories bring the prairie desert and the town of Juliet to vivid and enduring life.This wonderfully entertaining, witty and deeply felt novel brims with forgiveness as its flawed people stumble towards the future.

    Today, he discovers she was murdered. Tomorrow, he will learn her most guarded secrets, leaving him to wonder: Who was the woman I married? Why was she murdered? And, above all . . . Who murdered her? Revenge is not sweet: It is essential. COLD VENGEANCE: Devastated by the discovery that his wife, Helen, was murdered, Special Agent Pendergast must have retribution. But revenge is not simple. As he stalks his wife's betrayers--a chase that takes him from the wild moors of Scotland to the bustling streets of New York City and the darkest bayous of Louisiana--he is also forced to dig further into Helen's past. And he is stunned to learn that Helen may have been a collaborator in her own murder. Peeling back the layers of deception, Pendergast realizes that the conspiracy is deeper, goes back generations, and is more monstrous than he could have ever imagined--and everything he's believed, everything he's trusted, everything he's understood . . . may be a horrific lie. Nothing is what it seems. TWO GRAVES: For twelve years, he believed she'd died in an accident. Then, he was told she'd been murdered. Now, FBI Special Agent Aloysius Pendergast discovers that his beloved wife, Helen, is alive. And Pendergast must embark on a furious cross-country chase to rescue her. But all this turns out to be mere prologue to a far larger plot: one that unleashes a chillingly--almost supernaturally--adept serial killer on New York City. His pursuit of the murderer will take Pendergast deep into the trackless forests of South America, to a hidden place where the evil that has blighted both his and Helen's lives lies in wait . . . a place where he will learn all too well the truth of the ancient proverb: Before you embark on a journey of revenge, dig two graves.

    Appearing only fleetingly in the historical record of the Hudson" s Bay Company are the Native women who lived at the company" s Prince of Wales Fort and served as " country wives" to the European traders -- and whose survival was bound, for better or worse, to the fortunes of those men. Across more than two centuries, the mixed-blood woman Mary Norton, daughter of Governor Moses and personal favourite of the explorer Samuel Hearne, speaks to us from her dreams. As the story of her liaison with Hearne unfolds, we move toward its tragic consequences. When their small society is torn apart by a French attack on the fort, Mary and the other women find themselves and their children abandoned by their British masters. Now -- in one of history" s cruel ironies -- they must fend for themselves in the harsh country from which their own ancestors sprang. Unflinching, powerful and rich in moral ambiguity, this haunting novel explores a tragic meeting of cultures that still reverberates in the present day.

    A book of post-9/11 Canada, The Ever After of Ashwin Rao demonstrates that violent politics are all-too-often homegrown in North America but ignored at our peril. In 2004, almost 20 years after the fatal bombing of an Air India flight from Vancouver, 2 suspects--finally--are on trial for the crime. Ashwin Rao, an Indian psychologist trained in Canada, comes back to do a "study of comparative grief," interviewing people who lost loved ones in the attack. What he neglects to mention is that he, too, had family members who died on the plane. Then, to his delight and fear, he becomes embroiled in the lives of one family caught in the undertow of the tragedy, and privy to their secrets. This surprising emotional connection sparks him to confront his own losses. The Ever After of Ashwin Rao imagines the lasting emotional and political consequences of a real-life act of terror, confronting what we might learn to live with and what we can live without.

    Both tender and bold in its delivery, Away from Everywhere cuts no corners in telling the story of their crushing childhood, the reasons the brothers become different men, and the unthinkable act of love that tears them apart. Part warped love story, part family tragedy, Away from Everywhere is a heart-stomping pageturner.This novel has been adapted into a film starring Jason Priestley, Shawn Doyle, and Joanne Kelly.Winner of the ArtsNL CBC Emerging Artist of the Year award.Shortlisted for the Canadian Authors’ Association Emerging Writer of the Year award.Shortlisted for the 2010 ReLit Award

    The narrative unfolds with shimmering clarity, and takes us from the harsh northern Irish coast in the 1840s to the quarantine stations at Grosse Isle and the barely hospitable land of the Canadian Shield; from the flourishing town of Port Hope to the flooded streets of Montreal; from Ottawa at the time of Confederation to a large-windowed house at the edge of a Great Lake during the present day. Graceful and moving, Away unites the personal and the political as it explores the most private, often darkest corners of our emotions where the things that root us to ourselves endure. Powerful, intricate, lyrical, Away is an unforgettable novel.

