Anna has survived the worst. So has Nat. Two broken souls, struggling to find a place in a world they no longer fit.Anna, 62, is the victim of a terrorist attack in which eleven others were murdered. Nat, 35, is an Army veteran who fought in Afghanistan. They have so little in common. And so much.A friendship stirs between them, tentative and unlikely, its foundation the violence they have seen and the memories that stalk them. Together, they begin to search for a way back home.But when Nat's wife falls unexpectedly pregnant, terrible ghosts from his wartime past rise up and much more than a friendship is at stake.Here in the After is a poignant and uplifting exploration of the legacy of trauma and the healing power of connection.'Bold, unflinching and courageous, this book dives with sensitivity and compassion into the dark shadows of PTSD to uncover light and acceptance. Heartbreaking and devastating, but luminous, tender and hopeful. The last book I read that moved me so deeply was A Thousand Splendid Suns by Khaled Hosseini.' Karen Viggers, author of The Orchardist's Daughter'A moving meditation on the toll trauma takes on the body and mind, and the human connection that can be its balm.' Vanessa McCausland, author of The Lost Summers of Driftwood'Powerful, insightful and ultimately hopeful, Here in the After is a compelling and poignant exploration of the price exacted by terror and warfare and the redemptive powers of an unlikely friendship.' Suzanne Leal, author of The Deceptions

    And they all unfold against the gripping, uncertain domestic backdrop of Labor Party infighting, plummeting polls and a leadership change from Gillard back to Rudd.

    Following the birth of the couple’s second child, this recollection details how the husband lost his eyebrows, the circus equipment multiplied, and the futon went moldy. In spite of these drawbacks, this humorous narrative highlights the new memories that this family created in their ramshackle house at number 26, including their kids wearing raincoats when the roof leaked, developing a menu consisting entirely of adzuki beans to combat eczema, and building a cubby house from the dismantled play equipment at the local park. Part autobiography, part stand-up comedy, and completely beguiling, this chronicle combines warmth and good old-fashioned ingenuity to show what it takes to hold it all together while maintaining the love in a marriage, looking after an aging parent, and bringing up kids who will get off the couch.

    At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a "man's job" of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide—bereft of the partnership of work and love that had so utterly fulfilled her—into depression and dependency.We see Jill, staggered by the loss of her father, catapulted to what seemed another planet—the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons—Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self.Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place—or to a dream—can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.

    In this collection, compiled by award-winning author Alice Pung, they tell their own stories with verve, courage and a large dose of humour. These are not predictable tales of food, festivals and traditional dress. The food is here in all its steaming glory - but listen more closely to the dinner-table chatter and you might be surprised by what you hear.Here are tales of leaving home, falling in love, coming out and finding one's feet. A young Cindy Pan vows to win every single category of Nobel Prize. Tony Ayres blows a kiss to a skinhead and lives to tell the tale. Benjamin Law has a close encounter with some angry Australian fauna, and Kylie Kwong makes a moving pilgrimage to her great-grandfather's Chinese village.Here are well-known authors and exciting new voices, spanning several generations and drawn from all over Australia. In sharing their stories, they show us what it is really like to grow up Asian, and Australian.Contributors include: Shaun Tan, Jason Yat-Sen Li, John So, Annette Shun Wah, Quan Yeomans, Jenny Kee, Anh Do, Khoa Do, Caroline Tran and many more.

    Here is a truly joyful and inspiring story of a woman achieving success on her own terms, in her own way. And now she is sharing her life, for the very first time, with us. Now I Can Dance is an uplifting story of love, family, laughter, determination and - of course - song.

    She was determined to find a better life for herself, away from the oppression and isolation of her Satmar upbringing in Williamsburg, Brooklyn. And in Exodus, Revisited she delves into what happened next--taking the reader on a journey that starts with her beginning life anew as a single mother, a religious refugee, and an independent woman in search of a place and a community where she can belong. Originally published in 2014, Deborah has now revisited and significantly expanded her story, and the result is greater insight into her quest to discover herself and the true meaning of home. Travels that start with making her way in New York expand into an exploration of America and eventually lead to trips across Europe to retrace her grandmother's life during the Holocaust, before she finds a landing place in the unlikeliest of cities. Exodus, Revisited is a deeply moving examination of the nature of memory and generational trauma, and of reconciliation with both yourself and the world.

    When it came time to select high schools, he thought it worth doing some investigation to assess the level of advantage his kids would enjoy if he spent the required $1.3 million to send them all to private schools.Shockingly, the answer was: none whatsoever.Intrigued, David continued his research, only to discover he was wrong on most counts - as are most parents - when it comes to working out what factors deliver a great education. He discovered that class size doesn't matter, your kids aren't any better off in co-ed than single-sex schools (and vice versa), composite classes are fine, fancy buildings are a waste of money, the old-tie network won't cut it in the new industries and NAPLAN is misread by everyone so is largely meaningless as a measure of quality.Taking on an ingrained and historical system of vested interests - the unions, the government, our own sense of worth, privilege and entitlement - this book is controversial and absolutely necessary. It is well researched, authoritative and accessible. It is a must-read for parents, as well as teachers and policy-makers.

