She is a wife, a mother, and the owner of Happy People Read and Drink Coffee, a cozy literary cafe in Paris. But when she suddenly loses her beloved husband and daughter in a tragic car accident, the world as she knows it instantly vanishes. Trapped and haunted by her memories, Diane retreats from friends and family, unable and unwilling to move forward. But one year later, Diane shocks her loved ones and makes the surprising decision to move to a small town on the Irish coast, finally determined to heal and rebuild her life alone—until she meets Edward, the attractive yet taciturn Irish photographer who lives next door. At first abrasive and unwelcoming, Edward initially resents Diane’s intrusion into his life of solitude . . . until he can no longer keep her at arm’s length, and they fall into a surprising and tumultuous romance. But will it last when Diane leaves Ireland, and Edward, for the home she once ran away from in Paris? At once heartbreaking and uplifting, Diane’s story is deeply felt, reminding us that love remembered is love enduring.

    The Foundation Pit portrays a group of workmen and local bureaucrats engaged in digging the foundation pit for what is to become a grand 'general' building where all the town's inhabitants will live happily and 'in silence.'

    As they travel, they write home to wives and eunuchs in the harem and to friends in France and elsewhere. Their colourful observations on the culture differences between West and East culture conjure up Eastern sensuality, repression and cruelty in contrast to the freer, more civilized West - but here also unworthy nobles and bishops, frivolous women of fashion and conceited people of all kinds are satirized. Storytellers as well as letter-writers, Montesquieu's Usbek and Rica are disrespectful and witty, but also serious moralists. Persian Letters was a succès de scandale in Paris society, and encapsulates the libertarian, critical spirit of the early eighteenth century.

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    As Marco tells the khan about Armilla, which "has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be," the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating fine details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take.

    Gradually, the two learn to adjust to each other's fears, whims and yearnings for independence, and a fierce yet understated love emerges - one that encompasses not only the summer inhabitants but the island itself, with its mossy rocks, windswept firs and unpredictable seas.Full of brusque humour and wisdom, The Summer Book is a profoundly life-affirming story. Tove Jansson captured much of her own experience and spirit in the book, which was her favourite of the novels she wrote for adults. This new edition sees the return of a European literary gem - fresh, authentic and deeply humane.

    When their father dies and the children set out to bury him, they encounter the inhabitants of the neighboring village, and the pair's cloak of romance and superstition falls away to reveal the appalling truth of their existence. A brilliant, masterful story in which nothing is as it first seems, "The Little Girl Who Was Too Fond of Matches" is a triumph of suspense, linguistic invention, and playfulness that peers into the heart of guilt, cruelty, and violence.

    And in Pantagruel and its three sequels, Rabelais parodied tall tales of chivalry and satirized the law, theology and academia to portray the bookish son of Gargantua who becomes a Renaissance Socrates, divinely guided in his wisdom, and his idiotic, self-loving companion Panurge.

    Imbued with Roy’s unique brand of compassion and compelling understanding, this moving story focuses on a family in the Saint-Henri slums of Montreal, its struggles to overcome poverty and ignorance, and its search for love.An affecting story of familial tenderness, sacrifice, and survival during the Second World War. The novel was made into a critically acclaimed motion picture in 1983.From the Hardcover edition.

    Drawn into a complex triangle with two boys, she distracts herself from the onslaught of adulthood by playing the game of go with strangers in a public square--and yet the force of desire, like the occupation, proves inevitable. Unbeknownst to the girl who plays go, her most worthy and frequent opponent is a Japanese soldier in disguise. Captivated by her beauty as much as by her bold, unpredictable approach to the strategy game, the soldier finds his loyalties challenged. Is there room on the path to war for that most revolutionary of acts: falling in love?

    Stories he’d heard as a child had led Hertmans to suspect that their contents might be disturbing, and for years he didn’t dare to open them.When he finally did, he discovered unexpected secrets. His grandfather’s life was marked by years of childhood poverty in late-nineteenth-century Belgium, by horrific experiences on the frontlines during the First World War and by the loss of the young love of his life. He sublimated his grief in the silence of painting.Drawing on these diary entries, his childhood memories and the stories told within Urbain’s paintings, Hertmans has produced a poetic novelisation of his grandfather’s story, brought to life with great imaginative power and vivid detail.War and Turpentine is an enthralling search for a life that coincided with the tragedy of a century—and a posthumous, almost mythical attempt to give that life a voice at last.

    A skillful blend of fact and fiction, In the Time of the Butterflies is inspired by the true story of the three Mirabal sisters who, in 1960, were murdered for their part in an underground plot to overthrow the government. Alvarez breathes life into these historical figures--known as "las mariposas," or "the butterflies," in the underground--as she imagines their teenage years, their gradual involvement with the revolution, and their terror as their dissentience is uncovered.Alvarez's controlled writing perfectly captures the mounting tension as "the butterflies" near their horrific end. The novel begins with the recollections of Dede, the fourth and surviving sister, who fears abandoning her routines and her husband to join the movement. Alvarez also offers the perspectives of the other sisters: brave and outspoken Minerva, the family's political ringleader; pious Patria, who forsakes her faith to join her sisters after witnessing the atrocities of the tyranny; and the baby sister, sensitive Maria Teresa, who, in a series of diaries, chronicles her allegiance to Minerva and the physical and spiritual anguish of prison life.In the Time of the Butterflies is an American Library Association Notable Book and a 1995 National Book Critics Circle Award nominee.

    Her loving parents, both fervent radicals, fill her with the fiercely bright hope of a new and better world. But as the deprivations of war and depression take a ruthless toll, Davita unexpectedly turns to the Jewish faith that her mother had long ago abandoned, finding there both a solace for her questioning inner pain and a test of her budding spirit of independence.From the Paperback edition.

    Surrounded by the magic of beautiful women and literature, a boy must endure the deprivations of war as he suffers the hardships of growing up. His sleepy country has just thrown off centuries of tyranny, but new waves of domination inundate his city. Through the boy's eyes, we see the terrors of World War II as he witnesses fascist invasions, allied bombings, partisan infighting, and the many faces of human cruelty as well as the simple pleasures of life. Evacuating to the countryside, he expects to find an ideal world full of extraordinary things but discovers instead an archaic backwater where a severed arm becomes a talisman and deflowered girls mysteriously vanish. Woven between the chapters of the boy's story are tantalizing fragments of the city's history. As the devastation mounts, the fragments lose coherence, and we perceive firsthand how the violence of war destroys more than just buildings and bridges.

    Louis writes a journal to explain to them—and to himself—why his soul has been deformed, why his heart seems like a foul nest of twisted serpents. Mauriac’s novel masterfully explores the corruption caused by pride, avarice, and hatred, and its opposite—the divine grace that remains available to each of us until the very moment of our deaths. It is the unforgettable tale of the battle for one man’s soul.