Two men meet by accident on a bridge early one morning. Once they were best friends -- but Tommy and Jim haven't seen each other for 35 years. Back then, Tommy and his sister were abandoned by their mother and later by their abusive father, and Jim, who lived alone with his religious mother, went to high school and became a socialist. Then one winter, Jim started to doubt whether he was deserving of the friendship. Now Jim is standing on the bridge, fishing, when Tommy drives by in his expensive new Mercedes. I Refuse follows both men during the course of the fateful day that follows.Per Petterson's outstanding new novel is broader in scope than many of his previous novels, but as powerful and moving as anything he has written to date.

    A joke at first; but then he was caught up, terrifyingly, in a vision of suffering, and he sought a way out, turning first here, then there—Art, Sex, Religion. Shrike, the cynical editor, the friend and enemy, compulsively destroyed each of his friend’s gestures toward idealism. Together, in the city’s dim underworld, Shrike and Miss Lonelyhearts turn round and round in a loathsome dance, unresolvable, hating until death…The Day of the LocustTo Hollywood comes Tod Hackett, hoping for a career in scene designing, but he finds the way hard and falls in with others—extras, technicians, old vaudeville hands—who are also in difficulty. Around him he sees the great mass of inland Americans who have retired to California in expectation of health and ease. But boredom consumes them, their own emptiness maddens them; they search out any abnormality in their lust for excitement—drugs, perversion, crime. In the end only blood will serve; unreasoned, undirected violence. The day of the locust is at hand…

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

    In this taut, chilling novel, Lester Ballard--a violent, dispossessed man falsely accused of rape--haunts the hill country of East Tennessee when he is released from jail.  While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.

    The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.

    Against the backdrop of this gritty seaside town, an absurd and brutal plot develops involving three characters - Alistair Berg, his father, and their mutual mistress. In his attempt to kill his father, Berg mutilates a ventriloquist's dummy, almost falls victim to his father's mistaken sexual advances, and is relentlessly taunted by a group of tramps. Disturbing and at times startlingly comic, Berg chronicles the interrelations among these three characters as they circle one another in an escalating spiral of violence.

    Reading this novel, the reader is present at the birth of Bolaño’s enterprise in prose: all the elements are here, highly compressed, at the moment when his talent explodes. From this springboard—which Bolaño chose to publish in 2002, twenty years after he’d written it (“and even that I can’t be certain of”)—as if testing out a high dive, he would plunge into the unexplored depths of the modern novel.Antwerp’s fractured narration in 54 sections—voices from a dream, from a nightmare, from passers by, from an omniscient narrator, from “Roberto Bolaño” all speak—moves in multiple directions and cuts to the bone.

    This audacious novel is a brilliant (and literal) head trip of a book that brings us into the wildly active, albeit coma-beset, mind of Roy Strang, whose hallucinatory quest to eradicate the evil predator/scavenger marabou stork keeps being interrupted by grisly memories of the social and family dysfunction that brought him to this state. It is the sort of lethally funny cocktail of pathos, violence, and outrageous hilarity that only Irvine Welsh can pull off.

    Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.

    Twain wrote this version between November 1897 and September 1900. "Eseldorf" is German for "Assville" or "Donkeytown".

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

    Kellyanne’s brother, Ashmol, can’t see them and doesn’t believe they exist anywhere but in Kellyanne’s immature imagination. Only when Pobby and Dingan disappear and Kellyanne becomes heartsick over their loss does Ashmol realize that not only must he believe in Pobby and Dingan, he must convince others to believe in them, too.From the Trade Paperback edition.

    Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever. With his own leather mini-skirt and a makeup bag that closes with Velcro, the young “Cherry Vanilla” embarks on a journey through the Appalachian wilds, dining on transcendental cuisine, supplicating to the mystical Jackalope, encountering the most terrifying of pimps, walking on water, being venerated as an innocent girl saint—and then being denounced as the devil. By turns exhilarating and shocking, magical and realistic, Sarah brings urgency, wit, and imagination to an unknown and unforgettable world.

    Aubyn's wonderful, wry, and profound Patrick Melrose Cycle, follows five-year-old Patrick through a single day, as the Melrose family awaits the arrival of guests. Bright and imaginative, young Patrick struggles daily to contend with the searing cruelty of his father and the resignation of his embattled mother. But on this day he must endure an unprecedented horror—one that splits his world in two. In Never Mind, St. Aubyn renders this vivid tragedy with profound grace and precision, and introduces us to the unforgettable, complex figure of Patrick Melrose.

    The father has a story to share before it’s too late. He tells his son about a courageous little girl lying in a hospital bed a few miles away. She’s a smart kid—smart enough to know that she won’t beat cancer by drawing with crayons all day, but it seems to make the adults happy, so she keeps doing it. As he talks about this plucky little girl, the father also reveals more about himself: his triumphs in business, his failures as a parent, his past regrets, his hopes for the future. Now, on a cold winter’s night, the father has been given an unexpected chance to do something remarkable that could change the destiny of a little girl he hardly knows. But before he can make the deal of a lifetime, he must find out what his own life has actually been worth, and only his son can reveal that answer. With humor and compassion, Fredrik Backman’s The Deal of a Lifetime reminds us that life is a fleeting gift, and our legacy rests in how we share that gift with others.