    There is only one rule: the temple must be made of materials only from the earth, nothing else.That won’t be a problem. Not for him. Because Rok isn’t a normal little boy. No, not at all. He is a demigod: a quarter of the blood in his veins is the blood of the gods. His heritage grants him power over the earth and its many elements—over stone and soil and the deep, dark, hidden ores. Just like his three siblings, Rok has a unique magical power.However, it isn’t all meditation and peace in Zuuland. Unknown to Rok and his family, his father’s vengeful brother Labec lurks in the shadows with his two children, Coltin and Menga. Uncle Labec is consumed by the desire to steal the greatest treasure of Rok’s father, King Nyark: the ZUKOPAL, a mysterious and powerful opal ring that shimmers with all the colors of the rainbow.But it isn’t just power Uncle Labec seeks. His motivations run far deeper. Labec is the yin to King Nyark’s yang. He seeks a balancing of light and dark, and even more—revenge for past wrongs. Will Rok and his siblings be able to bring peace between their father and uncle? Or will the Zukopal drive them even further apart?

    Each day, victims are found stabbed with their clothes removed and their faces ripped off. A verse from the carol is daubed on the wall in blood. Will Quigg find the killer before he is forced to resign? Also, Quigg must choose between two women, or must he? And can he persuade the Chief to let Sergeant Begone be his partner on a permanent basis?

    Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the woman she's been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.Adapted from Paula Hawkins' novel - an international phenomenon selling over twenty million copies worldwide - this gripping new play will keep you guessing until the final moment.

    Eighteen years on, the baby, Hanora, now a young woman, is told about her adoption, but given no details. As a second world war looms, Hanora is determined to uncover the mysteries of her identity. This quest will take her across the ocean with her cousin, Billie, and headlong into the tumult of Europe. Amid the tensions of World War II, the music and the great dance halls of the era beckon, and a career as a journalist becomes possible, even as her great love, Tobe, enlists in the Infantry. But Hanora will not let the past lie, even though, decades later, the truth remains beyond her grasp. Billie, whose memory is fading as she slips into dementia, provides elusive clues, but it isn’t until Hanora discovers a set of diaries written by a late local artist and that she begins to piece together the central issue of her own identity, hidden from her since birth.Itani’s vivid storytelling, infused with music and seamless historical detail, reveals how memory, no matter how imperfect, can shape the person we believe ourselves to be.

    It's World War II, and while stationed in St. John's, Newfoundland, Jack meets the well-heeled, romantic Vivian Clift, a local girl who has never stepped off the Rock and is desperate to see the world. They marry against Vivian's family's wishes--hard to say what it is, but there's something about Jack that they just don't like--and as the war draws to a close, the new couple travels to Windsor to meet Jack's family.But when Vivian meets Jack's mother and brother, everything she thought she knew about her new husband gets called into question. They don't live in the dream home that Jack depicted, they all look different from one another--and different from anyone Vivian has ever seen--and after weeks of waiting to meet Jack's father, William Henry, he never materializes. Steeped in jazz and big-band music, spanning pre- and post-war Windsor-Detroit, St. John's, Newfoundland, and 1950s Toronto, this is an arresting, heartwrenching novel about fathers and sons, love and sacrifice, race relations and a time in our history when the world was on the cusp of momentous change.

    

    While her almost-but-not-quite ex-boyfriend Adam is on a work assignment in Europe, Anna finds herself tricked into a ditch-the-loser intervention by her supportive yet meddling girlfriends. More frustrated than ever, Anna starts to smoke, asks Buddy, the backyard squirrel, for advice, and finally seeks out the help of a caring but fashion-challenged therapist. Adding to the emotional overload, Anna's beautiful but rash sister decides to move to the Middle East. Luckily, Anna has a resource even better than Buddy or the therapist: her devoted grandmother, who tells it like it is, refuses to conform to anyone's expectations, and who continues to live on her prairie farm all alone, half-blind, and completely happy. In her richly rewarding debut novel, Daria Salamon explores the bonds that make and break family, friendship, and love with warmth and good humor.

    Before she knows it, Tilly has said goodbye to her family and is behind the wheel--ready to embark on an adventure that will transform her in ways she could not predict. Just as it will for each and every one of the elders on the trip, who soon dub themselves "the Crazy Eights." Tilly and the Crazy Eights each choose a stop to make along the way--somewhere they've always wanted to go or something they've wanted to experience. Their plan is to travel to Las Vegas, Sedona, and the Redwood Forests, with each destination the inspiration for secrets and stories to be revealed. The trip proves to be powerful medicine as they laugh, heal, argue, and reveal hopes and dreams along the way. With friendships forged, love found, hearts broken and mended, Tilly and the Crazy Eights feel ready for anything by the time their bus rolls to a stop in New Mexico. But are they?