Please come right away.We have to finish."Frances Robinson is in high school now. She lives a quiet, suburban life, far from her horrifying past. When she was a child, her birthmother smothered her three sisters. Through pure luck, Frances survived. Now her mother has just been released from prison . . . and she wants to see Frances.A new boy at school called Nix charms Frances. Together, Nix and Frances embark on a clandestine journey to visit Frances' mother: to confront the monster in its lair. This trip will help Frances at last find peace or die trying. But no matter what, Frances will discover just what it means to finish.

    But he is tormented by the ghosts of his family's violent past and, once he rises to power, he turns to murder and rapacious cruelty. He is Henry VIII. The Tudors have always captured the popular imagination. In VIII, Henry is presented afresh for a new generation of teenage readers."Succeeds brilliantly in portraying the troubled soul of Henry from youth to old age." Bookseller Pod"A real page-turner for older readers." Bookseller

    Accused of her rape, field hand Genus Jackson is lynched and dragged behind a truck down the Twelve-Mile Straight, the road to the nearby town. In the aftermath, the farm’s inhabitants are forced to contend with their complicity in a series of events that left a man dead and a family irrevocably fractured.Despite the prying eyes and curious whispers of the townspeople, Elma begins to raise her babies as best as she can, under the roof of her mercurial father, Juke, and with the help of Nan, the young black housekeeper who is as close to Elma as a sister. But soon it becomes clear that the ties that bind all of them together are more intricate than any could have ever imagined. As startling revelations mount, a web of lies begins to collapse around the family, destabilizing their precarious world and forcing all to reckon with the painful truth.

    Outside is the camp, the barbed wire, the guard towers, the city, the country that hates us. We are not free. But we are not alone.”  We Are Not Free, is the collective account of a tight-knit group of young Nisei, second-generation Japanese American citizens, whose lives are irrevocably changed by the mass U.S. incarcerations of World War II.Fourteen teens who have grown up together in Japantown, San Francisco.Fourteen teens who form a community and a family, as interconnected as they are conflicted.Fourteen teens whose lives are turned upside down when over 100,000 people of Japanese ancestry are removed from their homes and forced into desolate incarceration camps.In a world that seems determined to hate them, these young Nisei must rally together as racism and injustice threaten to pull them apart.

    At a party she discovers her younger sister, Audrey, hooking up with her boyfriend, Mike—and she abandons them both in a rage. When Mike drunkenly attempts to drive Audrey home, he crashes and Audrey ends up in a coma. Now Harley is left with guilt, grief, pain and the undeniable truth that her ex-boyfriend (who is relatively unscathed) has a drinking problem. So it’s a surprise that she finds herself reconnecting with Raf, a neighbor and childhood friend who’s recently out of rehab and still wrestling with his own demons. At first Harley doesn’t want to get too close to him. But as Audrey awakens and slowly recovers, Raf starts to show Harley a path forward that she never would have believed possible—one guided by honesty, forgiveness, and redemption.

    It’s August in Paris and 17-year-old Khayyam Maquet—American, French, Indian, Muslim—is at a crossroads. This holiday with her professor parents should be a dream trip for the budding art historian. But her maybe-ex-boyfriend is probably ghosting her, she might have just blown her chance at getting into her dream college, and now all she really wants is to be back home in Chicago figuring out her messy life instead of brooding in the City of Light. Two hundred years before Khayyam’s summer of discontent, Leila is struggling to survive and keep her true love hidden from the Pasha who has “gifted” her with favored status in his harem. In the present day—and with the company of a descendant of Alexandre Dumas—Khayyam begins to connect allusions to an enigmatic 19th-century Muslim woman whose path may have intersected with Alexandre Dumas, Eugène Delacroix, and Lord Byron. Echoing across centuries, Leila and Khayyam’s lives intertwine, and as one woman’s long-forgotten life is uncovered, another’s is transformed.

    After all, he’d prayed for whoever was up there to help him, and to help his mom, who hadn’t stopped crying since Noah died two months ago. But since when have prayers actually been answered? And since when has Jesus been so . . . irreverent?But as astounding as Jesus’ sudden appearance is, it’s going to take more than divine intervention for Walker to come to terms with his brother’s sudden death. Why would God take seventeen-year-old Noah when half of the residents in his mom’s nursing home were waiting to die? And why would he send Jesus to Coaltown, Illinois, to pick up the pieces?In a spare and often humorous text, renowned poet Ron Koertge tackles some of life’s biggest questions — and humanizes the divine savior in a way that highlights the divinity in all of us.

    Unfortunately, everyone knows what it is.Five years ago, Josh’s life changed. Drastically. And everyone in his school, his town—seems like the world—thinks they understand. But they don’t—they can’t. And now, about to graduate from high school, Josh is still trying to sort through the pieces. First there’s Rachel, the girl he thought he’d lost years ago. She’s back, and she’s determined to be part of his life, whether he wants her there or not.Then there are college decisions to make, and the toughest baseball game of his life coming up, and a coach who won’t stop pushing Josh all the way to the brink. And then there’s Eve. Her return brings with it all the memories of Josh’s past. It’s time for Josh to face the truth about what happened.If only he knew what the truth was...

