From the author of the bestselling WHEN GOD WAS A RABBIT comes this spellbinding new novel. Marvellous Ways is eighty-nine years old and has lived alone in a remote Cornish creek for nearly all her life. Lately she's taken to spending her days sitting by the river with a telescope. She's waiting for something - she's not sure what, but she'll know it when she sees it. Drake is a young soldier left reeling by the Second World War. When his promise to fulfil a dying man's last wish sees him wash up in Marvellous' creek, broken in body and spirit, the old woman comes to his aid. A Year of Marvellous Ways is a glorious, life-affirming story about the magic in everyday life and the pull of the sea, the healing powers of storytelling and sloe gin, love and death and how we carry on when grief comes snapping at our heels.

     A deadly game of cat and mouse — but who has the upper hand? Eastern Europe, 1964 Three men and a woman are seated in a train carriage travelling from Istanbul to Vienna. As they cross the Bulgarian border, a fourth man enters and joins them. That man ends up dead. The other passengers get to work transforming a British agent into a Soviet spy – taking the dead man’s clothes and stealing his identity. Under hypnosis, the British agent must forget all memories of his past. That life is gone, and he is now Comrade Dimitri Nickovitch. But will the months of training be enough? Can the British agent infiltrate the Soviet camp? Or could this foray through the Iron Curtain be his last…? THE SPY WHO SWAPPED SHOES is the first classic international Cold War mystery in the Stephen Fletcher espionage thrillers series: intriguing political double-dealing spread over Europe and the Middle East. THE STEPHEN FLETCHER ESPIONAGE THRILLER SERIES: Book One: The Spy Who Swapped Shoes Book Two: Nest of Spies Book Three: The Chessboard Spies

    Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever. Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence. Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of the best writers of our time.

    Includes: Wuthering Heights and Emma

    Little did Stanley know that his work at Viruson Technologies, creating a vaccine for a newly discovered virus would have such an impact on himself and the rest of the world. Ten years on, Matt lives in Stanley’s home town of Highfield, UK. Life is hard. Mutated Creatures have begun to appear and terrorise the world and its inhabitants. It’s now up to Matt, his friend Sarah, and Ben, the baddest guy in town, to put an end to the Creatures and to find out what really happened to Stanley Figgis.

    Pruitt is one of our best Southern fiction writers." —BookreporterMeet Jack Jordan. He’s a smooth-talking con artist with a penchant for the fast life. He’s snuck into Lufkin, Texas, in the dead of night with little more than a beat-up Honda, a hollowed-out King James Bible full of cocaine, and enough emotional baggage to sink a steam ship. He’s charming, dedicated, and extremely paranoid. Summer Ashton, his partner-in-crime. She’s stuck by him through thick and thin, but lately her mind has begun to slip. They’ve told their fair share of lies and she’s having a devil of a time remembering what’s the truth. And recently, she’s been hearing voices. Unfortunately for both of them, she’s the brains of the operation. Furthermore, they have begun to tire of one another. For these two career grifters, the sleepy East Texas countryside is but another pit stop on their rampage across the American South.Will it be their last? In WHAT WE RECKON, Eryk Pruitt explores themes of identity, loyalty, and purpose with psycho-delic, transgressive, chicken-fried twists that read like Trainspotting cut with a couple grams of Helter Skelter.

    Their erotic and ideological vicissitudes are driven by a reality they cannot control, like that of Homer’s characters. Invisible gods intervene in their lives to intertwine their physical attraction and intellectual admiration, courage and fear, secrets and unexpected complicity. They build their difficult and beautiful love in one of the most turbulent and romantic scenarios of Latin American history. They swim with the current; they enjoy it and enlarge it. But they are also dragged along by eddies that leave them breathless and turn their world upside down. Aguinis’ titles tend to be paradoxical. However, for this novel, he has preferred to place emphasis on the multiple meanings of the word passion. Passion refers to love, and also to the strength of ideals, to suffering, pleasure, salvation and the yearning for freedom. The emotional combat of the protagonists runs in parallel with the dizzying brilliance of concrete situations. This is what allows the suspense to grab the reader from the first page to the very end. A free-flowing, sweeping, and thrilling rhythm dominates the text, like that of musical passions. It should come as no surprise that this novel—where the voices of the female protagonist, her lover, and the omniscient writer alternate—has been written following Bach’s counterpoint model. From a distance, ineffable, we still hear the resounding epic of another war where the liberators sang to a different Carmela—also a torch, also a passion. Aguinis portrays his creations skillfully and renders them indelible. His skill in handling emotions does leaves no line void of poetry or consequences. And his extremely accurate style is a grounding that turns this work—situated in exceptional times—into one of the best love stories to mark out the course of literature.

    Wandering away into the night, with no memory, she can only utter the words, "I am". She ultimately arrives at the home of a couple whose only daughter has disappeared, setting in motion a tale of loss and redemption.