    Is it a chill whisper of fear reminding us we too can kill? Grant describes ten true murder cases, each different, each complex, each with unique triggers. Fact leaves fiction for dead. For those directly affected, murder is a sombre and scarring event. For most of us, murder is an arm’s length experience, close enough to frighten and fascinate yet far enough not to traumatise. Grant proposes that our restless chatter about it, our state of heightened alert, our endless viewing, may be play therapy, reassuring us that our own killer instinct is under control.

    A tender and masterfully told story of memory, family and love.Prague, 1938: Eva flies down the street from her sister. Suddenly a man steps out, a man wearing a hat. Eva runs into him, hits the pavement hard. His hat is in the gutter. His anger slaps Eva, but his hate will change everything, as war forces so many lives into small, brown suitcases.Prague, 1980: No one sees Ludek. A young boy can slip right under the heavy blanket that covers this city - the fear cannot touch him. Ludek is free. And he sees everything. The world can do what it likes. The world can go to hell for all he cares because Babi is waiting for him in the warm flat. His whole world.Melbourne, 1980: Mala Li ka's grandma holds her hand as they climb the stairs to their third floor flat. Inside, the smell of warm pipe tobacco and homemade cakes. Here, Mana and Bill have made a life for themselves and their granddaughter. A life imbued with the spirit of Prague and the loved ones left behind.Favel Parrett's deep emotional insight and stellar literary talent shine through in this love letter to the strong women who bind families together, despite dislocation and distance. It is a tender and beautifully told story of memory, family and love. Because there is still love. No matter what.

    As the book opens, she is barely 40 but has only a short time to live. The novel charts her preoccupation with two things: how to make provision for her husband and daughters - and how to make her peace with her past.

    His sociopathic tendencies coupled with his political views make him a very dangerous man indeed. Farzad wants the world to sit up and take notice of him and randomly selects six bystanders to hold hostage at a city restaurant.JACOB BROWN is a fitness fanatic who finds himself at the centre of a bizarre situation when he arrives at his favourite restaurant to pick up a takeaway for dinner.JAGRITI GOSHAL is a young unassuming Indian waitress working at Alessandro’s Cucina.REGINA TERRY is a fearless Afro-American woman in Australia on a business visa who unexpectedly finds herself embroiled in a crazy siege with a madman.LEVI HAINES and BILL WALKER are colleagues having a business dinner at the restaurant. Bill is Levi’s sleazy boss with unethical intentions and Levi is dining with him against her will.PAUL TOWNSEND is a local electrician who happens to drop off a quote at Alessandro’s Cucina at the same time Farzad descends on the restaurant to begin taking hostages.Follow the roller coaster ride of emotions as these strangers find themselves embroiled in a terrifying siege orchestrated by a madman. The authorities scramble to put together a definitive plan of action to contain the situation quickly. But not everyone will come out alive ...

    

    Discover a breathless fairy-tale romance with swoon-worthy characters set in a glittering celebrity world. Fans of reality TV will devour this pulse-pounding, sexy Hollywood drama. Follow the lives and loves of those who work at Captive Films: Riley Johnson — Captive Films’ CEO and millionaire playboy is hot, privileged, and seriously single. He’s got it all—a brand new jet, exotic cars, a luxury penthouse, and a different aspiring actress (or two) in his bed every night. His life is perfect until the only girl he ever loved walks back into it, causing him to wonder if he truly has it all. Keatyn Douglas — Hollywood’s sweetheart and owner of Captive Films leads a chaotic, glamorous life. But running a successful film studio, writing scripts, and her own acting career leave little time for the things she dreams of, like marrying the man she loves and having babies. When drama starts at work, she may decide to give it all up for life out of the fast lane. Dawson Johnson — The dark and dreamy marketing consultant joins Captive to escape his past. For the last two years, his sole focus has been on caring for his adorable daughters after tragedy struck their lives. He comes to Captive looking for a fresh start and, if all goes well, he might find a lot more than that in Hollywood. Knox Daniels — Considered the sexiest man alive by a certain magazine, the sentiment is echoed by the actor’s adoring fans. While romance abounds in the roles he plays, he’s convinced he’ll never find his own happily ever after—until he meets a woman who just might change that. Shelby Benson — The beautiful cocktail waitress and wanna-be actress struggles to make ends meet. A chance encounter with Riley Johnson is her lucky break and the golden ticket to everything she’s ever dreamed of—fame, power, money, sex, and love. Written soap-opera style with multiple points of view, you can expect lots of drama, sex, and tabloid-worthy events.

    Over the next 2 years, I was attacked by a few wild animals, experienced unexplained phenomenon, had a massive learning curve and truly experienced the Australian outback. If you are after a story that was written to appeal to the masses and that mainstream publishers love, then this probably isn't for you. If you are after a lighthearted read that provides the raw truth about life out bush and my experience of it, then click away. I hope you enjoy. Note - mature themes.