There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

    The family -- which refuses to believe in him -- is in Wilde's way a commentary on the British nobility of the day -- and on the Americans, too. The tale, like many of Wilde's, is rich with allusion, but ends as sentimental romance...

    For this superbly disquieting collection, he selected fourteen of his favorite tales by such authors as E.F. Benson, Rosemary Timperley, and Edith WhartonIncludes:"W.S." L.P. Hartley"Harry" Rosemary Timperley"The Corner Shop" Cynthia Asquith"In the Tube" E.F. Benson"Christmas Meeting" Rosemary Timperley"Elias and the Draug" Jonas Lie"Playmates" A.M. Burrage"Ringing the Changes" Robert Aickman"The Telephone" Mary Treadgold"The Ghost of a Hand" J. Sheridan Le Fanu"The Sweeper" A.M. Burrage"Afterward" Edith Wharton"On the Brighton Road" Richard Middleton"The Upper Berth" F. Marion Crawford

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    Hidden near the edge of the woods and an hour's drive from the nearest town, its dark rooms and rich furniture entice her to explore its secrets. There's even a graveyard hidden behind the house, filled with tombstones that bear an identical year of death.If only the scratching in the walls would be quiet… The house’s dark and deadly history quickly becomes tangled with Elle’s life. At the center of it is Jonathan Gillespie, the tyrannical cult leader and original owner of the house. As Elle soon learns -- just because he’s dead, doesn’t mean he’s gone.

    Fine line-drawings by Laszlo Kubinyi enhance the mysterious and sometimes chilling mood.The lady's maid's bell (1904)The eyes (1910)Afterward (1910)Kerfol (1916)The triumph of night (1914)Miss Mary Pask (1925)Bewitched (1925)Mr Jones (1928)Pomegranate seed (1931)The looking glass (1935)All souls' (1937)

    The stories are: The Beckoning Fair One, Phantas, Rooum, Benlian, Io, The Accident, The Cigarette Case, & Hic Jacket.Excerpt: ...off!" he ordered me. "I'll send for you again when I want you!" He thrust me out. "An asylum, Mr. Benlian," I thought as I crossed the yard, "is the place for you!" You see, I didn't know him then, and that he wasn't to be judged as an ordinary man is. Just you wait till you see.... And straight away, I found myself vowing that I'd have nothing more to do with him. I found myself resolving that, as if I were making up my mind not to smoke or drink-and (I don't know why) with a similar sense that I was depriving myself of something. But, somehow, I forgot, and within a month he'd been in several times to see me, and once or twice had fetched me in to see his statue. In two months I was in an extraordinary state of mind about him. I was familiar with him in a way, but at the same time I didn't know one scrap more about him. Because I'm a fool (oh, yes, I know quite well, now, what I am) you'll think I'm talking folly if I even begin to tell you what sort of a man he was. I don't mean just his knowledge (though I think he knew everything-sciences, languages, and all that) for it was far more than that. Somehow, when he was there, he had me all restless and uneasy; and when he wasn't there I was (there's only the one word for it) jealous-as jealous as if he'd been a girl! Even yet I can't make it out.... And he knew how unsettled he'd got me; and I'll tell you how I found that out. Straight out one night, when he was sitting up in my place, he asked me: "Do you like me, Pudgie?" (I forgot to say that I'd told him they used to call me Pudgie at home, because I was little and fat; it was odd, the number of things I told him that I wouldn't have told anybody else.) "Do you like me, Pudgie?" he said. As for my answer, I don't know how it spurted out. I was much more surprised than he was, for I really didn't intend it. It was for all the world as if somebody else was talking with my mouth. "I loathe and adore you!" it came; and then I looked round,...

    In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by Otherness. Featuring an award-winning novella and fifteen stories—one of which has never been published before—Ghost Summer: Stories is sure to both haunt and delight.With an Introduction by Nalo Hopkinson and an Afterword by Steven Barnes.

    Since its publication in 1895, The King in Yellow has inspired other horror-genre writers including H. P. Lovecraft, and the text is referenced by many works of fiction, in music, and by the hit television series True Detective, starring Matthew McConaughey and Woody Harrelson. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library_We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    . . .This collection of tales transports the reader to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind, or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each story is illustrated with exquisitely eerie artwork in this special gift edition featuring an embossed textured case and a ribbon marker.Oh, Whistle, and I'll Come to You, My Lad - M.R. JamesThe Old Nurse's Story - Elizabeth GaskellThe Signalman - Charles DickensThe Body-Snatcher - Robert Louis StevensonThe Captain of the Pole-Star - Arthur Conan DoyleThe Phantom Coach - Amelia B. EdwardsThe Screaming Skull - Francis Marion Crawford

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    Lovecraft. Although "Shadows Over Innsmouth" includes the said novella, the book is a collection of Innsmouth-related stories by a number of later authors and not a single story or novel. You might also consider moving your personal rating and/or review to the appropriate page if you have read only the novella. SEVENTEEN CHILLING STORIES, INCLUDING THE ORIGINAL MASTERPIECE OF HORROR: “THE SHADOW OVER INNSMOUTH” by H. P. LovecraftInspired by H. P. Lovecraft’s classic, today’s masters of horror take up their pens and turn once more to that decayed, forsaken New England fishing village with its sparkling treasure, loathsome denizens, and unspeakable evil. “ONLY THE END OF THE WORLD AGAIN” by Neil Gaiman: The community of Innsmouth performs a blood sacrifice–with shocking, terrifying results.“THE CHURCH IN HIGH STREET” by Ramsey Campbell: In the crypt of a derelict church, a sensible young man meets a bestial, unthinkable fate. “INNSMOUTH GOLD” by David Sutton: An adventurer searches for buried treasure–and discovers a slithering hell on earth.“THE BIG FISH” by Jack Yeovil: A few months after Pearl Harbor, a mobster and his floating casino lie under water, teeming with the stuff of nightmares.AND THIRTEEN MORE TERRIFYING TALES!

    In the big white house on the hill angels are said to appear. A forgotten tenant in an isolated building becomes addicted to milk. A strange goddess is worshipped by a home-invading disciple. The least remembered gods still haunt the oldest forests. Cannibalism occurs in high society at the end of the world. The sainted undead follow their prophet to the Great Dead Sea. A confused and vengeful presence occupies the home of a first-time buyer . . . In ghastly harmony with the nightmarish visions of the award-winning writer's novels, these stories blend a lifelong appreciation of horror culture with the grotesque fascinations and childlike terrors that are the author's own. Adam Nevill's best early horror stories are collected here for the first time.