    After 9/11, immigration regulations change, forcing the family to seek asylum.

    Claire believes she has everything under control until she meets “Brent” online. Brent appears to be a kindred spirit, and Claire is initially flattered by his attention. But when she meets Max, the awkward state senator’s son, her feelings become complicated.Max, also seventeen, has been working the worst summer job ever at the beachside Snack Shack. He’s also been popping painkillers. His parents—more involved in his father’s re-election than in their son’s life—fail to see what’s going on with him.Working alongside Max is Barkley, twenty-one. Lonely and obsessive, Barkley has been hearing a voice in his head. No one—not his parents, not his co-workers—realizes that Barkley is suffering from paranoid schizophrenia. Until the voice in his head orders him to take out his gun.Narrated in turns by Claire, Max, and Barkley, Before My Eyes captures a moment when possibilities should be opening up, but instead everything teeters on the brink of destruction.

    Joan’s Academy, and school is a pressure cooker. College applications, the battle for valedictorian, deciphering boys’ texts: Through it all, Colleen Rowley and her friends are expected to keep it together. Until they can’t.   First it’s the school’s queen bee, Clara Rutherford, who suddenly falls into uncontrollable tics in the middle of class. Her mystery illness quickly spreads to her closest clique of friends, then more students and symptoms follow: seizures, hair loss, violent coughing fits. St. Joan’s buzzes with rumor; rumor blossoms into full-blown panic.   Soon the media descends on Danvers, Massachusetts, as everyone scrambles to find something, or someone, to blame. Pollution? Stress? Or are the girls faking? Only Colleen—who’s been reading The Crucible for extra credit—comes to realize what nobody else has. Inspired by true events—from seventeenth-century colonial life to the halls of a modern-day high school, this is the mystery that raises the question, what’s really happening to the girls at St. Joan’s?

    Within days, Layla finds herself far from her accustomed social whirl, assigned to cover the history of the remote mill town of Macedonia, West Virginia, and destined, in her opinion, to go completely mad with boredom. But once she secures a room in the home of the unconventional Romeyn family, she is drawn into their complex world and soon discovers that the truth of the town is entangled in the thorny past of the Romeyn dynasty. At the Romeyn house, twelve-year-old Willa is desperate to learn everything in her quest to acquire her favorite virtues of ferocity and devotion—a search that leads her into a thicket of mysteries, including the questionable business that occupies her charismatic father and the reason her adored aunt Jottie remains unmarried. Layla’s arrival strikes a match to the family veneer, bringing to light buried secrets that will tell a new tale about the Romeyns. As Willa peels back the layers of her family’s past, and Layla delves deeper into town legend, everyone involved is transformed—and their personal histories completely rewritten.

    On the one hand, he craves the freedom he feels when he steals away with the eccentric girl artist next door, Holly Stroud—his first and abiding love—to balance above the earth on a makeshift tightrope. With Holly, Dom dreams of a life different in every way from his shipbuilder dad’s, a life fashioned of words and images and story. On the other hand, he finds himself irresistibly drawn to the brutal charms of Vincent McAlinden, a complex bully who awakens something wild and reckless and killing in Dom. In a raw and beautifully crafted bildungsroman, David Almond reveals the rich inner world of a boy teetering on the edge of manhood, a boy so curious and open to impulse that we fear for him and question his balance—and ultimately exult in his triumphs.

    You won't be able to look away. High school senior Jason knows how to take a punch. Living with an abusive father will teach a kid that. But he’s also learned how to hit back, earning a reputation at school that ensures no one will mess with him. Even so, all Jason truly wants is to survive his father long enough to turn eighteen, take his younger sister, Janie, and run away. Then one day, the leader of the in crowd at school, Michael, offers to pay Jason to hang out with him. Jason figures Michael simply wants to be seen with someone with a tough rep and that the money will add up fast, making Jason’s escape plan a reality. Plus, there’s Michael’s girl, Cyndra, who looks at Jason as if she sees something behind his false smile. As Jason gets drawn deeper into Michael’s game, the money keeps flowing, but the stakes grow ever more dangerous. Soon, even Jason’s fists and his ability to think on his feet aren’t enough to keep his head above water.Still Waters is an intense, gritty thriller that pulls no punches—yet leaves you rooting for the tough guy. A powerful, dynamic debut.

    Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved.Marnie and her little sister Nelly are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren’t telling. While life in Glasgow’s Hazlehurst housing estate isn’t grand, they do have each other. Besides, it’s only one year until Marnie will be considered an adult and can legally take care of them both.As the new year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? But he’s not the only one who suspects something isn’t right. Soon, the sisters’ friends, their other neighbors, the authorities, and even Gene’s nosy drug dealer begin to ask questions. As one lie leads to another, dark secrets about the girls’ family surface, creating complications that threaten to tear them apart.Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for each other.