But the summer after his junior year, his father demands that Marcelo work in his law firm's mailroom in order to experience "the real world." There Marcelo meets Jasmine, his beautiful and surprising coworker, and Wendell, the son of another partner in the firm.He learns about competition and jealousy, anger and desire. But it's a picture he finds in a file -- a picture of a girl with half a face -- that truly connects him with the real world: its suffering, its injustice, and what he can do to fight.Reminiscent of "The Curious Incident of the Dog in the Night-Time" in the intensity and purity of its voice, this extraordinary novel is a love story, a legal drama, and a celebration of the music each of us hears inside.

    It’s Violet’s junior year at the Westfield School. She thought she’d be focusing on getting straight As, editing the lit mag, and figuring out how to talk to boys without choking on her own saliva. Instead, she’s just trying to hold it together in the face of cutthroat academics, her crush’s new girlfriend, and the sense that things are going irreversibly wrong with her best friend, Katie. When Katie starts making choices that Violet can’t even begin to fathom, Violet has no idea how to set things right between them. Westfield girls are trained for success—but how can Violet keep her junior year from being one huge, epic failure?

    Her older brother, Toby: definitely the Star. As popular with the stoners as he is with the cheerleaders, Toby is someone you’d pay ten bucks to watch sweep Battle of the Bands and build a “beach party” in the bathroom. As for Amelia? She’s Toby Anderson’s Younger Sister. She’s perfectly happy to watch Toby’s hijinks from the sidelines, when she’s not engrossed in one of her elaborately themed Netflix movie marathons. But recently Toby’s been acting in a very non-movie-version way. He’s stopped hanging out with his horde of friends and started obsessively journaling and disappearing for days at a time. Amelia doesn’t know what’s happened to her awesome older brother, or who this strange actor is that’s taken his place. And there’s someone else pulling at her attention: a smart, cute new boyfriend who wants to know the real Amelia—not Toby’s Sidekick. Amelia feels adrift without her star, but to best help Toby—and herself—it might be time to cast a new role: Amelia Anderson, leading lady.

    Escape from their needy and despotic widowed father, and from their San Antonio neighborhood, full of old San Antonio families and all the traditions and expectations that go along with them. In the summer after her senior year of high school, Ana, the oldest sister, falls to her death from her bedroom window. A year later, her three younger sisters, Jessica, Iridian, and Rosa, are still consumed by grief and haunted by their sister’s memory. Their dream of leaving Southtown now seems out of reach. But then strange things start happening around the house: mysterious laughter, mysterious shadows, mysterious writing on the walls. The sisters begin to wonder if Ana really is haunting them, trying to send them a message—and what exactly she’s trying to say.   In a stunning follow-up to her National Book Award–longlisted novel All the Wind in the World, Samantha Mabry weaves an aching, magical novel that is one part family drama, one part ghost story, and one part love story.

    No one does.The first time Philip Digby shows up on Zoe Webster’s doorstep, he’s rude and he treats her like a book he’s already read and knows the ending to.But before she knows it, Zoe’s allowed Digby—annoying, brilliant, and somehow…attractive? Digby—to drag her into a series of hilarious, dangerous, and only vaguely legal schemes all related to the kidnapping of a local teenage girl. A kidnapping that might be connected to the tragic disappearance of his little sister eight years ago. When it comes to Digby, Zoe just can’t say no.But is Digby a hero? Or is his manic quest an indication of a desperate attempt to repair his broken family and exorcize his own obsessive-compulsive tendencies? And does she really care anyway?This is a contemporary debut with razor-sharp dialogue, ridiculously funny action, and a dynamic duo you won’t soon forget.

    At least, that's what she thinks. On her last day on Earth, she ruined the life of the person she loves most--her little sister, Emmy. So when Bea awakens from a fatal car accident to find herself on an airplane headed for a mysterious destination, she's confused, to say the least. Once on the ground, Bea receives some truly harrowing news: not only is she in purgatory, but she has been chosen to join the Memory Experience team. If she wants another shot at heaven, she'll have to use her master manipulation skills to help 5,000 souls suss out what's keeping them from moving on.There's just one slight problem. Bea's first assigned soul is Caleb, the boy who caused her accident, and the last person Bea would ever want to send to the pearly gates. But as much as Bea would love to see Caleb suffer for dooming her to a seemingly endless future of listening to other people's problems, she can't help but notice that he's kind of cute, and sort of sweet, and that maybe, despite her best efforts, she's totally falling for him. And to make matters worse, he's definitely falling for her. Now, determined to make the most of her time in purgatory, Bea must decide what is truly worth dying for--romance or revenge.

    Specifically, the VanDrexel Family Circus where, among the lion tamers, roustabouts, and trapeze artists, Victoria hopes to start a better life.Fifty years later, Victoria's sixteen-year-old granddaughter Callie is thriving. A gifted and focused tightrope walker with dreams of being a VanDrexel high wire legend just like her grandmother, Callie can't imagine herself anywhere but the circus. But when Callie's mother accepts her dream job at an animal sanctuary in Florida just months after Victoria's death, Callie is forced to leave her lifelong home behind.Feeling unmoored and out of her element, Callie pores over memorabilia from her family's days on the road, including a box that belonged to Victoria when she was Callie's age. In the box, Callie finds notes that Victoria wrote to herself with tips and tricks for navigating her new world. Inspired by this piece of her grandmother's life, Callie decides to use Victoria's circus prowess to navigate the uncharted waters of public high school.Across generations, Victoria and Callie embrace the challenges of starting over, letting go, and finding new families in unexpected places.