    Now, poised to sell his company for a luxurious sum, Mistler receives alarming news: He has only months to live. But his reaction is not what one would expect. Rather than hysteria, Mistler experiences a sense of clarity and a feeling of being set free. From what, he is unsure. In a decision that breaks the mold of his superbly organized routine, Mistler conceals his illness from his family and seeks a moment of grace to be savored alone in the decadent splendor of Venice. There, he meets a young, lustful photographer and, later, a love from his youth. But his attempts to recapture passion only magnify the reconciliations he has yet to make--with the father to whom he sacrificed his own dreams, the son with whom he has never truly accepted, and the wife to whom he has given everything but respect.A startling blend of grace and satire, Mistler's Exit is charged with unexpected moments of beauty and eroticism, pathos and humor. Like the city of Venice itself, it is a creation of timeless appeal.

    Although the plot is fictional, the central character is based on Giles's mother and some of the episodes are drawn from her life. This is the story of a dedicated teacher who moves to the hills of Kentucky to teach in a one-room schoolhouse at Piney Ridge. Zealously she tries to change the ways of the stubborn and proud Appalachian people - but to no avail. They listen to her crazy ideas about sanitation and other foolishness because to argue would be rude. But in the end they quietly go about their accustomed ways. Ultimately Miss Willie realizes that the hill customs have a beauty and dignity of their own and that some of her efforts to reform them were ill-conceived. Her warmth, generosity, and humor help her bridge the gap and find fulfillment in Piney Ridge. This is a story of reconciliation and the coming together of two different ways of life. Above all, it is a story of people and of the land to which they belong.

    It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back.Then comes that dreaded moment: He thinks they should have a talk. Braced for the worst, Ellen is pleasantly surprised. It turns out that Patrick’s ex-girlfriend is stalking him. Ellen thinks, Actually, that’s kind of interesting. She’s dating someone worth stalking. She’s intrigued by the woman’s motives. In fact, she’d even love to meet her.Ellen doesn’t know it, but she already has.

    Hot Plastic is a fascinating look at changing times on the grift." -- Nicholas Pileggi, author of Wiseguy and screenwriter of GoodFellas "Buy an extra copy of Hot Plastic and keep it in mint condition. Peter Craig's novel of outlaw life at the end of the century will be a collector's item. It's a winner." -- Tony Hillerman, author of The Wailing Wind Kevin's dad, Jerry, is a crook. And he taught his son every trick in the book. Masters of identity theft, Kevin and Jerry move from one seedy motel to another, always trying for the big score. Colette is a runaway who dreams of conning her way into the upper echelons of high society. Just a teenager, she's already a tough and talented grifter, and soon becomes Jerry's girlfriend and accomplice. When Jerry is arrested, Colette makes Kevin her willing shill, dragging him along in her endless pursuit of sophistication. Meanwhile, Kevin's compulsive pursuit of new cons, bolder hoaxes, and better forgeries leads them to violent and unimagined retributions. When Jerry is released on parole, the three are reunited for one final scam, a patchwork of old and new techniques that should set them all up for life. The question is, would they rather work together or show each other up?Hot Plastic is a hugely satisfying suspense novel about family and criminal intent from a fresh new voice.

    They are young and in love, and as soon as Isaac can get the money together, they intend to marry and have their own farm. But when Beth decides to explore her lifelong passion for drawing by taking an Englischer art class at a local community center, and Isaac finds himself swept away by the lure of earning money in a new career, will Beth and Isaac stay true to each other, or will they sacrifice their love, faith and future together to the temptations of the outside world? Find out in A Lancaster Amish Sketchbook, the third book of the bestselling Amish Identity series. This is Book 1 of 5 of the Kindle Unlimited Serial, "A Lancaster Amish Sketchbook." It is a great value for borrowers through Kindle Unlimited. If you do not have a Kindle Unlimited subscription, we recommend you get the non-serialized version by searching ASIN: B00KJ7LAUS as you will save $9.96 overall. Thank you! IF YOU LOVE CHRISTIAN BOOKS, SCROLL UP AND GRAB YOUR COPY FOR FREE WITH KINDLE UNLIMITED NOW!

     In the wake of her husband's tragic death, Lee is pregnant and one million dollars in debt to a dangerous loan shark willing to do anything to collect. Out of money and options, Lee seeks refuge in the small Oregon town where her mother's dilapidated home sits vacant, as desperate for a fresh start as Lee herself.With a baby on the way and a living to make, Lee opens a restaurant and begins to rebuild her life. But just as she catches her breath, and the eye of a local musician offering a second chance at love, she finds herself right back in the clutches of the debt collector with more to lose than ever.

    Nelson and Angela Armstrong are wealthy, successful, determined, and stubborn. The freshness of their love has gradually turned to the staleness of noncommunicating separateness. And Angela wants the separateness to be permanent. Nelson acquiesces, for he knows no way to recapture the glow which Angela seems so determined to snuff out entirely. But there is someone else who is concerned - one who died in 1848, yet his presence is uncannily real. And because of his own mistakes, he is determined to teach the Armstrongs what he learned about life, love, and survival.