    So when they decide to spend Christmas in South Louisiana with her very pregnant older sister, Sophie is looking forward to some much needed private (read: make-out) time with her long-term boyfriend, Griffin. Except it turns out that Griffin wants a little freedom from their relationship. Cue devastation.Heartbroken, Sophie flees to her grandparents' house, where the rest of her boisterous extended family is gathered for the holiday. That's when her nonna devises a (not so) brilliant plan: Over the next ten days, Sophie will be set up on ten different blind dates by different family members. Like her sweet cousin Sara, who sets her up with a hot guy at an exclusive underground party. Or her crazy aunt Patrice, who signs Sophie up for a lead role in a living nativity. With a boy who barely reaches her shoulder. And a screaming baby.When Griffin turns up unexpectedly and begs for a second chance, Sophie feels more confused than ever. Because maybe, just maybe, she's started to have feelings for someone else . . . Someone who is definitely not available.This is going to be the worst Christmas break ever... or is it?

    But when a beloved teacher gives her his worn copy of The Bubblegum Reaper--a mysterious, out-of-print cult classic--the rebel within Nanette awakens. As the new and outspoken Nanette attempts to insert her true self into the world with wild abandon, she learns that rebellion can sometimes come at a high price...and with devastating consequences.

    She wouldn't have had to go back for the yearbook camera, and she wouldn't have hit her head on the steps. She wouldn't have woken up in an ambulance with amnesia. She certainly would have remembered her boyfriend, Ace. She might even have remembered why she fell in love with him in the first place. She would understand why her best friend, Will, keeps calling her "Chief." She'd know about her mom's new family. She'd know about her dad's fiancée. She never would have met James, the boy with the questionable past and the even fuzzier future, who tells her he once wanted to kiss her. She wouldn't have wanted to kiss him back.But Naomi picked heads.After her remarkable debut, Gabrielle Zevin has crafted an imaginative second novel all about love and second chances.Memoirs of a Teenage Amnesiac is a 2008 Bank Street - Best Children's Book of the Year.

    Then it's on to Harvard to fulfill the fantasy portrait of success that he and his parents have cultivated for the past four years. Four years of academic achievement. Four years of debate championships. Two years of dating the most popular girl in school. It was, literally, everything his parents could have wanted. Everything they wanted for Higgs's older brother Jeffrey, in fact. But something's not right. And when Higgs's girlfriend presents him with a seemingly innocent hypothetical question about whether or not he'd give her a kidney . . . the exposed fault lines reach straight down to the foundations of his life. . . .

    bike accident.It is Labor Day weekend in Saint Paul, Minnesota, and boy and girl collide on a dark street at two thirty in the morning: Lesh, who wears black, listens to metal, and plays MMOs; Svetlana, who embroiders her skirts, listens to Björk and Berlioz, and dungeon masters her own RPG. They should pick themselves up, continue on their way, and never talk to each other again.But they don't.This is a story of two people who do not belong in each other's lives, who find each other at a time when they desperately need someone who doesn't belong in their lives. A story of those moments when we act like people we aren't in order to figure out who we are. A story of the roles we all play-at school, at home, with our friends, and without our friends-and the one person who might show us what lies underneath it all.

    Literally of a broken heart. It could be tomorrow, or it could be next year. But the clock is ticking…All Scarlet asks is for a chance to attend high school—even if just for a week-a chance to be just like everyone else. But Scarlet can feel her heart beating out of control with each slammed locker and vicious taunt. Is this normal? Really? Yet there’s more going on than she knows. And finding out the truth might just kill Scarlet before her heart does…

    Yet, despite his efforts to blend into the background, he finds himself falling for the quintessential “It” girl, Vanessa Sheller, girlfriend of Irving’s most popular boy. To Tim's surprise, Vanessa is into him, too, but she can kiss her social status goodbye if anyone ever finds out. Tim and Vanessa begin a clandestine romance, but looming over them is the Tragedy Paper, Irving’s version of a senior year thesis, assigned by the school’s least forgiving teacher. Jumping between viewpoints of the love-struck Tim and Duncan, a current senior about to uncover the truth of Tim and Vanessa, The Tragedy Paper is a compelling tale of forbidden love and the lengths people will go to keep their love.

    Her romantic fantasies become a reality when she meets Will, who seems to truly understand Eva’s grief. Unfortunately, after Eva falls head-over-heels for him, he picks up and moves to California without any warning. Not wanting to lose the only person who has been able to pull her out of sadness—and, perhaps, her shot at real love—Eva and her best friend, Annie, concoct a plan to travel to the west coast to see Will again. As they road trip across America, Eva and Annie confront the complex truth about love. In this honest and emotional journey that National Book Award finalist Sara Zarr calls “gorgeous, funny, and joyous,” readers will experience the highs of infatuation and the lows of heartache as Eva contends with love in all of its forms.